The Rock Art of Southern Africa
Author : J. David Lewis-Williams
Publisher : CUP Archive
Page : 136 pages
File Size : 36,77 MB
Release : 1983-11-03
Category : Social Science
ISBN : 9780521244602
Author : J. David Lewis-Williams
Publisher : CUP Archive
Page : 136 pages
File Size : 36,77 MB
Release : 1983-11-03
Category : Social Science
ISBN : 9780521244602
Author : J.D. Lewis-Williams
Publisher : Ohio University Press
Page : 159 pages
File Size : 25,62 MB
Release : 2013-02-15
Category : Art
ISBN : 0821444581
San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
Author : Tim Forssman
Publisher : 30 Degrees South Publishers
Page : 0 pages
File Size : 29,65 MB
Release : 2012
Category : Art, Prehistoric
ISBN : 9781920143558
Bushman Rock Art is the first of its kind. Never before has rock art been so dissected and presented in such an easy-to-understand, interpretive manner, exploring the deep symbolic meaning behind the art and what these powerful images meant to Bushman artists.
Author : David Lewis-Williams
Publisher : Thames & Hudson
Page : 268 pages
File Size : 12,43 MB
Release : 2011-06-01
Category : Social Science
ISBN : 0500770468
Goes to the heart of contemporary arguments about the "primitive" and the "modern" minds, and draws new social, anthropological, and ethnographic conclusions about the nature of ancient societies. How did ancient peoples—those living before written records—think? Were their thinking patterns fundamentally different from ours today? Researchers over the years have certainly believed so. Along with the Aborigines of Australia, the indigenous San people of southern Africa—among the last hunter-gatherer societies on Earth—became iconic representatives of all our distant ancestors and were viewed as either irrational fantasists or childlike, highly spiritual conservationists. Since the 1960s a new wave of research among the San and their world-famous rock art has overturned these misconceived ideas. Here, the great authority David Lewis-Williams and his colleague Sam Challis reveal how analysis of the rock paintings and engravings can be made to yield vital insights into San beliefs and ways of thought. This is possible because we possess comprehensive transcriptions, made in the nineteenth century, of interviews with San informants who were shown copies of the art and gave their interpretations of it. Using the analogy of the Rosetta Stone, the authors move back and forth between these San texts and the rock art, teasing out the subtle meanings behind both. The picture that emerges is very different from past analysis: this art is not a naive narrative of daily life but rather is imbued with power and religious depth.
Author : Herbert C. Woodhouse
Publisher :
Page : 48 pages
File Size : 29,97 MB
Release : 2003
Category :
ISBN :
Author : H. C. Woodhouse
Publisher :
Page : 150 pages
File Size : 30,26 MB
Release : 1980
Category : Art, Prehistoric
ISBN :
Author : H. C. Woodhouse
Publisher :
Page : 56 pages
File Size : 43,54 MB
Release : 2002
Category : Art, Prehistoric
ISBN :
Author : J. D. Lewis-Williams
Publisher : Routledge
Page : 258 pages
File Size : 37,69 MB
Release : 2016-07
Category : Body, Mind & Spirit
ISBN : 1315423766
J.D. Lewis-Williams, one of the leading South African archaeologists and ethnographers, uses ethnographic, archival, and archaeological lines of research to understand San-Bushman mythological stories. From this, he establishes a more nuanced theory of the role of myths in cultures worldwide.
Author : Robert J. Gordon
Publisher :
Page : 280 pages
File Size : 34,63 MB
Release : 1997
Category : Art
ISBN :
Gordon (anthropology, U. of Vermont) describes the expedition 16 Denver businessmen sponsored to make their city famous by bringing back a man and women who represented the missing link between humans and the lower animals. He presents the photographs that were nearly the only result of the effort, and interprets what they were intended to portray to their creator and his audience. Paper edition (unseen), $24.95. Annotation copyrighted by Book News, Inc., Portland, OR
Author : Siyakha Mguni
Publisher : NYU Press
Page : 234 pages
File Size : 17,99 MB
Release : 2015-03-01
Category : History
ISBN : 1868147770
Siyakha Mguni’s personal journey, over many years, to discover the significance of a hitherto enigmatic theme in San rock paintings known as formlings. In Termites of the Gods, Siyakha Mguni narrates his personal journey, over many years, to discover the significance of a hitherto enigmatic theme in San rock paintings known as 'formlings'. Formlings are a painting category found across the southern African region, including South Africa, Namibia and Zimbabwe, with its densest concentration in the Matopo Hills, Zimbabwe. Generations of archaeologists and anthropologists have wrestled with the meaning of this painting theme in San cosmology without reaching consensus or a plausible explanation. Drawing on San ethnography published over the past 150 years, Mguni argues that formlings are, in fact, representations of flying termites and their underground nests, and are associated with botantical subjects and a range of larger animals considered by the San to have great power and spiritual significance. This book fills a gap in rock art studies around the interpretation and meaning of formlings. It offers an innovative methodological approach for understanding subject matter in San rock art that is not easily recognisable, and will be an invaluable reference book to students and scholars in rock art studies and archaeology.