The Bluesiana Snake Festival


Book Description

"Probably many a road scholar would testify this place makes good leavin' and better comin' back to . . . Place puts a hold on your soul, man, these streets call you like an old song . . ." So starts The Bluesiana Snake Festival as Hidden Dave Crossway, a New Orleans street sweeper, celebrates the city in its pre–Katrina skin. With the night of the "snake moon" as the backdrop, we experience the lives, languages, and rhythms of the French Quarter, an unexpected urban idyll. Through a blend of voices--Big Jim Bullshit, Shushubaby, and Brooklyn Bob, to name a few--the musical voice of New Orleans is revealed in its varied dialects, grooves reminiscent of ragtime, jazz, and blues. The result is a look into who these folks are, their ways and beliefs, their senses of truth, and of existence itself. A novel about the joy and beauty of life in the depths, the momentum and narrative heart isn't driven by a plot — it's about the trance.




The New Orleans of Fiction


Book Description

The importance of New Orleans in American culture has made the city's place in the American imagination a crucial topic for literary scholars and cultural historians. While databases of bibliographical information on New Orleans-centered fiction are available, they are of little use to scholars researching works written before the 1980s. In The New Orleans of Fiction: A Research Guide, James A. Kaser provides detailed synopses for more than 500 works of fiction significantly set in New Orleans and published between 1836 and 1980. The synopses include plot summaries, names of major characters, and an indication of physical settings. An appendix provides bibliographical information for works dating from 1981 well into the 21st century, while a biographical section provides basic information about the authors, some of whom are obscure and would be difficult to find in other sources. Written to assist researchers in locating works of fiction for analysis, the plot summaries highlight ways in which the works touch on major aspects of social history and cultural studies (i.e., class, ethnicity, gender, immigrant experience, and race). The book is also a useful reader advisory tool for librarians and readers who want to identify materials for leisure reading, particularly since genre, juvenile, and young adult fiction—as well as literary fiction—are included.




The Hierophant of 100th Street


Book Description

***WINNER – IPPY Bronze Book Award – Best Regional Fiction (2009) ***WINNER – BookBundlz Best Book (2009-2010 Winter Award) The Hierophant of 100th Street is a remarkable, unusual book: a metaphysical novel set in a violent world of slums, gangs, and prisons. Drawing on the author's experience of growing up in the infamous East Harlem neighborhood of 100th Street in the 1960s, the story follows 17-year-old Adam Kadman and his 9-year-old brother John through their respective initiations into the realities of street life while simultaneously introducing real-life characters who dwell in the life of the spirit. Veiled in the guise of fiction, most of what appears in the book is actually a truthful account of the author's real-life experience. Like the author, the young Adam also ventures out from the slums of New York to discover the meaning of life amid the horrors of existence, and finds romance, mysticism, and purpose. Seeking to extricate himself from 100th Street, Adam is drafted into the army and later travels to Egypt, where in a harsh world of theocrats and misogynists he falls in love with a young Arab woman. Out of his element, he attacks the social structure—and ends up running for his life. He returns back to the old neighborhood only to find it changed … destroyed by an invasion of drugs, betrayal, and murder. By chance he encounters a mysterious man, Clifford Bias (a renowned twentieth-century clairvoyant), and is taken under the wing of the "magus." Discovering his own psychic abilities, Adam enters his mentor's secret society and a world of mysticism and love. Tapping the same rich spiritual vein as The Da Vinci Code and The Celestine Prophecy and written in the stark language of the streets, this daring, cinematic novel explores the ancient truths and metaphysical mysteries hidden in the fabric of everyday life.




The Bluesiana Snake Festival


Book Description

"Probably many a road scholar would testify this place makes good leavin' and better comin' back to . . . Place puts a hold on your soul, man, these streets call you like an old song . . ." So starts The Bluesiana Snake Festival as Hidden Dave Crossway, a New Orleans street sweeper, celebrates the city in its pre–Katrina skin. With the night of the "snake moon" as the backdrop, we experience the lives, languages, and rhythms of the French Quarter, an unexpected urban idyll. Through a blend of voices--Big Jim Bullshit, Shushubaby, and Brooklyn Bob, to name a few--the musical voice of New Orleans is revealed in its varied dialects, grooves reminiscent of ragtime, jazz, and blues. The result is a look into who these folks are, their ways and beliefs, their senses of truth, and of existence itself. A novel about the joy and beauty of life in the depths, the momentum and narrative heart isn't driven by a plot — it's about the trance.




At the End of the Century


Book Description

A New York Times Book Review Editors' Choice Multilayered, subtle, insightful short stories from the inimitable Booker Prize–winning author, with an introduction by Anita Desai Nobody has written so powerfully of the relationship between and within India and the Western middle classes than Ruth Prawer Jhabvala. In this selection of stories, chosen by her surviving family, her ability to tenderly and humorously view the situations faced by three (sometimes interacting) cultures—European, post–Independence Indian, and American—is never more acute. In “A Course of English Studies,” a young woman arrives at Oxford from India and struggles to adapt, not only to the sad, stoic object of her infatuation, but also to a country that seems so resistant to passion and color. In the wrenching “Expiation,” the blind, unconditional love of a cloth shop owner for his wastrel younger brother exposes the tragic beauty and foolishness of human compassion and faith. The wry and triumphant “Pagans” brings us middle–aged sisters Brigitte and Frankie in Los Angeles, who discover a youthful sexuality in the company of the languid and handsome young Indian, Shoki. This collection also includes Jhabvala’s last story, “The Judge’s Will,” which appeared in The New Yorker in 2013 after her death. The profound inner experience of both men and women is at the center of Jhabvala’s writing: she rivals Jane Austen with her impeccable powers of observation. With an introduction by her friend, the writer Anita Desai, At the End of the Century celebrates a writer’s astonishing lifetime gift for language, and leaves us with no doubt of Ruth Prawer Jhabvala’s unique place in modern literature. "The stories—all of them elegantly plotted and unsentimental, with an addictive, told–over–tea quality—are largely character studies of people isolated, often tragically, by custom or self–delusion . . . Vivid, unsparing portraits are leavened with the kind of humanizing moments that evoke a total world within their compression."—Megan O’Grady, The New York Times Book Review




Uncanny Valley


Book Description

Shuttling between cultural comedies and political tragedies, Lawrence Weschler's articles have throughout his long career intrigued readers with his unique insight into everything he examines, from the ordinary to the extraordinary. Uncanny Valley continues the page–turning conversation as Weschler collects the best of his narrative nonfiction from the past fifteen years. The title piece surveys the hapless efforts of digital animators to fashion a credible human face, the endlessly elusive gold standard of the profession. Other highlights include profiles of novelist Mark Salzman, as he wrestles with a hilariously harrowing bout of writer's block; the legendary film and sound editor Walter Murch, as he is forced to revisit his work on Apocalypse Now in the context of the more recent Iraqi war film Jarhead; and the artist Vincent Desiderio, as he labors over an epic canvas portraying no less than a dozen sleeping figures. With his signature style and endless ability to wonder, Weschler proves yet again that the "world is strange, beautiful, and connected" (The Globe and Mail). Uncanny Valley demonstrates his matchless ability to analyze the marvels he finds in places and people and offers us a new, sublime way of seeing the world.




Tell Me


Book Description

Fiction




Little Owl Lost


Book Description

Friendly forest animals help a newborn owl find his mother.




The Teachings of Don B.


Book Description

This overflowing volume of previously uncollected--and utterly uncategorizable--writings by the late Donald Barthelme is a time bomb disguised as a literary last testament. Barthelme gives us an imaginary episode of BATMAN hilariously slowed down to soap-opera speed; an account of a baseball game played by T.S. Eliot and Willem "Big Bill" de Kooning; and an outlandishly illustrated chronicle of a scientific expedition in quest of God. 109 illustrations throughout.




In the Not Quite Dark


Book Description

Following her prize–winning collection Break Any Woman Down, Dana Johnson returns with a collection of bold stories set mostly in downtown Los Angeles that examine large issues –love, class, race – and how they influence and define our most intimate moments. In "The Liberace Museum," a mixed–race couple leave the South toward the destination of Vegas, crossing miles of road and history to the promised land of consumption; in "Rogues," a young man on break from college lands in his brother's Inland Empire neighborhood during a rash of unexplained robberies; in "She Deserves Everything She Gets," a woman listens to the strict advice given to her spoiled niece about going away to college, reflecting on her own experience and the night she lost her best friend; and in the collection's title story, a man setting down roots in downtown L.A. is haunted by the specter of both gentrification and a young female tourist, whose body was found in the water tower of a neighboring building. With deep insight into character, intimate relationships, and the modern search for personal freedom, In the Not Quite Dark is powerful new work that feels both urgent and timeless.