A Key West Companion


Book Description

This book serves as a guide to the houses and history and sights of Key West, yet it does so assuming that you have a map and that you are capable of finding your own way around a tiny place where everything is reachable by foot or bicycle.




The Cigar Factory


Book Description

Two women kept apart by segregation at a Southern cigar factory forge a powerful alliance in the labor rights movement in this historical novel. With evocative dialect and remarkable prose, The Cigar Factory tells the story of two entwined families—the white McGonegals and the African American Ravenels—in the storied port city of Charleston, South Carolina, during the World Wars. Moore’s novel follows the parallel lives of family matriarchs working on segregated floors of the massive Charleston cigar factory, where white and black workers remain divided and misinformed about the duties and treatment received by each other. Cassie McGonegal and her niece Brigid work upstairs in the factory rolling cigars by hand. Meliah Amey Ravenel works in the basement, where she stems the tobacco. While both suffer in the harsh working conditions of the factory and endure the sexual harassment of the foremen, segregation keeps them from recognizing their common plight until the Tobacco Workers Strike of 1945. Through the experience of a brutal picket line, the two women discover how much they stand to gain by joining forces, creating a powerful moment in labor history that gives rise to the Civil Rights anthem, “We Shall Overcome.” Moore’s historical research includes interviews with family members who worked at the cigar factory, adding nuance and authenticity to her empowering story of struggle, loss, and redemption. Foreword by New York Times best-selling author Pat Conroy Winner of the 2016 David J. Langum, Sr. Prize




The Cigar Factory of Isay Rottenberg


Book Description

In 1932, Isay Rottenberg, a Jewish paper merchant, bought a cigar factory in Germany: Deutsche Zigarren-Werke. When his competitors, supported by Nazi authorities, tried to shut it down, the headstrong entrepreneur refused to give up the fight. Isay Rottenberg was born into a large Jewish family in Russian Poland in 1889 and grew up in Lodz. He left for Berlin at the age of eighteen to escape military service, moving again in 1917 to Amsterdam on the occasion of his marriage. In 1932 he moved to Germany to take over a bankrupt cigar factory. With newfangled American technology, it was the most modern at the time. The energetic and ambitious Rottenberg was certain he could bring it back to life, and with newly hired staff of 670 workers, the cigar factory was soon back in business. Six months later, Hitler came to power and the Nazi government forbade the use of machines in the cigar industry so that traditional hand-rollers could be re-employed. That was when the real struggle began. More than six hundred qualified machine workers and engineers would lose their jobs if the factory had to close down. Supported by the local authorities he managed to keep the factory going, but in 1935 he was imprisoned following accusations of fraud. The factory was expropriated by the Deutsche Bank. When he was released six months later thanks to the efforts of the Dutch consul, he brought a lawsuit of his own. His fight for rehabilitation and restitution of his property would continue until Kristallnacht in 1938. The Cigar Factory of Isay Rottenberg is written by two of Rottenberg’s granddaughters, who knew little of their grandfather’s past growing up in Amsterdam until a call for claims for stolen or confiscated property started them on a journey of discovery. It includes an afterword by Robert Rotenberg, criminal defense lawyer and author of bestselling legal thrillers.




Tampa Cigar Workers


Book Description

Florida Historical Society Harry T. and Harriette V. Moore Award From the founding of Ybor City in 1886 to the dispersal of Tampa's Latin population in the years following World War II, Tampa's Cigar Workers documents the history of the Cuban, Spanish, and Italian immigrants who created the cigar industry in Tampa and the extraordinary multi-ethnic community that flourished around it. More than 200 photos capture this community's personalities and way of life while commentary drawn from newspaper accounts, oral histories, and archival documents identifies and explains each photograph's historical place and significance. In linking the photographs with historical text, the authors allow the cigar workers to tell their own story, in the language of their day.  The rich photographic record around which the book is organized communicates the lives of these workers not only in the workplace but also in their vibrant Ybor City and West Tampa neighborhoods. The book depicts the making of cigars, the work culture, local support for the Cuban War of Independence (1895-1898), unions and strikes, community institutions such as mutual aid clubs, leisure activities, and social practices surrounding courtship, marriage, and death. Highlighting the diversity of the cigar workers' community, the authors present an inspiring and deeply moving story of how these immigrants carved out their space in Tampa while struggling to survive economically and defending their ideals and way of life.




El Lector


Book Description

"El Lector will find a broad and appreciative audience and will become a landmark in the study of Cuban and Latin American cultures." —Roberto González Echevarría, Yale University The practice of reading aloud has a long history, And The tradition still survives in Cuba as a hard-won right deeply embedded in cigar factory workers' culture. InEl Lector, Araceli Tinajero deftly traces the evolution of the reader from nineteenth-century Cuba To The present and its eventual dissemination to Tampa, Key West, Puerto Rico, and Mexico. In interviews with present-day and retired readers, she records testimonies that otherwise would have been lost forever, creating a valuable archive for future historians. Through a close examination of journals, newspapers, and personal interviews, Tinajero relates how the reading was organized, how the readers and readings were selected, and how the process affected the relationship between workers and factory owners. Because of the reader, cigar factory workers were far more cultured and in touch with the political currents of the day than other workers. But it was not only the reading material, which provided political and literary information that yielded self-education, that influenced the workers; the act of being read to increased the discipline and timing of the artisan's job.




The Cigar Manufacturing Industry


Book Description

Full information and facts of the decline of cigar production, indicating what steps may be taken for comparative recovery.




National Standards for History


Book Description

This sourcebook contains more than twelve hundred easy-to-follow and implement classroom activities created and tested by veteran teachers from all over the country. The activities are arranged by grade level and are keyed to the revised National History Standards, so they can easily be matched to comparable state history standards. This volume offers teachers a treasury of ideas for bringing history alive in grades 5?12, carrying students far beyond their textbooks on active-learning voyages into the past while still meeting required learning content. It also incorporates the History Thinking Skills from the revised National History Standards as well as annotated lists of general and era-specific resources that will help teachers enrich their classes with CD-ROMs, audio-visual material, primary sources, art and music, and various print materials. Grades 5?12




Once a Cigar Maker


Book Description

Patricia A. Cooper charts the course of competition, conflict, and camaraderie among American cigar makers during the two decades that preceded mechanization of their work. In the process, she reconstructs the work culture, traditions, and daily lives of the male cigar makers who were members of the Cigar Makers' International Union of America (CMIU) and of the nonunion women who made cigars under a division of labor called the "team system." But Cooper not only examines the work lives of these men and women, she also analyzes their relationship to each other and to their employers during these critical years of the industry's transition from hand craft to mass production.