The Bride Wore Red


Book Description

In her fascinating, funny, and provocative debut, Robbie Clipper Sethi explores the perils and rewards of cross-cultural marriage. Thirteen linked stories follow the marriages of three couples for three decades, from the late 1960s to the present, as husbands and wives confront and overcome the hazards of clashing cultures.




The Bride Wore Red Boots


Book Description

Dr. Amelia Crockett's life was going exactly the way she had always planned—until one day it wasn't. When Mia's career plans are shattered, the always-in-control surgeon has no choice but to head home to Paradise Ranch and her five younger sisters, cowboy boots in tow, to figure out how to get her life back on track. The appearance of a frustrating, but oh-so-sexy, former soldier, however, turns into exactly the kind of distraction she can't afford. Even though Mia can't stand the sight of him, Gabriel Harrison has never returned the sentiment. He can't seem to resist teasing the gorgeous doctor who pushes all of his buttons. And the searing hot kisses they share are turning him inside out. As she begins to work with Gabe, helping former vets recover from severe PTSD with the aid of some wild Mustangs, Mia finds herself becoming more like the person she used to be. She never expected to alter her life plans, and definitely never expected to fall for anyone, least of all the handsome Gabe. But fate and some lucky red boots have a way of changing things. As their lives become more complicated, will Mia and Gabe's love be enough to smooth the way to a happily ever after?







The Yearbook of Short Plays


Book Description

New non-royalty plays designed for study or production.




Lagniappe


Book Description







The Bride Wore Denim


Book Description

When Harper Lee Crockett returns home to Paradise Ranch, Wyoming, the last thing she expects is to fall head-over-heels in lust for Cole, childhood neighbor and her older sister's long-time boyfriend. The spirited and artistic Crockett sister has finally learned to resist her craziest impulses, but this latest trip home and Cole's rough-and-tough appeal might be too much for her fading self-control. Cole Wainwright has long been fascinated by the sister who's always stood out from the crowd. His relationship with Amelia, the eldest Crockett sister, isn't as perfect as it seems, and with Harper back in town, he sees everything he's been missing. Cole knows they have no future together—he's tied to the land and she's created a successful life in the big city—but neither of them can escape their growing attraction or inconvenient feelings. As Harper struggles to come to grips with new family responsibilities and her forbidden feelings for Cole, she must decide whether to listen to her head or to give her heart what it wants.




A Woman's View


Book Description

Now, Voyager, Stella Dallas, Leaver Her to Heaven, Imitation of Life, Mildred Pierce, Gilda…these are only a few of the hundreds of “women’s films” that poured out of Hollywood during the thirties, forties, and fifties. The films were widely disparate in subject, sentiment, and technique, they nonetheless shared one dual purpose: to provide the audience (of women, primarily) with temporary liberation into a screen dream—of romance, sexuality, luxury, suffering, or even wickedness—and then send it home reminded of, reassured by, and resigned to the fact that no matter what else she might do, a woman’s most important job was…to be a woman. Now, with boundless knowledge and infectious enthusiasm, Jeanine Basinger illuminates the various surprising and subversive ways in which women’s films delivered their message. Basinger examines dozens of films, exploring the seemingly intractable contradictions at the convoluted heart of the woman’s genre—among them, the dilemma of the strong and glamorous woman who cedes her power when she feels it threatening her personal happiness, and the self-abnegating woman whose selflessness is not always as “noble” as it appears. Basinger looks at the stars who played these women and helps us understand the qualities—the right off-screen personae, the right on-screen attitudes, the right faces—that made them personify the woman’s film and equipped them to make believable drama or comedy out of the crackpot plots, the conflicting ideas, and the exaggerations of real behavior that characterize these movies. In each of the films the author discusses—whether melodrama, screwball comedy, musical, film noir, western, or biopic—a woman occupies the center of her particular universe. Her story—in its endless variations of rags to riches, boy meets girl, battle of the sexes, mother love, doomed romance—inevitably sends a highly potent mixed message: Yes, you women belong in your “proper place” (that is, content with the Big Three of the women’s film world—men, marriage, and motherhood), but meanwhile, and paradoxically, see what fun, glamour, and power you can enjoy along the way. A Woman’s View deepens our understanding of the times and circumstances and attitudes out of which these movies were created.