Medieval Church Window Tracery in England


Book Description

While the terms used to describe the tracery of medieval church windows are familiar (Early English, Decorated, Perpendicular), there has been no really detailed attempt to examine it as a distinct, stylistic architectural form, a gap which this book seeks to address. Based upon a visual catalogue of over 250 images of surviving types and styles from churches throughout England, it traces the progression of ideas and the continuity of motifs and themes in tracery patterns from the thirteenth to the sixteenth centuries, showing how different themes emerged within the main architectural styles; it also looks at the distinction between a window's architectural form and its tracery style, and describes the several different tracery techniques. The volume is completed with a detailed glossary. Stephen Hart is a retired architect, and the author of numerous works, including Flint Flushwork.




Authority and Power in the Medieval Church, C. 1000-c. 1500


Book Description

While they often go hand-in-hand and the distinction between the two is frequently blurred, authority and power are distinct concepts and abilities - this was a problem that the Church tussled with throughout the High and Late Middle Ages. Claims of authority, efforts to have that authority recognized, and the struggle to transform it into more tangible forms of power were defining factors of the medieval Church's existence. As the studies assembled here demonstrate, claims to authority by members of the Church were often in inverse proportion to their actual power - a problematic paradox which resulted from the uneven and uncertain acceptance of ecclesiastical authority by lay powers and, indeed, fellow members of the ecclesia. The chapters of this book reveal how clerical claims to authority and power were frequently debated, refined, opposed, and resisted in their expression and implementation. The clergy had to negotiate a complex landscape of overlapping and competing claims in pursuit of their rights. They waged these struggles in arenas that ranged from papal, royal, and imperial curiae, through monastic houses, law courts and parliaments, urban religious communities and devotional networks, to contact and conflict with the laity on the ground; the weapons deployed included art, manuscripts, dress, letters, petitions, treatises, legal claims, legates, and the physical arms of allied lay powers. In an effort to further our understanding of this central aspect of ecclesiastical history, this interdisciplinary volume, which effects a broad temporal, geographical, and thematic sweep, points the way to new avenues of research and new approaches to a traditional topic. It fuses historical methodologies with art history, gender studies, musicology, and material culture, and presents fresh insights into one of the most significant institutions of the medieval world.




A History Of The Medieval Church 590-1500


Book Description

Originally published in 1925. The detailed contents also deal with both the social and personal aspects of church history. Contents include: Gregory the Great - The Secular and Monastic Clergy 600-750 - The Missionaries - The Carolingian Renaissance - Relations of Eastern and Western Churches - Growth of Papal Power - The Crusades - Twelfth Century Monasticism - Canon Law - The Friars - Scholastic Philosophy - Avignon Popes - Fourteenth Century Diocese and Parish in England - Medieval Heresy - The Conciliar Movement - Etc. Plus two maps. Many of the earliest books on religion, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.




The Church in the Medieval Town


Book Description

Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Tables and Figures -- Notes on Contributors -- Preface -- Introduction -- 1 Status and Class in the Medieval Town -- 2 Conflict and Political Community in the Medieval Town: Disputes between Clergy and Laity in Hereford -- 3 The Church and the Jews in English Medieval Towns -- 4 Trade, Towns and the Church: Ecclesiastical Consumers and the Urban Economy of the West Midlands, 1290-1540 -- 5 The Origin and Early Development of the London Mendicant Houses




Trustworthy Men


Book Description

The medieval church was founded on and governed by concepts of faith and trust--but not in the way that is popularly assumed. Offering a radical new interpretation of the institutional church and its social consequences in England, Ian Forrest argues that between 1200 and 1500 the ability of bishops to govern depended on the cooperation of local people known as trustworthy men and shows how the combination of inequality and faith helped make the medieval church. Trustworthy men (in Latin, viri fidedigni) were jurors, informants, and witnesses who represented their parishes when bishops needed local knowledge or reliable collaborators. Their importance in church courts, at inquests, and during visitations grew enormously between the thirteenth and fifteenth centuries. The church had to trust these men, and this trust rested on the complex and deep-rooted cultures of faith that underpinned promises and obligations, personal reputation and identity, and belief in God. But trust also had a dark side. For the church to discriminate between the trustworthy and untrustworthy was not to identify the most honest Christians but to find people whose status ensured their word would not be contradicted. This meant men rather than women, and—usually—the wealthier tenants and property holders in each parish. Trustworthy Men illustrates the ways in which the English church relied on and deepened inequalities within late medieval society, and how trust and faith were manipulated for political ends.




The Art and Science of the Church Screen in Medieval Europe


Book Description

Fresh examinations of one of the most important church furnishings of the middle ages. The churches of medieval Europe contained richly carved and painted screens, placed between the altar and the congregation; they survive in particularly high numbers in England, despite being partly dismantled during the Reformation. While these screens divided "lay" from "priestly" jurisdiction, it has also been argued that they served to unify architectural space. This volume brings together the latest scholarship on the subject, exploring in detail numerous aspects of the construction and painting of screens, it aims in particular to unite perspectives from science and art history. Examples are drawn from a wide geographical range, from Scandinavia to Italy. Spike Bucklow is Director of Research at the Hamilton Kerr Institute, University of Cambridge; Richard Marks is Emeritus Professor of the History of Art at the University of York and currently a member of the History of Art Department, University of Cambridge; Lucy Wrapson is Assistant to the Director at the Hamilton Kerr Institute, University of Cambridge. Contributors: Paul Binski, Spike Bucklow, Donal Cooper, David Griffith, Hugh Harrison, JacquelineJung, Justin Kroesen, Julian Luxford, Richard Marks, Ebbe Nyborg, Eddie Sinclair, Jeffrey West, Lucy Wrapson.




The Medieval Church


Book Description

The Church was the central institution of the European Middle Ages, and the foundation of medieval life. Professor Lynch's admirable survey (concentrating on the western church, and emphasising ideas and trends over personalities) meets a long-felt need for a single-volume comprehensive history, designed for students and non-specialists.




Medieval Church Architecture


Book Description

Britain is a treasure trove of medieval architecture. Almost every village and town in the land has a church that was built during the period, whose history is legible – to those who know how to look – in every arch, capital, roof vault, and detail of window tracery. By learning how to identify the stylistic phases that resulted from shifts in architectural fashion, it is possible to date each part of a church to within a decade or two; this book introduces all the key features of each succeeding style, from Anglo-Saxon and Norman through to the three great gothic styles, Early English, Decorated and Perpendicular. It will be indispensable to anyone who enjoys exploring medieval churches, and who wants to understand and appreciate their beauty more deeply.




Medieval Graffiti


Book Description

A fascinating guide to decoding the secret language of the churches of England through the medieval carved markings and personal etchings found on our church walls from archaeologist Matthew Champion. 'Rare, lovely glimmers of everyday life in the Middle Ages.' -- The Sunday Times 'A fascinating and enjoyable read' -- ***** Reader review 'Superb' -- ***** Reader review 'Riveting' -- ***** Reader review 'Compelling, moving and fascinating' -- ***** Reader review ***************************************************************************************************** Our churches are full of hidden messages from years gone by and for centuries these carved writings and artworks have lain largely unnoticed. Having launched a nationwide survey to gather the best examples, archaeologist Matthew Champion shines a spotlight on a forgotten world of ships, prayers for good fortune, satirical cartoons, charms, curses, windmills, word puzzles, architectural plans and heraldic designs. Here are strange medieval beasts, knights battling unseen dragons, ships sailing across lime-washed oceans and demons who stalk the walls. Latin prayers for the dead jostle with medieval curses, builders' accounts and slanderous comments concerning a long-dead archdeacon. Strange and complex geometric designs, created to ward off the 'evil eye' and thwart the works of the devil, share church pillars with the heraldic shields of England's medieval nobility. Giving a voice to the secret graffiti artists of Medieval times, this engaging, enthralling and - at times - eye-opening book, with a glossary of key terms and a county-by-county directory of key churches, will put this often overlooked period in a whole new light.




Medieval Wall Paintings


Book Description

The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.