The Cartoons that Came to Life


Book Description

Finn loves drawing comic strips featuring his two cartoon heroes, Arley and Tapper. But after being teased at school, he finds he can't draw them any more - and is shocked to see them climbing out of his sketchbook for real! With the help of his friend Isha, Finn needs to find a way to draw them back to their comic world - and quickly ...




The Animated Man


Book Description

Film and televsion.




Chuck Amuck


Book Description

The illustrated classic, complete with a new preface by Matt Groening. Winner of three Academy Awards and numerous other prizes for his animated films, Chuck Jones is the director of scores of famous Warner Bros. cartoons and the creator of such memorable characters as the Road Runner, Wile E. Coyote, Pepé Le Pew, and Marvin Martian. In this beguiling memoir, Chuck Jones evokes the golden years of life at "Termite Terrace," the Warner Bros. studio in which he and his now-famous fellow animators conceived the cartoons that delighted millions of moviegoers throughout the world and entertain new generations of fans on television. Not a mere history, Chuck Amuck captures the antic spirit that created classic cartoons-such as Duck Dodgers in the 241/2 Century, One Froggy Evening, Duck Amuck, and What's Opera, Doc?-with some of the wittiest insights into the art of comedy since Mark Twain.




The Cartoons that Saved the World


Book Description

When best friends and comic strip creators Finn and Isha discover a group of ‘lost toons’ stranded in the real world, they vow to help them get back home. Instead, the pair are zapped into Toon World themselves! Can they make it back to reality before it’s all too late?




How About Never—Is Never Good for You?


Book Description

Memoir in cartoons by the longtime cartoon editor of The New Yorker People tell Bob Mankoff that as the cartoon editor of The New Yorker he has the best job in the world. Never one to beat around the bush, he explains to us, in the opening of this singular, delightfully eccentric book, that because he is also a cartoonist at the magazine he actually has two of the best jobs in the world. With the help of myriad images and his funniest, most beloved cartoons, he traces his love of the craft all the way back to his childhood, when he started doing funny drawings at the age of eight. After meeting his mother, we follow his unlikely stints as a high-school basketball star, draft dodger, and sociology grad student. Though Mankoff abandoned the study of psychology in the seventies to become a cartoonist, he recently realized that the field he abandoned could help him better understand the field he was in, and here he takes up the psychology of cartooning, analyzing why some cartoons make us laugh and others don't. He allows us into the hallowed halls of The New Yorker to show us the soup-to-nuts process of cartoon creation, giving us a detailed look not only at his own work, but that of the other talented cartoonists who keep us laughing week after week. For desert, he reveals the secrets to winning the magazine's caption contest. Throughout How About Never--Is Never Good for You?, we see his commitment to the motto "Anything worth saying is worth saying funny."




The Cartoon Music Book


Book Description

The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.




Life, Animated


Book Description

Now an award winning motion picture! Imagine being trapped inside a Disney movie and having to learn about life mostly from animated characters dancing across a screen of color. A fantasy? A nightmare? This is the real-life story of Owen Suskind, the son of the Pulitzer Prize-winning journalist Ron Suskind and his wife, Cornelia. An autistic boy who couldn't speak for years, Owen memorized dozens of Disney movies, turned them into a language to express love and loss, kinship, brotherhood.The family was forced to become animated characters, communicating with him in Disney dialogue and song; until they all emerge, together, revealing how, in darkness, we all literally need stories to survive. This edition has been updated with additional material from the Suskind family.




Seven Minutes


Book Description

He traces the development of the art at Disney, the forces that led to full animation, the whiteness of Snow White and Mickey Mouse becoming a logo.




We Made A Movie


Book Description

The funny, heart-warming sequel to the acclaimed We Won an Island. When Luna's family won an island, their dreams came true - Luna opened a donkey sanctuary, her sister flew a plane, and her brother won a sheep pageant. But Luna's new donkey has a mortal fear of beaches, her mum's goat-yoga business is on the rocks, and her brother is weirder than ever! Luna's got a brilliant plan to solve her family's problems - it's time to enter the movie-making business... A laugh-out-loud story of family, fun and sunny adventures from the author of We Won An Island, one of The Telegraph's best 50 books of 2019: "This book is definitely a bask in the sun." Telegraph




The Day the Crayons Came Home


Book Description

The companion to the #1 blockbuster bestseller, The Day the Crayons Quit! “Highly anticipated (yes, even for adults)” —Entertainment Weekly I'm not sure what it is about this kid Duncan, but his crayons sure are a colorful bunch of characters! Having soothed the hurt feelings of one group who threatened to quit, Duncan now faces a whole new group of crayons asking to be rescued. From Maroon Crayon, who was lost beneath the sofa cushions and then broken in two after Dad sat on him; to poor Turquoise, whose head is now stuck to one of Duncan's stinky socks after they both ended up in the dryer together; to Pea Green, who knows darn well that no kid likes peas and who ran away—each and every crayon has a woeful tale to tell and a plea to be brought home to the crayon box. Praise for The Day the Crayons Came Home "Mr. Daywalt’s text blends with Mr. Jeffers’s illustrations to make a picture book that will have children clamoring for more crayon adventures."—The Wall Street Journal * "A masterwork of humor and design . . . Sure to be as popular as The Day the Crayons Quit."—Booklist, starred review * "A brilliant, colorful tale that begs to be read aloud and a must-have for all collections."—School Library Journal, starred review * "Once again, Daywalt and Jeffers create rich emotional lives and personalities for their colorful cast, and it’s hard to imagine a reader who won’t be delighted."—Publishers Weekly, starred review “Drew Daywalt and Oliver Jeffers once again offer perceptive and frequently hilarious insights…The Day the Crayons Came Home will have readers of all ages chuckling—and will inspire kids’ empathy and imagination in equal measure.”—BookPage Praise for The Day the Crayons Quit The #1 New York Times bestselling phenomenon—over two years on the bestseller list! Winner of the E.B. White Read-Aloud Award Amazon’s 2013 Best Picture Book of the Year A Barnes & Noble Best Book of 2013 Goodreads’ 2013 Best Picture Book of the Year * “Hilarious . . . Move over, Click, Clack, Moo; we’ve got a new contender for the most successful picture-book strike.” –BCCB, starred review “Jeffers . . . elevates crayon drawing to remarkable heights.” –Booklist “Fresh and funny.” –The Wall Street Journal "This book will have children asking to have it read again and again.” –Library Media Connection * “This colorful title should make for an uproarious storytime.” –School Library Journal, starred review * “These memorable personalities will leave readers glancing apprehensively at their own crayon boxes.” –Publishers Weekly, starred review “Utterly original.” –San Francisco Chronicle