The Carolingians in Central Europe, Their History, Arts, and Architecture


Book Description

This book is an attempt to focus where pertinent on the Carolingian cultural inventory produced and assembled in the libraries, museums and architectural sites of Central Europe. This inventory allows conclusions which demonstrate the originality of the literary, artistic and architectural efforts.




The Grove Encyclopedia of Medieval Art and Architecture


Book Description

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.




The Medieval Empire in Central Europe


Book Description

This book offers a concise yet detailed political history of medieval Central Europe as it traces the history of the Medieval Empire from its inception as a kingdom during the early 10th century, to its formation as Roman Empire, its support of the papacy, its struggle with the papacy for supremacy, the shift of its centre of gravity to Italy and its demise into particularist parts by the middle of the 13th century. It surveys the three dynasties which ruled the Post-Carolingian Empire and follows the political emergence of a disjointed region through its crystallization into an independent kingdom to become by the year 1000 the strongest military and political power in Europe, ultimately called upon to stabilize the political unrest in Italy. As Roman emperors the kings ordered the affairs of the city of Rome and bolstered the spiritual and political position of the popes until several competent popes turned the papal dependency into its primacy and enforced the subordination of the secular authorities. The Crusades helped to play great military and political power into papal hands, so that the secular authority declined, as the monarchy lost interest in Germany and became focused on Italy and especially on Sicily.




Continuity and Rupture in the Long Middle Ages


Book Description

The “Long Middle Ages” indicates a span of time extending from Antiquity, across the Middle Ages, to the Early Modern period. The author tries to understand factors of historical continuity binding this period together and the periodic scenes of violent change that disrupted societies and traditions. The Long Middle Ages were established on classical and biblical foundations, while each generation interpreted and expanded on those origins. The cohesion of the Long Middle Ages was brought about by continuous acts of reflection and renascence. Scholarly practices and ideas of Antiquity were taken up in the monasteries and cathedral schools of the Middle Ages, while during the Renaissance, and then the Baroque period, thinkers looked back to Antiquity and to the Middle Ages. Continuity and Rupture in the Long Middle Ages is an interdisciplinary approach to intellectual history, which puts the history of ideas in the context of cultural, political, religious, and legal history. Medieval history is the central moment, while continuity and change are found in traditions extending from the Lord’s Prayer (AD 30) to Jean Mabillon (AD 1632–1707) and onward to moderns like Ernst Cassirer and Paul Ricoeur. Readers will discover new significance in historical figures like the Venerable Bede, Boniface of Mainz, Charlemagne, and Pope Formosus – in the laws of medieval kings and bishops – and institutions like the monastery of Cluny. These essays, gathered together for the first time in this Variorum volume, offer powerful new interpretations for students and researchers in the fields of medieval studies, legal and literary interpretation, legal history, and the history of European intellectual life from ancient to modern times.




Modern Germany


Book Description

Modern Germany explores life, society, and history in this comprehensive thematic encyclopedia, spanning such topics as geography, pop culture, the media, and gender. Germany and its capital, Berlin, were the fulcrum of geopolitics in the twentieth century. After the Second World War, Germany was a divided nation. Many German citizens were born and educated and continued to work in eastern Germany (the former German Democratic Republic). This title in the Understanding Modern Nations series seeks to explain contemporary life and traditional culture through thematic encyclopedic entries. Themes in the book cover geography; history; politics and government; economy; religion and thought; social classes and ethnicity; gender, marriage, and sexuality; education; language; etiquette; literature and drama; art and architecture; music and dance; food; leisure and sports; and media and pop culture. Within each theme, short topical entries cover a wide array of key concepts and ideas, from LGBTQ issues in Germany to linguistic dialects to the ever-famous Oktoberfest. Geared specifically toward high school and undergraduate German students, readers interested in history and travel will find this book accessible and engaging.







Images, Iconoclasm, and the Carolingians


Book Description

In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated. The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art. Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades.




Marble Past, Monumental Present


Book Description

This survey and synthesis of the structural and decorative uses of Roman remains, particularly marble, throughout the mediaeval Mediterranean, deals with the Christian West - but also Byzantium and Islam, each the inheritor of much Roman territory. It includes a 5000-image DVD.




Dudo of Saint-Quentin's Historia Normannorum


Book Description

"When Dudo of Saint-Quentin's Historia Normannorum first appeared in or around 1015, written for the then Duke of Normandy, Richard II, Dudo created a text without precedent. By committing the lives and deeds of Richard II's ancestors to written memory for the first time since the foundation of Normandy under the Viking Rollo in 911, Dudo provided the Norman court at Rouen with both an official dynastic historiography and a treasured record of their collective past. The Historia Normannorum was conceived, from the outset, as an idiosyncratic text which purported to be both staunchly traditional and remarkably innovative. By means of a pioneering transdisciplinary combination of Historical Studies, Manuscript Studies, Literary Theory and Cultural Memory Studies, this book explores medieval historiography through a unique and highly innovative lens. The analysis showcases the Historia Normannorum's status as one of the most formative historical narratives of the Middle Ages, one which may even provide the earliest surviving example of an illustrated chronicle from the entire Latin West."--Back cover.




Creating the "Divine" Artist: From Dante to Michelangelo


Book Description

An investigation of why Michelangelo first, and then many other, Renaissance artists and works were called "divine" by contemporaries, this study ranges from fourteenth-century praise of Dante to a variety of sixteenth-century habits of courtly compliment.