The Cambridge Haydn Encyclopedia


Book Description

For well over two hundred years, Joseph Haydn has been by turns lionized and misrepresented - held up as celebrity, and disparaged as mere forerunner or point of comparison. And yet, unlike many other canonic composers, his music has remained a fixture in the repertoire from his day until ours. What do we need to know now in order to understand Haydn and his music? With over eighty entries focused on ideas and seven longer thematic essays to bring these together, this distinctive and richly illustrated encyclopedia offers a new perspective on Haydn and the many cultural contexts in which he worked and left his indelible mark during the Enlightenment and beyond. Contributions from sixty-seven scholars and performers in Europe, the Americas, and Oceania, capture the vitality of Haydn studies today - its variety of perspectives and methods - and ultimately inspire further exploration of one of western music's most innovative and influential composers.




The Cambridge Companion to Haydn


Book Description

This Companion provides an accessible and up-to-date introduction to the musical work and cultural world of Joseph Haydn. Readers will gain an understanding of the changing social, cultural, and political spheres in which Haydn studied, worked, and nurtured his creative talent. Distinguished contributors provide chapters on Haydn and his contemporaries, his working environments in Eisenstadt and Eszterháza, and humor and exoticism in Haydn's oeuvre. Chapters on the reception of his music explore keyboard performance practices, Haydn's posthumous reputation, sound recordings and images of his symphonies. The book also surveys the major genres in which Haydn wrote, including symphonies, string quartets, keyboard sonatas and trios, sacred music, miscellaneous vocal genres, and operas composed for Eszterháza and London.




Haydn Studies


Book Description

The advances in Haydn scholarship would have been unthinkable to earlier generations, who honoured the composer more in word than in deed. Haydn Studies deals with many aspects of a composer who is perennially fresh, concentrating principally on matters of reception, style and aesthetics and presenting many interesting readings of the composer's work. Haydn has never played a major role in accounts of cultural history and has never achieved the emblematic status accorded to composers such as Beethoven, Debussy and Stravinsky, in spite of his radical creative agenda: this volume broadens the base of our understanding of the composer.




The Cambridge Handel Encyclopedia


Book Description

George Frideric Handel was born and educated in Germany, flourished in Italy, and chose to become British. One of the most cosmopolitan of the great composers, much of Handel's music has remained in the popular repertory since his lifetime, and a broad variety of his music theatre works from Italian operas to English oratorios have experienced a dramatic renaissance since the late twentieth century. A large number of publications devoted to Handel's life and music have appeared from his own time to the present day, but The Cambridge Handel Encyclopedia gathers the full range of present knowledge and leading scholarship into a single volume for convenient and illuminating reference. Packed with well over 700 informative and accessible entries, both long and short, this book is ideal for performers, scholars, students and music lovers who wish to explore the Handelian world.




The Cambridge Companion to the String Quartet


Book Description

This Companion offers a concise and authoritative survey of the string quartet by eleven chamber music specialists. Its fifteen carefully structured chapters provide coverage of a stimulating range of perspectives previously unavailable in one volume. It focuses on four main areas: the social and musical background to the quartet's development; the most celebrated ensembles; string quartet playing, including aspects of contemporary and historical performing practice; and the mainstream repertory, including significant 'mixed ensemble' compositions involving string quartet. Various musical and pictorial illustrations and informative appendixes, including a chronology of the most significant works, complete this indispensable guide. Written for all string quartet enthusiasts, this Companion will enrich readers' understanding of the history of the genre, the context and significance of quartets as cultural phenomena, and the musical, technical and interpretative problems of chamber music performance. It will also enhance their experience of listening to quartets in performance and on recordings.




The Cambridge Companion to Recorded Music


Book Description

Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.




The Cambridge Companion to the Orchestra


Book Description

This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.




The Cambridge Companion to Haydn


Book Description

An introduction to the musical work and cultural world of Joseph Haydn.




Engaging Haydn


Book Description

Haydn is enjoying renewed appreciation: this book explores fresh approaches to his music and the cultural forces affecting it.




Instrumental Music in an Age of Sociability


Book Description

Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).