The Boom in Spanish American Literature


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The Latin American Literary Boom and U.S. Nationalism During the Cold War


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How the dissemination of Latin American literature in the U.S. was "caught between the desire to support the literary revolution of the Boom writers and the fear of revolutionary politics" (John King).




The Post-Boom in Spanish American Fiction


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What happened in Spanish American fiction after the Boom? Can we define the Post-Boom? What are its characteristics? How does it relate to the Boom itself? Is Post-Boom the same as Postmodernism or something quite different? Shaw traces the emergence of a different kind of writing which began to displace the Boom in the mid-1970s and has flourished ever since. More reader-friendly, more concerned with the here and now of Latin America, the writers of the Post-Boom have explored new areas of Spanish American life and incorporated characters from new social groups, especially young working-class and lower middle-class figures with their distinctive "pop" culture and freewheeling life-style. Shaw suggests that, while some Boom writers have moved toward the Post-Boom, Post-Boom narrative is distinctively different from that of the older movement and cannot be readily assimilated into Postmodernism.




Teaching the Latin American Boom


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In the decade from the early 1960s to the early 1970s, Latin American authors found themselves writing for a new audience in both Latin America and Spain and in an ideologically charged climate as the Cold War found another focus in the Cuban Revolution. The writers who emerged in this energized cultural moment--among others, Julio Cortázar (Argentina), Guillermo Cabrera Infante (Cuba), José Donoso (Chile), Carlos Fuentes (Mexico), Gabriel García Márquez (Colombia), Manuel Puig (Argentina), and Mario Varas Llosa (Peru)--experimented with narrative forms that sometimes bore a vexed relation to the changing political situations of Latin America. This volume provides a wide range of options for teaching the complexities of the Boom, explores the influence of Boom works and authors, presents different frameworks for thinking about the Boom, proposes ways to approach it in the classroom, and provides resources for selecting materials for courses.




The Cambridge Companion to the Latin American Novel


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The diverse countries of Latin America have produced a lively and ever evolving tradition of novels, many of which are read in translation all over the world. This Companion offers a broad overview of the novel's history and analyses in depth several representative works by, for example, Gabriel Garcìa Màrquez, Machado de Assis, Isabel Allende and Mario Vargas Llosa. The essays collected here offer several entryways into the understanding and appreciation of the Latin American novel in Spanish-speaking America and Brazil. The volume conveys a real sense of the heterogeneity of Latin American literature, highlighting regions whose cultural and geopolitical particularities are often overlooked. Indispensable to students of Latin American or Hispanic studies and those interested in comparative literature and the development of the novel as genre, the Companion features a comprehensive bibliography and chronology and concludes with an essay about the success of Latin American novels in translation.




Changing the Terms


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This volume explores the theoretical foundations of postcolonial translation in settings as diverse as Malaysia, Ireland, India and South America. Changing the Terms examines stimulating links that are currently being forged between linguistics, literature and cultural theory. In doing so, the authors probe complex sequences of intercultural contact, fusion and breach. The impact that history and politics have had on the role of translation in the evolution of literary and cultural relations is investigated in fascinating detail. Published in English.




Modern Latin American Literature


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This Very Short Introduction provides an overview of Latin American literature from the late eighteenth century to the present. Roberto Gonzalez Echevarria covers a wide range of topics, highlighting how Latin American literature became conscious of its continental scope and international reach in moments of political crisis, such as independence from Spain, the Spanish-American War, and the Mexican and Cuban revolutions. With this narrative, the author discusses major writers ranging from Andres Bello and Jose Maria Heredia through Borges and Garcia Marquez to Fernando Vallejo and Roberto Bolano.




Personal History


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As seen in the new movie The Post, directed by Steven Spielberg and starring Meryl Streep, here is the captivating, inside story of the woman who piloted the Washington Post during one of the most turbulent periods in the history of American media. In this bestselling and widely acclaimed memoir, Katharine Graham, the woman who piloted the Washington Post through the scandals of the Pentagon Papers and Watergate, tells her story - one that is extraordinary both for the events it encompasses and for the courage, candour and dignity of its telling. Here is the awkward child who grew up amid material wealth and emotional isolation; the young bride who watched her brilliant, charismatic husband - a confidant to John F. Kennedy and Lyndon Johnson - plunge into the mental illness that would culminate in his suicide. And here is the widow who shook off her grief and insecurity to take on a president and a pressman's union as she entered the profane boys' club of the newspaper business. As timely now as ever, Personal History is an exemplary record of our history and of the woman who played such a shaping role within them, discovering her own strength and sense of self as she confronted - and mastered - the personal and professional crises of her fascinating life.