The Chronicle of Jazz


Book Description

"First published in the United Kingdom in 1997 by Thames & Hudson Ltd"--Title page verso.




Hear Me Talkin' to Ya


Book Description

In this marvelous oral history, the words of such legends as Louis Armstrong, Fats Waller, Jelly Roll Morton, Duke Ellington, and Billy Holiday trace the birth, growth, and changes in jazz over the years.




Blowin' Hot and Cool


Book Description

In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled—often both—but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. That is, of course, until now. In Blowin’ Hot and Cool, John Gennari provides a definitive history of jazz criticism from the 1920s to the present. The music itself is prominent in his account, as are the musicians—from Louis Armstrong and Duke Ellington to Charlie Parker, John Coltrane, Roscoe Mitchell, and beyond. But the work takes its shape from fascinating stories of the tradition’s key critics—Leonard Feather, Martin Williams, Whitney Balliett, Dan Morgenstern, Gary Giddins, and Stanley Crouch, among many others. Gennari is the first to show the many ways these critics have mediated the relationship between the musicians and the audience—not merely as writers, but in many cases as producers, broadcasters, concert organizers, and public intellectuals as well. For Gennari, the jazz tradition is not so much a collection of recordings and performances as it is a rancorous debate—the dissonant noise clamoring in response to the sounds of jazz. Against the backdrop of racial strife, class and gender issues, war, and protest that has defined the past seventy-five years in America, Blowin’ Hot and Cool brings to the fore jazz’s most vital critics and the role they have played not only in defining the history of jazz but also in shaping jazz’s significance in American culture and life.




Harlem of the West


Book Description

Harlem of the West reveals a forgotten slice of San Francisco history and the African-American experience on the West Coast: the thriving jazz scene of the Fillmore in the 1940s and 1950s. With archival photographs and oral accounts from the residents and musicians who experienced it, this vividly illustrated tour will delight jazz fans and history aficionados.




Rags and Ragtime


Book Description

Definitive history traces the genre's growth and diversification from its 19th-century origins through its heyday and modern revival. Discusses 48 major composers and 800 rags. More than 100 photos.




Rooted Jazz Dance


Book Description

National Dance Education Organization Ruth Lovell Murray Book Award UNCG | Susan W. Stinson Book Award for Dance Education An African American art form, jazz dance has an inaccurate historical narrative that often sets Euro-American aesthetics and values at the inception of the jazz dance genealogy. The roots were systemically erased and remain widely marginalized and untaught, and the devaluation of its Africanist origins and lineage has largely gone unchallenged. Decolonizing contemporary jazz dance practice, this book examines the state of jazz dance theory, pedagogy, and choreography in the twenty-first century, recovering and affirming the lifeblood of jazz in Africanist aesthetics and Black American culture. Rooted Jazz Dance brings together jazz dance scholars, practitioners, choreographers, and educators from across the United States and Canada with the goal of changing the course of practice in future generations. Contributors delve into the Africanist elements within jazz dance and discuss the role of Whiteness, including Eurocentric technique and ideology, in marginalizing African American vernacular dance, which has resulted in the prominence of Eurocentric jazz styles and the systemic erosion of the roots. These chapters offer strategies for teaching rooted jazz dance, examples for changing dance curricula, and artist perspectives on choreographing and performing jazz. Above all, they emphasize the importance of centering Africanist and African American principles, aesthetics, and values. Arguing that the history of jazz dance is closely tied to the history of racism in the United States, these essays challenge a century of misappropriation and lean into difficult conversations of reparations for jazz dance. This volume overcomes a major roadblock to racial justice in the dance field by amplifying the people and culture responsible for the jazz language. Contributors: LaTasha Barnes | Lindsay Guarino | Natasha Powell | Carlos R.A. Jones | Rubim de Toledo | Kim Fuller | Wendy Oliver | Joanne Baker | Karen Clemente | Vicki Adams Willis | Julie Kerr-Berry | Pat Taylor | Cory Bowles | Melanie George | Paula J Peters | Patricia Cohen | Brandi Coleman | Kimberley Cooper | Monique Marie Haley | Jamie Freeman Cormack | Adrienne Hawkins | Karen Hubbard | Lynnette Young Overby | Jessie Metcalf McCullough | E. Moncell Durden Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.




Jazz


Book Description

Jazz is a democratic music in the best sense of the word, for it is the collective achievement of a people.




1927


Book Description

The first solo transatlantic flight. The release of the first talking picture. The invention of the jukebox. These are just a handful of milestones that occurred in one momentous year. In a decade of historic firsts, 1927 stands out as the peak year of the Roaring Twenties, a span of time in which dozens of significant events took place—in America and around the world. The economy was booming, the Jazz Age was in full swing, social mores were looser than ever, and the nation was celebrating new dances, gadgets, and heroes. In sports, records were broken, and several champions in different fields thrilled fans with outstanding feats. In 1927: A Day-by-Day Chronicle of the Jazz Age’s Greatest Year, Thomas S. Hischak provides a daily account of this pivotal period in history. Every major news story—on the national and international stage—is accounted for, from popular culture phenomena to minor news items that would prove to be more important later. In addition to Charles Lindbergh’s historic flight, the book recounts such events as the discovery of the Peking Man, the execution of Sacco and Vanzetti, the Shanghai Massacre, the Great Mississippi River Flood, and the advent of talking pictures with the arrival of The Jazz Singer. From the world of entertainment—the debut of the classic musical Show Boat and the formation of the Academy of Motion Picture Arts and Sciences—to headlines that gripped the country, this book focuses on a diverse and complicated year. Scattered throughout the book are interesting statistics and pieces of information regarding life during this era. Highlighting the people, inventions, discoveries, and milestones that made these twelve months so special, 1927 will appeal to armchair historians everywhere.




Swing Under the Nazis


Book Description

For a brief time in a Europe threatened and then occupied by Nazi Germany, jazz was heard as ubiquitously as rock ' n' roll is today. In a personal search for the story of that time, Mike Zwerin spent two years traveling across Europe talking with individuals who performed and enjoyed jazz in Hitler's dark shadow, including the Ghetto Swingers, a Jewish jazz band that "toured" Auschwitz and Theresienstadt; the Luftwaffe pilot who listened to Glenn Miller while bombing London; Django Reinhardt, the brilliant guitarist who refused to flee Nazi-controlled France; and many others.




New Orleans Jazz


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