The Problem of China


Book Description

A European lately arrived in China, if he is of a receptive and reflective disposition, finds himself confronted with a number of very puzzling questions, for many of which the problems of Western Europe will not have prepared him. Russian problems, it is true, have important affinities with those of China, but they have also important differences; moreover they are decidedly less complex. Chinese problems, even if they affected no one outside China, would be of vast importance, since the Chinese are estimated to constitute about a quarter of the human race. In fact, however, all the world will be vitally affected by the development of Chinese affairs, which may well prove a decisive factor, for good or evil, during the next two centuries. This makes it important, to Europe and America almost as much as to Asia, that there should be an intelligent understanding of the questions raised by China, even if, as yet, definite answers are difficult to give.




Disarming the Allies of Imperialism


Book Description

This study provides a striking new explanation of how China's Nationalist Party (GMD) defeated its rivals in the revolution of 1922-1929 and helped bring some degree of unification to a country torn by class, regional, and ideological interests. Disarming the Allies of Imperialism argues that inconsistency--more than culture, ideology, or any other factor--gave nationalism its unique edge. Revolutionary leaders manipulated revolutionaries and non-revolutionaries alike to advantage their own positions and seize national power, sometimes seeking to protect foreign lives and property and shield Chinese merchants from agitative disruptions, sometimes voting to do the opposite. Exploiting the symbiotic yet contradictory relationship between state-building, which sought foreign ties and international recognition; and low-level agitators committed to confrontational anti-imperialist objectives, top Guomindang leaders were able to manipulate political circumstances to their own benefit. For example, party leaders stirred up anti-Christian sentiment, pitting popular forces against mission schools, while simultaneously intervening to rescue these same schools from agitative destruction, thus "helping" missionaries to soften their attitudes toward the revolution and eventually embrace the new order. Scholars of modern Chinese history and anyone familiar with the growing literature on nationalism will appreciate this work for its elucidation of a complex historical snarl, while undergraduates and scholars outside the China field will find this a useful and accessible study as well.




Chinese Film Classics, 1922–1949


Book Description

Winner, 2023 Choice Outstanding Academic Title Chinese Film Classics, 1922–1949 is an essential guide to the first golden age of Chinese cinema. Offering detailed introductions to fourteen films, this study highlights the creative achievements of Chinese filmmakers in the decades leading up to 1949, when the Communists won the civil war and began nationalizing cultural industries. Christopher Rea reveals the uniqueness and complexity of Republican China’s cinematic masterworks, from the comedies and melodramas of the silent era to the talkies and musicals of the 1930s and 1940s. Each chapter appraises the artistry of a single film, highlighting its outstanding formal elements, from cinematography to editing to sound design. Examples include the slapstick gags of Laborer’s Love (1922), Ruan Lingyu’s star turn in Goddess (1934), Zhou Xuan’s mesmerizing performance in Street Angels (1937), Eileen Chang’s urbane comedy of manners Long Live the Missus! (1947), the wartime epic Spring River Flows East (1947), and Fei Mu’s acclaimed work of cinematic lyricism, Spring in a Small Town (1948). Rea shares new insights and archival discoveries about famous films, while explaining their significance in relation to politics, society, and global cinema. Lavishly illustrated and featuring extensive guides to further viewings and readings, Chinese Film Classics, 1922–1949 offers an accessible tour of China’s early contributions to the cinematic arts.




On a Chinese Screen


Book Description




Finding Allies and Making Revolution


Book Description

What does a Dutchman have to do with the rise of the Chinese Communist Party? Finding Allies and Making Revolutionby Tony Saich reveals how Henk Sneevliet (alias Maring), arriving as Lenin's choice for China work, provided the communists with two of their most enduring legacies: the idea of a Leninist party and the tactic of the united front. Sneevliet strived to instill discipline and structure for the left-leaning intellectuals searching for a solution to China's humiliation. He was not an easy man and clashed with the Chinese comrades and his masters in Moscow. This new analysis is based on Sneevliet's diaries and reports, together with contemporary materials from key Chinese figures, and important documents held in the Comintern's China archive.




Myths and Legends of China


Book Description

The West's first encounters with the folk tales and myths of the East proved to be a heady experience, as they were based on an entirely different value system and worldview than those that are reflected in the Greek myths and most subsequent Western folk tales. In Myths and Legends of China, author E.T.C. Werner offers up a rich tapestry of Chinese folk narratives. A must-read for fans of world myths, fairy tales, and legends.




Sovereignty in China


Book Description

This book provides a comprehensive history of the emergence and the formation of the concept of sovereignty in China from the year 1840 to the present. It contributes to broadening the history of modern China by looking at the way the notion of sovereignty was gradually articulated by key Chinese intellectuals, diplomats and political figures in the unfolding of the history of international law in China, rehabilitates Chinese agency, and shows how China challenged Western Eurocentric assumptions about the progress of international law. It puts the history of international law in a global perspective, interrogating the widely-held belief of international law as universal order and exploring the ways in which its history is closely anchored to a European experience that fails to take into account how the encounter with other non-European realities has influenced its formation.







Shanghai Filmmaking


Book Description

In Shanghai Filmmaking, Huang Xuelei invites readers to go on an intimate, detailed, behind-the-scenes tour of the world of early Chinese cinema. She paints a nuanced picture of the Mingxing Motion Picture Company, the leading Chinese film studio in the 1920s and 1930s, and argues that Shanghai filmmaking involved a series of border-crossing practices. Shanghai filmmaking developed in a matrix of global cultural production and distribution, and interacted closely with print culture and theatre. People from allegedly antagonistic political groupings worked closely with each other to bring a new form of visual culture and a new body of knowledge to an audience in and outside China. By exploring various border crossings, this book sheds new light on the power of popular cultural production during China’s modern transformation.