The Child Manuela


Book Description




The Child Manuela


Book Description

On the death of her mother, Manuela von Meinhardis is sent to a repressive school where affection and all weaker emotions are outlawed. In this regime only Fraulein von Bernburg offers tenderness and love, and for that both she and Manuela must suffer.




The Child Manuela


Book Description




The Child Manuela


Book Description

A novel from which the play "Children in uniform" and the film "Mädchen in uniform" were adapted.




The Child Manuela (Das Mädchen Manuela)


Book Description

The Child Manuela (Das Mädchen Manuela) Manuela was a longed-for child, a child beloved in advance. Manuela ought to be born. Manuela ought to be a girl. Before she was born, a house was ready. A father who was already becoming impatient. A mother—deeply familiar with this child—even before she held her in her arms. Two brothers were certain comrades. A little patronising, but proud of her—now that she was really here. Manuela had to be born on Sunday—it also had to be Christmas. When the two brothers returned home from the Children’s Christmas Theatre, she was in the cradle. She had arrived like a Christmas present. The two brothers were not surprised. They had just seen the Christ Child lying in the cradle in the stable of Bethlehem. So that five-year-old Bertram said to ten-year-old Alfred in a confusion of thoughts, “Let’s carry her into the stable; this will be fun for her.” Only the objection that there were neither cows nor a donkey in the stable, but only horses—which did not exist in Bethlehem—made him abandon the plan.




Mädchen in Uniform


Book Description

Leontine Sagan's Mädchen in Uniform (1931) is a groundbreaking German film that showcases women's agency and desire behind and in front of the camera. Adapted from Christa Winsloe's lesbian play, the story follows Manuela, an orphan in a boarding school for impoverished Prussian nobility. When she declares her love with her female teacher, the oppressive principal punishes her, leading to a desperate suicide attempt. Barbara Mennel's compelling study firmly establishes Mädchen in the Weimar cinema canon. Mennel contextualises the film in 1920s theories of sexuality and the conventions of modernist cinema. She contrasts its international success to the extensive censorship battles that surrounded it. The film's unique transnational and fragmented history results from the exile of many of its makers during the Nazi regime. By attending to the many remakes throughout the 20th and 21st century, Mennel underscores the film's timeless impact that continues to resonate with contemporary audiences.







Gender and Sexuality in Weimar Modernity


Book Description

Richard McCormick takes a fresh look at the crisis of gender in Weimar Germany through the analysis of selected cultural texts, both literary and film, characterized under the label 'New Objectivity'. The 'New Objectivity' was characterized by a sober and unsentimental embrace of urban modernity, in contract to Expressionism's horror of technology and belief in 'auratic' art. This movement was profoundly gendered - the epitome of the 'New Objectivity' was the 'New Woman' - working, sexually emancipated, and unsentimental. The book traces the crisis of gender identities, both male and female, and reveals how a variety of narratives of the time displaced an assortment of social anxieties onto sexual relations.




From Caligari to Hitler


Book Description

An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.