The Cambridge Songs


Book Description

"The Cambridge Songs, from the Latin Carmina Cantabrigiensia, is the most important anthology of songs from before the thirteenth-century Carmina Burana. It offers the only major surviving anthology of Latin lyric poems from between Charlemagne and the Battle of Hastings. It contains panegyrics and dirges, political poems, comic tales, religious and didactic poems, and poetry of spring and love. Was it a classbook for the study of students, or a songbook for the use of professional entertainers? The greatest certainty is that the poems were composed in the learned language, and that they were associated with song. The collection is like the contents of an eleventh-century jukebox or playlist of top hits from more than three centuries This edition and translation, now in its third printing, has become a standard. It comprises a substantial introduction, the Latin texts and English prose in carefully matched presentation, and extensive commentary, along with appendices, list of works cited, and indices. This book is meant for anyone, especially those interested in the culture of music, Latin, and traveling entertainers, who wishes to get a taste of literature and life in the early Middle Ages. It works equally well for classrooms and personal reading"--




The Cambridge Songs


Book Description

Cambridge, The University press, 1915.




The Cambridge Songs


Book Description







The Cambridge History of Seventeenth-Century Music


Book Description

First published in 2005, this title provides extensive knowledge on seventeenth-century music.




The Cambridge History of World Music


Book Description

Scholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.




The Cambridge Companion to Singing


Book Description

Ranging from medieval music to Madonna and beyond, this book covers in detail the many aspects of the voice. The volume is divided into four broad areas. Popular Traditions begins with an overview of singing traditions in world music and continues with aspects of rock, rap and jazz. The Voice in the Theatre includes both opera singing from the beginnings to the present day and twentieth-century stage and screen entertainers. Choral Music and Song features a history of the art song, essential hints on singing in a larger choir, the English cathedral tradition and a history of the choral movement in the United States. The final substantial section on performance practices ranges from the voice in the Middle Ages and the interpretation of early singing treatises to contemporary vocal techniques, ensemble singing, the teaching of singing, children's choirs, and a comprehensive exposition of vocal acoustics.




The Cambridge Companion to Video Game Music


Book Description

A wide-ranging survey of video game music creation, practice, perception and analysis - clear, authoritative and up-to-date.




The Cambridge Songs


Book Description