Book Description
An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.
Author : William A. Everett
Publisher : Cambridge University Press
Page : 503 pages
File Size : 36,90 MB
Release : 2017-09-21
Category : Music
ISBN : 1107114748
An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.
Author : Nicholas Cook
Publisher : Cambridge University Press
Page : 347 pages
File Size : 45,38 MB
Release : 2019-09-19
Category : Computers
ISBN : 1107161789
Digital technology has profoundly transformed almost all aspects of musical culture. This book explains how and why.
Author : John Butt
Publisher : Cambridge University Press
Page : 348 pages
File Size : 29,58 MB
Release : 1997-06-26
Category : Music
ISBN : 9780521587808
The Cambridge Companion to Bach, first published in 1997, goes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. S. Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the society, beliefs and the world-view of Bach's age. The second part discusses the music and Bach's compositional style, while Part Three considers Bach's influence and the performance and reception of his music through the succeeding generations. This Companion benefits from the insights and research of some of the most distinguished Bach scholars, and from it the reader will gain a notion of the diversity of current thought on this great composer.
Author : Benedict Taylor
Publisher : Cambridge University Press
Page : 403 pages
File Size : 36,29 MB
Release : 2021-08-26
Category : History
ISBN : 1108475434
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
Author : Nicholas Everett
Publisher : Cambridge University Press
Page : 334 pages
File Size : 31,90 MB
Release : 2002-12-09
Category : Music
ISBN : 9780521796392
The Cambridge Companion to the Musical provides an accessible introduction to one of the liveliest and most popular forms of musical performance. Written by a team of specialists in the field of musical theatre especially for students and theatregoers, it offers a guide to the history and development of the musical in England and America (including coverage of New York s Broadway and London s West End traditions). Starting with the early history of the musical, the volume comes right up to date and examines the latest works and innovations, and includes information on the singers, audience and critical reception, and traditions. There is fresh coverage of the American musical theatre in the eighteenth and nineteenth centuries, the British musical theatre in the middle of the twentieth century, and the rock musical. The Companion contains an extensive bibliography and photos from key productions.
Author : Julia Listengarten
Publisher : Cambridge University Press
Page : 489 pages
File Size : 25,57 MB
Release : 2021-09-09
Category : Drama
ISBN : 1108570267
The Cambridge Companion to American Theatre since 1945 provides an overview and analysis of developments in the organization and practices of American theatre. It examines key demographic and geographical shifts American theatre after 1945 experienced in spectatorship, and addresses the economic, social, and political challenges theatre artists have faced across cultural climates and geographical locations. Specifically, it explores artistic communities, collaborative practices, and theatre methodologies across mainstream, regional, and experimental theatre practices, forms, and expressions. As American theatre has embraced diversity in practice and representation, the volume examines the various creative voices, communities, and perspectives that prior to the 1940s was mostly excluded from the theatrical landscape. This diversity has led to changing dramaturgical and theatrical languages that take us in to the twenty-first century. These shifting perspectives and evolving forms of theatrical expressions paved the ground for contemporary American theatrical innovation.
Author : John Potter
Publisher : Cambridge University Press
Page : 300 pages
File Size : 41,62 MB
Release : 2000-04-13
Category : Music
ISBN : 1139825771
Ranging from medieval music to Madonna and beyond, this book covers in detail the many aspects of the voice. The volume is divided into four broad areas. Popular Traditions begins with an overview of singing traditions in world music and continues with aspects of rock, rap and jazz. The Voice in the Theatre includes both opera singing from the beginnings to the present day and twentieth-century stage and screen entertainers. Choral Music and Song features a history of the art song, essential hints on singing in a larger choir, the English cathedral tradition and a history of the choral movement in the United States. The final substantial section on performance practices ranges from the voice in the Middle Ages and the interpretation of early singing treatises to contemporary vocal techniques, ensemble singing, the teaching of singing, children's choirs, and a comprehensive exposition of vocal acoustics.
Author : André De Quadros
Publisher : Cambridge University Press
Page : 359 pages
File Size : 20,64 MB
Release : 2012-08-16
Category : Music
ISBN : 0521111730
Bringing together perspectives on history, global activity and professional development, this Companion provides a unique overview of choral music.
Author : Melanie Fritsch
Publisher : Cambridge University Press
Page : 483 pages
File Size : 40,43 MB
Release : 2021-04-29
Category : Computers
ISBN : 1108473024
A wide-ranging survey of video game music creation, practice, perception and analysis - clear, authoritative and up-to-date.
Author : James Parsons
Publisher : Cambridge University Press
Page : 446 pages
File Size : 34,51 MB
Release : 2004-07
Category : Music
ISBN : 9780521804714
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.