Bāgh Caves


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Bagh Paintings


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The Mystery of Bagh Cave Paintings


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The Buddhist Caves at Aurangabad: Transformations in Art and Religion


Book Description

This is a study that focuses on the art and architecture of a group of Buddhist rock-cut monuments excavated on the western edge of the Deccan Plateau in India. It analyses the various cultural, historical and religious phenomena that shaped the caves at Aurangabad through the first seven centuries of the Common Era and it comments on the Buddhist tradition of the western Deccan as a whole. The result is a comprehensive work that does not address exclusively iconography and chronology, but looks beyond Aurangabad to the larger artistic and religious traditions of the Indian Subcontinent.







Cultural and Visual Flux at Early Historical Bagh in Central India


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A study of the region around the early historical Buddhist monastery in Bagh, in the state of Madhya Pradesh in central India; a special focus is given to the local cave art. The author argues that the visual art represents the religious assimilation by Buddhism, an approach caused by the process of transformation through three successive phases. The evolution of a Brahmanic class is also traced, together with the impact of Brahmanic ritual and class structures on the artwork of the monastery.




Ajanta: History and Development, Volume 7 Bagh, Dandin, Cells and Cell Doorways


Book Description

Walter Spink’s intense concern with the development of the Ajanta caves and their architectural, sculptural and painted features finds its most insistent reflection in his present richly illustrated study. In part 1, Spink explains the many connections between the Bagh caves and its “sister site”, Ajanta. He particularly emphasizes the leading role that Bagh plays in establishing the “short chronology” and in the crucial matter of Buddhist shrine development from the aniconic to iconic forms of worship. In part 2, along with his colleague Professor Naomichi Yaguchi, who also provided the photographs and the newly informative plans, the authors show how, over the course of a mere decade, better and better ways were discovered to fit the doors in the cells where the monks lived. Such an analysis reveals the vigor of the conceptual and technical changes that characterize Ajanta’s evolution from its start in the early 460s to its traumatic collapse in about 470. Moving from Ajanta’s beginning to its ending, the evolution of door fittings parallels the precise and dramatic development of Indian history in the remarkable course of the emperor Harisena’s reign.