The Book of Count Lucanor and Patronio


Book Description

Don Juan Manuel, nephew of King Alfonso X, The Wise, knew well the appeal of exempla (moralized tales), which he believed should entertain if they were to provide ways and means for solving life's problems. His fourteenth-century book, known as El Conde lucanor, is considered by many to be the purest Spanish prose before the immortal Don Quixote of Cervantes written two centuries later. He found inspiration for his tales in classical and eastern literatures, Spanish history, and folklore. His stories are not translations, but are his retelling of some of the best stories in existence. The translation succeeds in making the author speak as clearly to the modern reader as to readers of his own time.




The Book of Count Lucanor and Patronio


Book Description

Don Juan Manuel, nephew of King Alfonso X, The Wise, knew well the appeal of exempla (moralized tales), which he believed should entertain if they were to provide ways and means for solving life's problems. His fourteenth-century book, known as El Conde lucanor, is considered by many to be the purest Spanish prose before the immortal Don Quixote of Cervantes written two centuries later. He found inspiration for his tales in classical and eastern literatures, Spanish history, and folklore. His stories are not translations, but are his retelling of some of the best stories in existence. The translation succeeds in making the author speak as clearly to the modern reader as to readers of his own time.




Manuscript Diversity, Meaning, and Variance in Juan Manuel's El Conde Lucanor


Book Description

Juan Manuel's El Conde Lucanor was arguably one of the great masterworks of early modern Spain. Although the work appears in five very different manuscript versions from the fourteenth to the sixteenth centuries, most modern editions of El Conde Lucanor have neglected to account for the fact that it was part of a manuscript tradition, and that its meaning is substantially affected when its original forms are not taken in to account. With Manuscript Diversity, Meaning, and Variance in Juan Manuel's El Conde Lucanor, Laurence de Looze demonstrates how the meaning of Juan Manuel's work changes depending on how the work is 'performed' in particular manuscripts. This study proceeds from the assumption that, in a pre-printing press world, each new copy or 'performance' of a work creates new meaning. By adopting this approach and by focusing on Parts II-V of the texts, de Looze argues that El Conde Lucanor raises questions about the interretation, intelligibility, and the production of knowledge. De Looze's complex and nuanced reading sheds new light on an important work and makes a significant contribution to medieval studies, Spanish studies, and the history of the book.




Count Lucanor


Book Description

This Is A New Release Of The Original 1899 Edition.




Daily Life Depicted in the Cantigas de Santa Maria


Book Description

The hundreds of illuminated miniatures found in the Cantigas de Santa Maria, sponsored by King Alfonso X (1252–84), reveal many vistas of daily life in thirteenth century Spain. No other source provides such an encyclopedic view of all classes of medieval European society, from kings and popes to the lowest peasants. Men and women are seen farming, hunting, on pilgrimage, watching bullfights, in gambling dens, making love, tending silkworms, eating, cooking, and writing poetry, to name only a few of the human activities represented here. Combining keen observation of detail with years of experience in the field, John Keller and Annette Grant Cash bring to life a world previously little explored.




The Skeleton Count


Book Description

The Skeleton Count, or The Vampire Mistress (1828) is a penny dreadful by Elizabeth Caroline Grey. Although the novel’s authorship is frequently disputed, The Skeleton Count, or The Vampire Mistress is likely the first vampire tale to be written and published by a woman. Like most penny dreadfuls, the novel makes up for a lack in style with an abundance of horror and romance. “When he had concluded the impious formula, an awful silence reigned in the turret, and he perceived the sheet gently agitated by the quivering of the limbs, which betokened returning animation. Then a shudder pervaded his frame in spite of himself, as he perceived the eyes of the corpse slowly open, and the dark dilated pupils fix their gaze on him with a strange and stolid glare.” Desperate to live to eternity, Count Rodolph makes a dangerous deal with the devil. Invigorated with his newfound power, Rodolph reanimates the corpse of the beautiful Bertha, a fitting bride to accompany him in his quest for everlasting life. Will she be a loyal and irresistible vampire mistress, or will the Count’s creation turn against him? The Skeleton Count, or The Vampire Mistress is an entertaining tale of terror and the occult from a prolific author of nineteenth century penny dreadfuls. With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Caroline Grey’s The Skeleton Count, or The Vampire Mistress is a classic penny dreadful reimagined for modern readers.




The Science of Fairy Tales


Book Description




Fictional Practice


Book Description

"To what extent were practitioners of magic inspired by fictional accounts of their art? In how far did the daunting narratives surrounding legendary magicians such as Theophilus of Adana, Cyprianus of Antioch, Johann Georg Faust or Agrippa of Nettesheim rely on real-world events or practices? Fourteen original case studies present material from late antiquity to the twenty-first century and explore these questions in a systematic manner. By coining the notion of 'fictional practice', the editors discuss the emergence of novel, imaginative types of magic from the nineteenth century onwards when fiction and practice came to be more and more intertwined or even fully amalgamated. This is the first comparative study that systematically relates fiction and practice in the history of magic"--




Dark Prisms


Book Description

The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.




...y no se lo trago la tierra / ...And the Earth Did Not Devour Him


Book Description

ñI tell you, God could care less about the poor. Tell me, why must we live here like this? What have we done to deserve this? YouÍre so good and yet you suffer so much,î a young boy tells his mother in Tomàs RiveraÍs classic novel about the migrant worker experience. Outside the chicken coop that is their home, his father wails in pain from the unbearable cramps brought on by sunstroke after working in the hot fields. The young boy canÍt understand his parentsÍ faith in a god that would impose such horrible suffering, poverty and injustice on innocent people. Adapted into the award-winning film ƒand the earth did not swallow him and recipient of the first award for Chicano literature, the Premio Quinto Sol, in 1970, RiveraÍs masterpiece recounts the experiences of a Mexican-American community through the eyes of a young boy. Forced to leave their home in search of work, the migrants are exploited by farmers, shopkeepers, even other Mexican Americans, and the boy must forge his identity in the face of exploitation, death and disease, constant moving and conflicts with school officials. In this new edition of a powerful novel comprised of short vignettes, Rivera writes hauntingly about alienation, love and betrayal, man and nature, death and resurrection and the search for community.