Our Old Monsters


Book Description

The witch, the vampire and the werewolf endure in modern horror. These "old monsters" have their origins in Aristotle as studied in the universities of medieval Europe, where Christian scholars reconciled works of natural philosophy and medicine with theological precepts. They codified divine perfection as warm, light, male and associated with the ethereal world beyond the moon, while evil imperfection was cold, dark, female and bound to the corrupt world below the moon. All who did not conform to divine goodness--including un-holy women and Jews--were considered evil and ascribed a melancholic, blood hungry and demonic physiology. This construct was the basis for anti-woman and anti-Jewish discourse that has persisted through modern Western culture. Nowhere is this more evident than in horror films, where the witch, the vampire and the werewolf represent our fear of the inverted other.




The Encyclopedia of Vampires, Werewolves, and Other Monsters


Book Description

Monsters and shape-shifters have always held a special fascination in mythologies, legends, and folklore the world over. From ancient customs to famous cases of beasts and vampires and their reflections in popular culture, 600 entries provide definitions, explanations, and lists of suggested further reading.




An Examen of Witches


Book Description

Compiled in the late sixteenth century by the chief justice who served as France's most ruthless inquisitor, this is the definitive witch-hunter's handbook. It recounts the trial proceedings and accusations—making pacts with the devil, shape-shifting, and other practices of sorcery—for which countless social outcasts were tortured and condemned. Between the fifteenth and eighteenth centuries, tens of thousands of Europeans were accused of witchcraft, tortured, and executed. This volume, based on Chief Justice Henry Boguet's extensive courtroom experiences, was published in 1603. Contemporary theologians and canonists hailed it as an excellent and timely treatise. The well-known, modern-day occult expert Montague Summers edited this edition and provides an informative introduction. Summers praises the author as "vivid and graphic in his details, keenly logical in his arguments, and elegant in his expressions." Occult and Wiccan scholars will find Boguet's testament an indispensable source of historic information.




Scary Monsters


Book Description

Popular music and masculinity have rarely been examined through the lens of research into monstrosity. The discourses associated with rock and pop, however, actually include more 'monsters' than might at first be imagined. Attention to such individuals and cultures can say things about the operation of genre and gender, myth and meaning. Indeed, monstrosity has recently become a growing focus of cultural theory. This is in part because monsters raise shared concerns about transgression, subjectivity, agency, and community. Attention to monstrosity evokes both the spectre of projection (which invokes familial trauma and psychoanalysis) and shared anxieties (that in turn reflect ideologies and beliefs). By pursuing a series of insightful case studies, Scary Monsters considers different aspects of the connection between music, gender and monstrosity. Its argument is that attention to monstrosity provides a unique perspective on the study of masculinity in popular music culture.




European Magic and Witchcraft


Book Description

Magic, witches, and demons have drawn interest and fear throughout human history. In this comprehensive primary source reader, Martha Rampton traces the history of our fascination with magic and witchcraft from the first through to the seventeenth century. In over 80 readings presented chronologically, Rampton demonstrates how understandings of and reactions toward magic changed and developed over time, and how these ideas were influenced by various factors such as religion, science, and law. The wide-ranging texts emphasize social history and include early Merovingian law codes, the Picatrix, Lombard’s Sentences, The Golden Legend, and A Midsummer Night’s Dream. By presenting a full spectrum of source types including hagiography, law codes, literature, and handbooks, this collection provides readers with a broad view of how magic was understood through the medieval and early modern eras. Rampton’s introduction to the volume is a passionate appeal to students to use tolerance, imagination, and empathy when travelling back in time. The introductions to individual readings are deliberately minimal, providing just enough context so that students can hear medieval voices for themselves.




M is for Monster


Book Description

Monsters come in all sizes, dimensions, forms, and formlessness. For more than two centuries, horror writers have given these beings shape and substance in chilling tales of terror, written that readers might know them and fear them. M is for Monsteris your field guide to some of the most frightening monsters ever to appear on the printed page. Its orderly exploration of the many species of fictional monsters--one for each letter of the alphabet--serves as a modern-day bestiary of bizarre beings, creepy creatures, and things that go bump in the night, as only the most talented writers of supernatural fiction could imagine them. Featuring classic stories by H.P. Lovecraft, Edgar Allan Poe, H.G. Wells, Arthur Conan Doyle, Algernon Blackwood, Arthur Machen, M.R. James, and other masters of the macabre, M is for Monster is the perfect book for readers who want to know their horrors from A to Z.




Savagism and Civility


Book Description

When the English settlers arrived in Virginia in 1607 they carried with them a fully developed mythology about native Indian cultures. This mythology was built around the body of English writing about America that began to appear in the 1550s, prior to any significant contact between the English and the native groups, and was founded upon the assumption of the savagism of the Indian and the civility of European culture. Professor Sheehan argues that English commitment to this myth was at the root of the violence that broke out almost immediately between the settlers and the Indians. On the one hand, the Indians were seen as noble savages, free from and innocent of the deficiencies of European society. But as ignoble savages they were seen as immature, even bestial, lacking the civilising and ordering social structure that characterised European culture. Whichever perspective was adopted, this mythology was a product of the white man's world, developed without accurate information about Indian culture. This mythology justified both the exploitation that came to characterise settler-native relations and the inevitability of the violence that culminated in the massacre of 1622.




Monsters in the Movies


Book Description

From cinema's earliest days, being scared out of your wits has always been one of the best reasons for going to the movies. From B-movie bogeymen and outer space oddities to big-budget terrors, Monsters in the Movies by horror film maestro John Landis celebrates the greatest monsters ever to creep, fly, slither, stalk or rampage across the Silver Screen. Landis also surveys the historical origins of archetypal monsters, such as vampires, zombies and werewolves, and takes you behind the scenes to discover the secrets of the special-effects wizards who created such legendary frighteners as King Kong, Dracula, the Alien, and Freddy Krueger. Monsters in the Movies by John Landis is filled with the author's own fascinating and entertaining insights into the world of movie-making, and includes memorable contributions from leading directors, actors and monster-makers. The book is also stunningly illustrated with 1000 movie stills and posters drawn from the unrivaled archives of the Kobal Collection. Contents Introduction by John Landis... Explore a timeless world of fears and nightmares as John Landis investigates what makes a legendary movie monster • Monsters, chapter by chapter... Feast your eyes upon a petrifying parade of voracious Vampires, flesh-eating Zombies, slavering Werewolves, gigantic Apes and Supernatural Terrors • Spectacular double-page features... Thrill to the strangest, scariest, weirdest, and craziest movie monsters ever seen • The ingenious tricks of movie-making... Marvel as the special-effects wizards reveal how they create movie magic • A monster-movie timeline... Discover John Landis's personal selection of landmark horror films




Basic Concepts in Teratology


Book Description