The Architecture of Historic Rockbridge


Book Description

This abundantly illustrated, wide-ranging volume captures the rich and diverse architectural history of Rockbridge County, Virginia, including the two cities of Lexington and Buena Vista. While recent books have documented the area's social history, this book fills a long-recognized void by tracing the area's architectural heritage, from the eighteenth century to the post-World War II period. Beginning with early log and stone structures on what was once Virginia's frontier, the discussion moves on to the brick construction of the late eighteenth and early nineteenth centuries that produced some of the finest Federal homes in the Valley of Virginia. The book covers the many styles that would follow, often with their own vernacular interpretation. T he Architecture of Historic Rockbridge is an enormously useful companion to The Architecture of Historic Lexington, itself an invaluable resource now for forty years. Including discussions of towns, schools, churches, resorts, and industrial buildings, the new volume will satisfy the scholarly, while presenting architectural analysis in an engaging manner accessible to a general readership. The book is richly illustrated throughout, with over two hundred color and black-and-white photographs (including the work of internationally recognized photographer Sally Mann), line drawings, and historic maps. Distributed for the Historic Lexington Foundation




Ruins in Virginia


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Photographic survey of numerous significant ruins in Virginia including residences, train stations, slave quarters, kilns and forges, canals and locks, villages, viaducts, bridges, mills, springs, and churches.




Report


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New History of Lexington, Kentucky, A


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Lexington is known as the "Horse Capital of the World," but the city's history runs much deeper. Learn about the mayor who refused the Ku Klux Klan permission to march and organize in the city. Meet one of the nation's foremost advocates for voting rights for women who was a native of the city. Visit the many small hamlets around Lexington that were settlements for the formerly enslaved. Lexington was the state's first capital and the nation's first community to establish an urban service boundary to regulate growth and preserve horse farms. Seventh-generation Kentuckian and Lexington native Foster Ockerman Jr. offers an updated history.




Theory and Method in Historical Ethnomusicology


Book Description

Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that “the term ‘historical ethnomusicology’ has begun to appear in programs of conferences and in publications” (Nettl 2005, 274), and as recently as 2012 scholars similarly noted “an increasing concern with the writing of musical histories in ethnomusicology” (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are “all ethnomusicologists now” and that “all ethnomusicology is historical” (Stobart, 2008), yet we sense that such arguments—while useful, and theoretically correct—may ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music. In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiography––and the related application of new technologies––impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. Contributors specializing in historical musics of Armenia, Iran, India, Japan, southern Africa, American Jews, and southern fiddling traditions of the United States describe the opening of new theoretical approaches and methodologies for research on global music history. In the Foreword, Keith Howard offers his perspective on historical ethnomusicology and the importance of reconsidering theories and methods applicable to this field for the enhancement of musical understandings in the present and future.




Restoring Shakertown


Book Description

Mother Ann Lee, founder of the Shakers, articulated a vision of a community that embraced sacrifice over the needs of the individual; the result was one of the most successful utopian experiments of nineteenth-century America. The Shakers, an idealistic offshoot of the ascetic Quaker religion, grew to as many as six thousand members in nineteen communities reaching from New England to the Midwest. Lee’s experiment, focused mainly on simplicity, celibate communal living, and sexual equality, provided a model of prosperity for more than one hundred years. Founded in 1806, Shaker Village of Pleasant Hill, Kentucky, was a thriving community located in the center of the bluegrass region. After the Civil War, a steadily shrinking membership resulted in the gradual decline of this remarkable community, and the last remaining Shaker to reside at Pleasant Hill died in 1923. In the years immediately following, it appeared as though the village would fall prey to neglect and a lack of historic preservation. In 1961, however, local citizens formed a private not-for-profit organization to preserve and restore the village and to interpret the rich heritage of the Pleasant Hill Shakers for future generations. Over several years, and against incredible odds, this group succeeded in raising the funds necessary for the restoration projects. By 1968, eight buildings at Shakertown, carefully adapted for modern use while retaining their historical and architectural significance, had been opened to the public. Thomas Parrish’s Restoring Shakertown masterfully explains how the Shaker settlement was saved from the ravages of time and transformed into a nationally renowned landmark of historic preservation. In chronicling how the hopes of the early fund-raisers quickly were challenged by the harsh reality of economic hardships, the book serves as a valuable study in modern philanthropy. Parrish also details the village’s negotiation of legal challenges and how its final plans for creating awareness of the Shakers’ legacy set the standard for later museum developments around the country. In addition to recounting the remarkable history of the formation and eventual demise of the “Shaking Quakers,” Parrish presents a dramatic chronicle of the village’s evolving fortunes. From describing the challenges of financing the restoration to finding preservation experts to achieve the highest standards of authenticity, Restoring Shakertown reveals the complexities and rewards of the preservation of one of Kentucky’s most significant historical and architectural sites.




Ethnomusicology and Cultural Diplomacy


Book Description

Music has long played a prominent role in cultural diplomacy, but until now no resource has comparatively examined policies that shape how non-western countries use music for international relations. Ethnomusicology and Cultural Diplomacy, edited by scholars David G. Hebert and Jonathan McCollum, demonstrates music's role in international relations worldwide. Specifically, this book offers "insider" views from expert contributors writing about music as a part of cultural diplomacy initiatives in Afghanistan, Uzbekistan, Iran, Syria, Japan, China, India, Vietnam, Ethiopia, South Africa, and Nigeria. Unique features include the book’s emphasis on diverse legal frameworks, decolonial perspectives, and cultural policies that serve as a basis for how nations outside “the west” use music in their relationships with Europe and North America.




Small Town


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Publication


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New Solutions for House Museums


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A generational shift is occurring at historic house museums as board members and volunteers retire while few young people step forward to take their place. These landmarks are also plagued by serious deferred maintenance, and many have no endowment funds. What will happen to these sites in the next ten years, and what can be done to assure their continued preservation for generations to come? In New Solutions for House Museums Harris examines possible options and provides a decision-making methodology as well as a dozen case studies of house museums that have made a successful transition to a new owner or user.