The Book of the Deeds of the Good Knight Jacques de Lalaing


Book Description

Contains detailed, eyewitness accounts of the most memorable exploits of Jacques de Lalaing, and leaves little reason to doubt that he was fit to be memorialised as a model of ideal knighthood. 'My honoured lord, I am sending you certain recollections of the high and admirable deeds of arms performed in the lists by your late son Jacques de Lalaing... But they are small memories in relation to the greatness of his deeds.' So begins a letter that Lefèvre de Saint-Remy, 'King of Arms' of one of the grandest orders of chivalry, the Burgundian Order of the Golden Fleece, wrote to Jacques's father following the young knight's dramatic death. It contains detailed, eyewitness accounts of many of his most memorable exploits, and leaves little reason to doubt that Jacques de Lalaing was a genuinely exceptional knight, fit to be memorialised as a model of ideal knighthood. This letter is just one of several components of the fascinating Book of the Deeds of the Good Knight Jacques de Lalaing. Not a biography by a single hand but a herald's compilation of existing documents - Lefèvre's letter, the records of other heralds and a previously lost section of Lefèvre's fine chronicle - the book traces Lalaing's career in absorbing detail. It is a remarkable story. After serving in the Burgundian conquest of Luxembourg, Lalaing set out across Europe, challenging and jousting wherever he went from Portugal to Scotland. Most famous of all was his elaborately staged deed of arms called the Fountain of Tears. Here, on a river island in Burgundy, he stood and fought all comers for an entire year in 1449-50. With grim irony Lalaing, as glamorous in his time as any sporting hero of today, was then killed by an unglamorous cannon ball in the Ghent War of 1453. Compiled largely from the work of heralds whose prime concern was accuracy, this book holds rich seams of information to be mined, offering invaluable insights into the behaviour and thinking of the nobility in the late Middle Ages. The Book of the Deeds of Jacques de Lalaing follows Nigel Bryant's previous translations of chivalric biographies from earlier centuries - those of William Marshal, Bertrand du Guesclin and Geoffroi de Charny. It shows that the ideals of chivalry - including even a commitment to crusade - were still very much alive even as the nature of warfare changed, and Jacques was a complete model of those ideals, a model which remained real, attainable and absolutely relevant.




A Chivalric Life


Book Description

First English translation of the chivalric biography of the foremost knight of the late Middle Ages.




Knight for the Ages, A


Book Description

The Livre des faits de Jacques de Lalaing (Book of the Deeds of Jacques de Lalaing), a famous Flemish illuminated manuscript, relays the audacious life of Jacques de Lalaing (1421–1453), a story that reads more like a fast-paced adventure novel. Produced in the tradition of chivalric biography, a genre developed in the mid-fifteenth century to celebrate the great personalities of the day, the manuscript’s text and illuminations begin with a magnificent frontispiece by the most acclaimed Flemish illuminator of the sixteenth century, Simon Bening. A Knight for the Ages: Jacques de Lalaing and the Art of Chivalry presents a kaleidoscopic view of the manuscript with essays written by the world’s leading medievalists, adding rich texture and providing a greater understanding of the many aspects of the manuscript’s background, creation, and reception, revealing for the first time the full complexity of this illuminated romance. The texts are accompanied by stunning reproductions of all of the manuscripts’ miniatures—never before published in color—as well as a plot summary and translations, allowing the reader to follow Jacques de Lalaing on his knightly journeys and experience the thrilling triumphs of his legendary tournaments and battles.




The Politics of Emotion


Book Description

The Politics of Emotion explores the intersection of powerful emotional states—love, melancholy, grief, and madness—with gender and political power on the Iberian Peninsula from the Middle Ages to the early modern period. Using an array of sources—literary texts, medical treatises, and archival documents—Nuria Silleras-Fernandez focuses on three royal women: Isabel of Portugal (1428–1496), queen-consort of Castile; Isabel of Aragon (1470–1498), queen-consort of Portugal; and Juana of Castile (1479–1555), queen of Castile and its empire. Each of these women was perceived by their contemporaries as having gone "mad" as a result of excessive grief, and all three were related to Isabel the Catholic (1451–1504), queen of Castile and a woman lauded in her time as a paragon of reason. Through the lives and experiences of these royal women and the observations, judgments, and machinations of their families, entourages, and circles of writers, chronicles, courtiers, moralists, and physicians in their orbits, Silleras-Fernandez addresses critical questions about how royal women in Iberia were expected to behave, the affective standards to which they were held, and how perceptions about their emotional states influenced the way they were able to exercise power. More broadly, The Politics of Emotion details how the court cultures in medieval and early modern Castile and Portugal contributed to the development of new notions of emotional excess and mental illness.




Illuminating Women in the Medieval World


Book Description

When one thinks of women in the Middle Ages, the images that often come to mind are those of damsels in distress, mystics in convents, female laborers in the field, and even women of ill repute. In reality, however, medieval conceptions of womanhood were multifaceted, and women’s roles were varied and nuanced. Female stereotypes existed in the medieval world, but so too did women of power and influence. The pages of illuminated manuscripts reveal to us the many facets of medieval womanhood and slices of medieval life—from preoccupations with biblical heroines and saints to courtship, childbirth, and motherhood. While men dominated artistic production, this volume demonstrates the ways in which female artists, authors, and patrons were instrumental in the creation of illuminated manuscripts. Featuring over one hundred illuminations depicting medieval women from England to Ethiopia, this book provides a lively and accessible introduction to the lives of women in the medieval world.




The Unicorn


Book Description

"Lise Gotfredsen has written as wide-ranging cultural history of the Unicorn using pictorial art as the scarlet thread that draws together her work on this myth that has travelled so far. This lavishly illustrated book covers a subject that is rarely examined but that holds deep resonance for many diverse cultures"--Back cover




The Fantasy of the Middle Ages


Book Description

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators. This volume aims to uncover the many reasons why the Middle Ages have proven so flexible—and applicable—to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars. This title is published to accompany an exhibition at the J. Paul Getty Museum at the Getty Center from June 21–September 11, 2022.




A Virtuous Knight


Book Description

A radical re-interpretation of the chivalric biography of Boucicaut.




Bayard the Good Knight Without Fear and Without Reproach


Book Description

That courtesy title which flies to the mind whenever the name Bayard is mentioned-"The Good Knight without Fear and without Reproach"-is no fancy name bestowed by modern admirers, but was elicited by the hero's merits in his own day and from his own people. The most valuable chronicle of the Good Knight's life and deeds was written with charming simplicity by a faithful follower, who, in single-hearted devotion to his beloved master's fame, took no thought for himself, but blotted out his own identity, content to remain for all time a nameless shadow-merely the LOYAL SERVITOR. It is from his record that the incidents in the following pages are retold. The "Loyal Servitor" is now believed from recent research to have been Jacques de Mailles, his intimate friend and companion-at-arms, probably his secretary. He certainly learnt from Bayard himself the story of his early years, which he tells so delightfully, and he writes with the most minute detail about the later events which happened in his presence, and the warlike encounters in which he himself took part; and a most vivid and interesting account he makes of it. In an ancient catalogue of the Mazarine Library, his book is first set down as the Histoire du Chevalier Bayard, par Jacques de Mailles, Paris, in 4to, 1514 (probably a mistake for 1524). The better-known edition, with only the name of the "Loyal Servitor," was published in 1527, under the title of THE VERY JOYFUL AND VERY DELIGHTFUL HISTORY OF THE LIFE, THE HEROIC DEEDS, THE TRIUMPHS AND THE VALOUR OF THE GOOD KNIGHT WITHOUT FEAR AND WITHOUT REPROACH




Chivalry and Exploration, 1298-1630


Book Description

The literature of medieval knighthood is shown to have influenced exploration narratives from Marco Polo to Captain John Smith. Explorers from Marco Polo to Captain John Smith viewed their travels and discoveries in the light of attitudes they absorbed from the literature of medieval knighthood. Their own accounts, and contemporary narratives [reinforced by the interest of early printers], reveal this interplay, but historians of exploration on the one hand, and of chivalry on the other, have largely ignored this cultural connection. Jennifer Goodman convincingly develops the ideaof the chivalric romance as an imaginative literature of travel; she traces the publication of medieval chivalric texts alongside exploration narratives throughout the later middle ages and renaissance, and reveals parallel themesand preoccupations. She illustrates this with the histories of a sequence of explorers and their links with chivalry, from Marco Polo to Captain John Smith, and including Gadifer de la Salle and his expedition to the Canary Islands, Prince Henry the Navigator, Cortés, Hakluyt, and Sir Walter Raleigh. JENNIFER GOODMAN teaches at Texas A & M University.