The Cinematic Vision of F. Scott Fitzgerald


Book Description

In this brief treatment of F.Scott Fitzgerald's last years as a screen writer (1937-40), Dixon suggests that Fitzgerald's screen work, including Three Comrades for which he received his only screen credit, represent a hitherto unrecognized artistic development. By analyzing the screen plays, and Fitzgerald's last three novels, Dixon shows how the novelist mastered the peculiar "grammar" and technique of film, and how they influenced his final, uncompleted novel, the Last Tycoon. With its opening biographical sketch, its linking of fiction and cinematic work, and its overview of this period in Fitzgerald's life, Dixon provides a useful and accessible tool for studying American film and literature. ISBN 0-8357-1701-1 : $44.95.




The Cambridge Companion to F. Scott Fitzgerald


Book Description

Publisher Description (unedited publisher data) Eleven specially-commissioned essays by major Fitzgerald scholars present a clearly written and comprehensive assessment of F. Scott Fitzgerald as a writer and as a public and private figure. No aspect of his career is overlooked, from his first novel published in 1920, through his more than 170 short stories, to his last unfinished Hollywood novel. Contributions present the reader with a full and accessible picture of the background of American social and cultural change in the early decades of the twentieth century. The introduction traces Fitzgerald's career as a literary and public figure, and examines the extent to which public recognition has affected his reputation among scholars, critics, and general readers over the past sixty years. This is the only volume that offers undergraduates, graduates and general readers a full account of Fitzgerald's work as well as suggestions for further exploration of his work. Library of Congress subject headings for this publication: Fitzgerald, F, Scott (Francis Scott), 1896-1940 Criticism and interpretation Handbooks, manuals, etc.




Francis Scott Fitzgerald : His Art and Vision


Book Description

Francis Scott Fitzgerald’s contribution to American fiction has to be judged keeping in mind that the naturalistic mimesis of the fiction of the earlier period is important as a critique of bourgeois society, but it ultimately fails in representing the problematic nature of bourgeois reality. The use of romance by Fitzgerald within mimetic realism is a logical culmination of the rise of the novel as it is. Through this use of romance he is able to adequately explore the bourgeois myth of man




Sixteen Modern American Authors


Book Description

Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies




Cinematic Fictions


Book Description

The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, Cinematic Fictions offers new insights into classics like The Great Gatsby and The Grapes of Wrath discussing major writers' critical writings on film and active participation in film-making. Cinematic Fictions is also careful not to portray 'cinema' as a single or stable entity. Some novelists drew on silent film; others looked to the Russian theorists for inspiration; and yet others turned to continental film-makers rather than to Hollywood. Film itself was constantly evolving during the first decades of the twentieth century and the writers discussed here engaged in a kind of dialogue with the new medium, selectively pursuing strategies of montage, limited point of view and scenic composition towards their different ends. Contrasting a diverse range of cinematic and literary movements, this will be compulsory reading for scholars of American literature and film.




F. Scott Fitzgerald


Book Description

Presents a collection of critical essays on F. Scott Fitzgerald and his works.




F.Scott Fitzgerald'S Racial Angles and the Business of Literary Greatness


Book Description

This book charts Fitzgerald's use of racial stereotypes to encode the dual nature of his literary ambition: his desire to be on the one hand a popular American entertainer, and on the other to make his mark in an elite, international literary field.




Fitzgerald and the Influence of Film


Book Description

This work explores the many ways in which the developing film industry of the early twentieth century influenced the writings of F. Scott Fitzgerald, focusing specifically on his novels This Side of Paradise, The Great Gatsby, Tender Is the Night, and the incomplete The Last Tycoon. The Beautiful and the Damned is also discussed briefly. Early chapters examine Fitzgerald's literary adaptation of visual film techniques (pans, freeze frames, slow motion) and aural cinematic concepts (sound effects, diegetic sound) within his most popular novels. The final chapter summarizes the effect such techniques had in augmenting and defining Fitzgerald's unique literary style.




The Cambridge Companion to F. Scott Fitzgerald


Book Description

This second edition of The Cambridge Companion to F. Scott Fitzgerald offers both new and familiar readers an authoritative guide to the full scope of Fitzgerald's literary legacy. Gathering the critical insights of leading Fitzgerald specialists, it includes newly commissioned essays on The Beautiful and Damned, The Great Gatsby, Tender is the Night, Zelda Fitzgerald, Fitzgerald's judgment of his peers, and Fitzgerald's screenwriting and Hollywood years, alongside updated and revised versions of four of the best essays from the first edition on such topics as youth, maturity, and sexuality; the short stories and autobiographical essays; and Americans in Europe. It also includes an essay on Fitzgerald's critical and cultural reputation in the first decades of the 21st century, and an up-to-date bibliography of the best Fitzgerald scholarship and criticism for further reading.




An F. Scott Fitzgerald Encyclopedia


Book Description

F. Scott Fitzgerald is one of the most challenging authors of American literature. He is known internationally as the author of The Great Gatsby (1925), a twentieth-century literary classic studied by high school students and scholars alike. But Fitzgerald was an amazingly productive writer despite numerous personal and professional difficulties. From the beginning of his literary career with the publication of This Side of Paradise in 1920 to his death in 1940, he wrote 5 novels, roughly 180 short stories, numerous essays and reviews, much poetry, several plays, and some film scripts. Even when he wrote hastily and perhaps bleary-eyed, his works almost always exhibit the flashes of his genius. He is celebrated as a symbol of the Jazz Age and the Roaring Twenties, but beneath all the glitter for which his prose is famous, he warns of the dangers of personal recklessness and praises the redemptive power of love. Through hundreds of alphabetically arranged entries, this reference book provides complete coverage of Fitzgerald's life and writings. The volume begins with a chronology that traces his rise from obscurity to fame, his struggles with alcoholism, and his eventual financial downfall. The entries that follow give a full and detailed picture of Fitzgerald and his work. They present the essential action in Fitzgerald's novels, short stories, plays, and poems; identify all named fictional characters and indicate their significance; and give brief biographical information for Fitzgerald's family members, friends, and professional associates. Many of the entries include bibliographies which emphasize criticism published after 1990, and the volume closes with a general bibliography of the most important broad studies of Fitzgerald and his works. A thorough index and extensive cross references provide additional access to the wealth of information in this reference book and help make it a useful tool for a wide range of users.