The Carter Prestons and Tyson Smiths


Book Description

Document from the year 2012 in the subject History - Miscellaneous, grade: 71/100, course: MArch, language: English, abstract: The present study explores the transformation of the city of Liverpool, from a British commercial city into a centre of culture, architecture, art and sculpture from the late 19th century to the end of 20th century. It analyses the lives, careers and artistic family trees of two of the most important sculptors of the time, Herbert Tyson Smith and Edward Carter Preston (including the potter Julia Carter Preston). Also, it explores medal design, sculpture and architectural decoration in Liverpool at the period, with detailed analysis on the sculptures of the Anglican Cathedral and the Martins Bank building. The period from 1880's until 1960's was enough for the Liverpool architects and artists of the time to produce an incredible collection of sculptures and architectural decoration which accompanied the modern Beaux Arts, steel framed buildings. Finally, the architectural decorations, medals, and sculptures were out of favour by the late 20th century and also, the artistic family trees of Herbert Tyson Smith and Edward Carter Preston came to an end after their grandchildren's generation, with none of them having become a professional sculptor or artist.




Edward Carter Preston, 1885-1965


Book Description

Edward Carter Preston was a significant figure in Liverpool’s art scene from the First World War through to his death in 1965. In 1931 he received a commission from Sir Giles Gilbert Scott to prepare a major sculptural scheme for the City’s monumental Anglican Cathedral. Over the next thirty years Carter Preston made fifty sculptures, ten memorials and several reliefs for the Cathedral. Alongside his public achievements he pursued his personal artistic interests, sculpting on a more intimate scale, painting in watercolors, making prints and designing a range of ornamental and utilitarian objects. This exhibition catalogue has a foreword by Ann Compton and includes four essays.







Bluecoat, Liverpool


Book Description

Bluecoat is a unique and much-loved Liverpool institution, its oldest city centre building. This book tells the fascinating story of its transformation from charity school to contemporary arts centre, the UK's first. Its early 18th century origins shed light on the religious and maritime mercantile environment of the growing port, whose merchants supported the school. Echoes from then are revealed in themes explored by artists in the 20th century, including slavery and colonial legacies. The predominant focus is on an inclusive building for the arts, starting with colourful bohemian society, the Sandon, who established an artistic colony in 1907, hosting significant exhibitions by the Post-Impressionists and many leading modern British artists. Bluecoat Society of Arts emerged as the building's custodians, paving the way for the arts centre which, despite financial struggles and wartime bomb damage, survived and continues to play a prominent role in Liverpool's and the UK's culture. Bluecoat is described as where 'village hall meets the avant-garde'. In its rich story, Picasso, Stravinsky, Yoko Ono, Captain Beefheart, Simon Rattle and the inspirational Fanny Calder are just some of the names encountered, as key strands, including music, visual art, performance and the building's tenants, are traced.




Return to an Order of the Honourable the House of Commons ... For, Account "of the Income and Expenditure of the British Museum (Special Trust Funds) for the Year Ending ... and Return of the Number of Persons Admitted to Visit the Museum and the British Museum (Natural History) in Each Year from ... Together with a Statement of the Progress Made in the Arrangement and Description of the Collections, and an Account of Objects Added to Them in the Year ..."


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British Sculptors of the Twentieth Century


Book Description

This title was first published 2003. In the twentieth century, Britain was rich in artistic achievement, especially in sculpture. Just some of those working in this field were Jacob Epstein, Henri Gaudier-Brzeska, Henry Moore, Barbara Hepworth, Anthony Caro, Richard Long, Mona Hatoum and Anish Kapoor. The work of these and other known and less well-known artists has an astonishing variety and expressive power, a range and strength that has placed Britain at the hub of the artistic world. Alan Windsor has compiled a concise biographical dictionary of sculpture in Britain in book form. Richly informative and easy-to-use, this guide is an art-lover's and expert's essential reference. Written by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterization of the artist's work, and, where appropriate, major bibliographical references.




Art and the Sea


Book Description

This edited collection re-examines the relationship between art and the sea, reflecting growing interest in the intersections between art and maritime history. Artists have always been fascinated by and drawn to the sea and this book considers some of the themes and approaches in art that have evolved as a result of this captivation. The chapters consider how an examination of art can provide new insights into existing knowledge of port and maritime history, and are representative of a ‘cultural turn’ in port and maritime studies, which is becoming increasingly visible. In Art and the Sea, multiple perspectives are offered as a result of the contributors’ individual positions and methodologies: some museological, others art historical or maritime-historical. Each chapter proposes a new way of building upon available interpretations of port and maritime history: whether this be to reject, support or reconsider existing knowledge. The book as a whole is a timely addition, therefore, to the developing body of revisionist texts in port and maritime history. The interdisciplinary nature of the volume relates to a current trend for interdisciplinarity in art history and will appeal to those with an interest in art history, geography, sociology, history and transport / maritime studies.




The Medal


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Design Culture in Liverpool, 1880-1914


Book Description

By the 1930s the Liverpool School of Architecture was the most famous British school of architecture in the world, promoting modern architecture and city planning internationally. This book looks at the cultural environment in Liverpool at the turn of the twentieth century which enabled such an important institution to come to fruition. It examines attitudes towards design practice through the work of patrons, practitioners, institutions and theorists in the city, and considers the way their ideas were formed by national and international trends. From a city microcosm of contesting design aesthetics emerged a unique synthesis that was to exert a profound international influence in architectural and planning design.




The Art Sheds, 1894-1905


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