Author : E. Douglas Bomberger
Publisher : Cambridge University Press
Page : 295 pages
File Size : 26,80 MB
Release : 2023-10-31
Category : Music
ISBN : 1108845843
The first book in twenty-five years to survey the life and music of America's pioneering female composer of concert works.
Author : Simon P. Keefe
Publisher : Cambridge University Press
Page : 344 pages
File Size : 19,37 MB
Release : 2005-10-27
Category : Music
ISBN : 9780521834834
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Author : Toby Young
Publisher : Cambridge University Press
Page : 359 pages
File Size : 23,8 MB
Release : 2024-05-30
Category : Music
ISBN : 1108831699
This wide-ranging guide offers insights for musicians and students on how to be a composer.
Author : Kristin Wendland
Publisher : Cambridge University Press
Page : 415 pages
File Size : 45,72 MB
Release : 2024-04-30
Category : Music
ISBN : 1108838472
An innovative resource which shatters tango stereotypes to account for the genre's impact on arts, culture, and society around the world. Twenty chapters by North and South American, European, and Asian contributors, some publishing in English for the first time, collectively cover tango's history, culture, and performance practice.
Author : Matthew Head
Publisher : Cambridge University Press
Page : 375 pages
File Size : 44,66 MB
Release : 2024-05-30
Category : Music
ISBN : 110848915X
Exploring a diverse, distinguished repertoire, and transcending the rhetoric of neglect, this book transforms understanding of women composers.
Author : Jan-Peter Herbst
Publisher : Cambridge University Press
Page : 415 pages
File Size : 24,75 MB
Release : 2023-10-31
Category : Music
ISBN : 110884586X
Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre.
Author : Jessica Waldoff
Publisher : Cambridge University Press
Page : 387 pages
File Size : 41,18 MB
Release : 2023-11-02
Category : Music
ISBN : 1108629482
Since its premiere in 1791, The Magic Flute has been staged continuously and remains, to this day, Mozart's most-performed opera worldwide. This comprehensive, user-friendly, up-to-date critical guide considers the opera in a variety of contexts to provide a fresh look at a work that has continued to fascinate audiences from Mozart's time to ours. It serves both as an introduction for those encountering the opera for the first time and as a treasury of recent scholarship for those who know it very well. Containing twenty-one essays by leading scholars, and drawing on recent research and commentary, this Companion presents original insights on music, dialogue, and spectacle, and offers a range of new perspectives on key issues, including the opera's representation of exoticism, race, and gender. Organized in four sections – historical context, musical analysis, critical approaches, and reception – it provides an essential framework for understanding The Magic Flute and its extraordinary afterlife.
Author : Laura Hamer
Publisher : Cambridge University Press
Page : 357 pages
File Size : 36,56 MB
Release : 2021-05-06
Category : Music
ISBN : 1108470289
An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists.
Author : John Potter
Publisher : Cambridge University Press
Page : 300 pages
File Size : 37,62 MB
Release : 2000-04-13
Category : Music
ISBN : 9780521627092
Ranging from medieval music to Madonna and beyond, this book covers in detail the many aspects of the voice.
Author : James Parsons
Publisher : Cambridge University Press
Page : 446 pages
File Size : 36,82 MB
Release : 2004-07
Category : Music
ISBN : 9780521804714
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
