The Children of Odin - Illustrated by Willy Pogany


Book Description

The Children of Odin is a classic collection of Norse Mythology, containing tales of the God Odin – a truly powerful deity associated with healing, death, royalty, the gallows, knowledge, battle, sorcery, poetry, and frenzy. Odin is attested as having many sons, most famously the god Baldr – and his children are known by hundreds of names. This text comes in three main parts: ‘The Dwellers in Asgard’, ‘Odin the Wanderer’, and ‘The Witch’s Heart.’ The tales are penned by Padraic Colum, and are decorated with the whimsical black and white drawings of Willy Pogany. Colum (1881 – 1972) was an Irish poet, novelist, dramatist, biographer and playwright – and a passionate collector of folklore. His works, The Adventure of Odysseus (1918) and The Children of Odin (1920) are important in bringing classical literature to younger audiences. Willy Pogany (1882 – 1955) was a prolific Hungarian illustrator of myths and fables, and his stunning, painstakingly intricate drawings are presented alongside the text – so that the two may be better appreciated.




The Children of Odin


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A retelling of the Norse sagas about Odin, Freya, Thor, Loki and the other gods and gaddesses who lived in Asgard before the dawn of time.




The Children of Odin


Book Description

A retelling of the Norse sagas about Odin, Freya, Thor, Loki, and the other gods and goddesses who lived in Asgard before the dawn of history.







The Three Owls


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Willy Pogány Rediscovered


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More than 100 color and black-and-white Art Nouveau–style illustrations from fairy tales and adventure stories include scenes from Wagner's "Ring" cycle, The Rime of the Ancient Mariner, Gulliver's Travels, and Faust.




Making Americans


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American children need books that draw on their own history and circumstances, not just the classic European fairy tales. They need books that enlist them in the great democratic experiment that is the United States. These were the beliefs of many of the authors, illustrators, editors, librarians, and teachers who expanded and transformed children’s book publishing between the 1930s and the 1960s. Although some later critics have argued that the books published in this era offered a vision of a safe, secure, simple world without injustice or unhappy endings, Gary D. Schmidt shows that the progressive political agenda shared by many Americans who wrote, illustrated, published, and taught children’s books had a powerful effect. Authors like James Daugherty, Laura Ingalls Wilder, Lois Lenski, Ingri and Edgar Parin D’Aulaire, Virginia Lee Burton, Robert McCloskey, and many others addressed directly and indirectly the major social issues of a turbulent time: racism, immigration and assimilation, sexism, poverty, the Great Depression, World War II, the atomic bomb, and the threat of a global cold war. The central concern that many children’s book authors and illustrators wrestled with was the meaning of America and democracy itself, especially the tension between individual freedoms and community ties. That process produced a flood of books focused on the American experience and intent on defining it in terms of progress toward inclusivity and social justice. Again and again, children’s books addressed racial discrimination and segregation, gender roles, class differences, the fate of Native Americans, immigration and assimilation, war, and the role of the United States in the world. Fiction and nonfiction for children urged them to see these issues as theirs to understand, and in some ways, theirs to resolve. Making Americans is a study of a time when the authors and illustrators of children’s books consciously set their eyes on national and international sights, with the hope of bringing the next generation into a sense of full citizenship.




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The Bookman


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