Author : Ignacio López-Vicuña
Publisher : Wayne State University Press
Page : 271 pages
File Size : 46,35 MB
Release : 2017-12-04
Category : Art
ISBN : 0814341071
Students and scholars of film and media studies will find great value in this collection.
Author : Michael Goddard
Publisher : Columbia University Press
Page : 217 pages
File Size : 29,42 MB
Release : 2013-09-22
Category : Performing Arts
ISBN : 0231850506
Raúl Ruiz, while considered one of the world's most significant filmmakers by several film critics, is yet to be the subject of any thorough engagement with his work in English. This volume sets out on this task by mapping, as fully as possible, Ruiz's cinematic trajectory across more than five decades of prolific work, up to his death in 2011; ranging from his earliest work in Chile to high-budget 'European' costume dramas culminating in Mysteries of Lisbon (2010). It does so by treating Ruiz's work—with its surrealist, magic realist, popular cultural, and neo-Baroque sources—as a type of 'impossible' cinematic cartography, mapping real, imaginary, and virtual spaces, and crossing between different cultural contexts, aesthetic strategies, and technical media. It argues that across the different phases of Ruiz's work identified, there are key continuities such as the invention of singular cinematic images and the interrogation of their possible and impossible combinations.
Author : Michael Goddard
Publisher : Columbia University Press
Page : 218 pages
File Size : 21,90 MB
Release : 2013-09-22
Category : Performing Arts
ISBN : 0231167318
Raúl Ruiz, while considered one of the world's most significant filmmakers by several film critics, is yet to be the subject of any thorough engagement with his work in English. This volume sets out on this task by mapping, as fully as possible, Ruiz's cinematic trajectory across more than five decades of prolific work, up to his death in 2011; ranging from his earliest work in Chile to high-budget 'European' costume dramas culminating in Mysteries of Lisbon (2010). It does so by treating Ruiz's work – with its surrealist, magic realist, popular cultural, and neo-Baroque sources – as a type of 'impossible' cinematic cartography, mapping real, imaginary, and virtual spaces, and crossing between different cultural contexts, aesthetic strategies, and technical media. It argues that across the different phases of Ruiz's work identified, there are key continuities such as the invention of singular cinematic images and the interrogation of their possible and impossible combinations.
Author :
Publisher :
Page : 20 pages
File Size : 30,55 MB
Release : 1993*
Category :
ISBN :
Author : Michael Richardson
Publisher : Berg
Page : 208 pages
File Size : 16,66 MB
Release : 2006-03-01
Category : Performing Arts
ISBN : 1847881084
Surrealism has long been recognised as having made a major contribution to film theory and practice, and many contemporary film-makers acknowledge its influence. Most of the critical literature, however, focuses either on the 1920s or the work of Buuel. The aim of this book is to open up a broader picture of surrealism's contribution to the conceptualisation and making of film.Tracing the work of Luis Buuel, Jacques Prvert, Nelly Kaplan, Walerian Borowcyzk, Jan vankmajer, Raul Ruiz and Alejandro Jodorowsky, Surrealism and Cinema charts the history of surrealist film-making in both Europe and Hollywood from the 1920s to the present day. At once a critical introduction and a provocative re-evaluation, Surrealism and Cinema is essential reading for anyone interested in surrealist ideas and art and the history of film.
Author : Jonathan Rosenbaum
Publisher : JHU Press
Page : 468 pages
File Size : 31,35 MB
Release : 2004-04-27
Category : Performing Arts
ISBN : 0801878403
A cogent and provocative argument about the art of film, Essential Cinema is a fiercely independent reference book of must-see movies for film lovers everywhere.
Author : Raúl Ruiz
Publisher : Dis Voir Editions
Page : 124 pages
File Size : 32,4 MB
Release : 2005
Category : Art
ISBN :
Poetics of Cinema 2 & 3~ISBN 2-914563-25-6 U.S. $25.00 / Paperback, 6 x 8.25 in. / 128 pgs / ~Item / July / Film
Author : Laleen Jayamanne
Publisher :
Page : pages
File Size : 27,79 MB
Release : 2021-03-11
Category :
ISBN : 9789463726245
=1. Develops a theory of poetic cinema through detailed analysis of silent and sound films and establishes link between poetic images and poetic (oblique) modes of acting. 2. Introduces non-Western theoretical ideas outside the purview of Euro-American film theory, such as Henry Corbin's Sufi ideas of the 'Iimaginal World' and 'Cognitive Imagination' to analyse Parjanov's Ashik Kerib, on a Sufi poet. 3. Marcel Mauss' concept of the gift derived from his anthropological study of Maori culture is used to formulate a reciprocal relationship between film and the viewer as a scholar of cinema.
Author : Roberto Bolaño
Publisher : Farrar, Straus and Giroux
Page : 1053 pages
File Size : 28,4 MB
Release : 2013-07-09
Category : Fiction
ISBN : 1466804823
A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER THE POSTHUMOUS MASTERWORK FROM "ONE OF THE GREATEST AND MOST INFLUENTIAL MODERN WRITERS" (JAMES WOOD, THE NEW YORK TIMES BOOK REVIEW) Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresa—a fictional Juárez—on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.
Author : James Naremore
Publisher : Univ of California Press
Page : 369 pages
File Size : 34,88 MB
Release : 2014-01-10
Category : Performing Arts
ISBN : 0520957946
In 1895, Louis Lumière supposedly said that cinema is "an invention without a future." James Naremore uses this legendary remark as a starting point for a meditation on the so-called death of cinema in the digital age, and as a way of introducing a wide-ranging series of his essays on movies past and present. These essays include discussions of authorship, adaptation, and acting; commentaries on Howard Hawks, Alfred Hitchcock, Orson Welles, Vincente Minnelli, John Huston, and Stanley Kubrick; and reviews of more recent work by non-Hollywood directors Pedro Costa, Abbas Kiarostami, Raúl Ruiz, and Apichatpong Weerasethakul. Important themes recur: the relations between modernity, modernism, and postmodernism; the changing mediascape and death of older technologies; and the need for robust critical writing in an era when print journalism is waning and the humanities are devalued. The book concludes with essays on four major American film critics: James Agee, Manny Farber, Andrew Sarris, and Jonathan Rosenbaum.
