The City as Cultural Metaphor


Book Description

The urban environment offers a variety of intriguing problems for scholars in different disciplines. The city milieu is rich and varied enough for different kinds of theoretical and practical approaches. In this collection, aestheticians, architects, art historians, geographers and philosophers address questions of the city from their perspectives. The concept of metaphor is the key term by which some of the variety of the urban environment can be captured. Articles in the collection show how the urban milieu and metaphor are intertwined together both at theoretical and practical levels. The city is connected with wilderness and sin, it is studied through images and imagination, and cities such as Constantinople, Copenhagen, Helsinki and St. Petersburg are interpreted as metaphors or with the help of metaphors. The collection gives a fresh and many-sided picture to the problems we are dealing with daily when living in an urban environment.




World Cities, City Worlds


Book Description

World Cities, City Worlds is about how we make sense of cities, those extraordinary places where half the world’s population now lives. It explores ways of seeing, experiencing and thinking about how cities work, how they change and what makes city life tick. Within the book, William Solesbury explores three particular ways of framing cities – through metaphors, icons and perspectives – and, taking six iconic cities (Venice, Mumbai, New York, Tokyo, Paris and Los Angeles), he explores the lure of cities within that context. To make sense of cities, to understand and use them, we need to delve below the surface of the familiar appearance of cities and the commonplace sensations of everyday city life. World Cities, City Worldsprovides fresh insights into cities and city life, from both the past and modern times. It takes us on an exploration of world cities, leading us to new ways of thinking about how cities work.




A City Is Not a Computer


Book Description

A bold reassessment of "smart cities" that reveals what is lost when we conceive of our urban spaces as computers Computational models of urbanism—smart cities that use data-driven planning and algorithmic administration—promise to deliver new urban efficiencies and conveniences. Yet these models limit our understanding of what we can know about a city. A City Is Not a Computer reveals how cities encompass myriad forms of local and indigenous intelligences and knowledge institutions, arguing that these resources are a vital supplement and corrective to increasingly prevalent algorithmic models. Shannon Mattern begins by examining the ethical and ontological implications of urban technologies and computational models, discussing how they shape and in many cases profoundly limit our engagement with cities. She looks at the methods and underlying assumptions of data-driven urbanism, and demonstrates how the "city-as-computer" metaphor, which undergirds much of today's urban policy and design, reduces place-based knowledge to information processing. Mattern then imagines how we might sustain institutions and infrastructures that constitute more diverse, open, inclusive urban forms. She shows how the public library functions as a steward of urban intelligence, and describes the scales of upkeep needed to sustain a city's many moving parts, from spinning hard drives to bridge repairs. Incorporating insights from urban studies, data science, and media and information studies, A City Is Not a Computer offers a visionary new approach to urban planning and design.




Metaphor, Culture, and Worldview


Book Description

Using dominant metaphors in American English and the Chinese language, Metaphor, Culture, and Worldview explores how metaphor is a product that is simultaneously shaped by and is shaping the culture and the worldview of the people who use it, and how it showcases some unique features of communication of the speakers of the two languages.




In Search of the City on a Hill


Book Description

The American history of the 'city on a hill' metaphor from its Puritan beginnings to its role in Reagan's American civil religion and beyond.




Cities and Metaphors


Book Description

Introducing a new concept of urban space, Cities and Metaphors encourages a theoretical realignment of how the city is experienced, thought and discussed. In the context of ‘Islamic city’ studies, relying on reasoning and rational thinking has reduced descriptive, vivid features of the urban space into a generic scientific framework. Phenomenological characteristics have consequently been ignored rather than integrated into theoretical components. The book argues that this results from a lack of appropriate conceptual vocabulary in our global body of scholarly literature. It challenges existing theories, introduces and applies the concept of Hezar-tu (‘a thousand insides’) to rethink the spaces in historic cores of Fez, Isfahan and Tunis. This tool constructs a staging post towards a different articulation of urban space based on spatial, physical, virtual, symbolic and social edges and thresholds; nodes of sociospatial relationships; zones of containment; state of intermediacy; and, thus, a logic of ambiguity rather than determinacy. Presenting alternative narrations of paths through sequential discovery of spaces, this book brings the sensual features of urban space into the focus. The book finally shows that concepts derived from local contexts enable us to tailor our methods and theoretical structures to the idiosyncrasies of each city while retaining the global commonalities of all. Hence, in broader terms, it contributes to a growing awareness that urban studies should be more inclusive by bringing the diverse global contexts of cities into the body of our urban knowledge.




Cultural Metaphors


Book Description

The often-overlooked views of political scientists and journalists who conceive of the world in terms of zero-sum games are explored, as are the issues of the symbolism associated with cultural metaphors. The book concludes with a description of specific uses of cultural metaphors or metaphorical applications."--BOOK JACKET.




Fermentation as Metaphor


Book Description

Los Angeles Times Best Cookbooks 2020 Saveur Magazine "Favorite Cookbook to Gift" Esquire Magazine Best Cookbooks of 2020 "The book weaves in reflections on art, religion, culture, music, and more, so even if you’re not an epicure, there’s something for everyone."—Men's Journal Bestselling author Sandor Katz—an “unlikely rock star of the American food scene” (New York Times), with over 500,000 books sold—gets personal about the deeper meanings of fermentation. In 2012, Sandor Ellix Katz published The Art of Fermentation, which quickly became the bible for foodies around the world, a runaway bestseller, and a James Beard Book Award winner. Since then his work has gone on to inspire countless professionals and home cooks worldwide, bringing fermentation into the mainstream. In Fermentation as Metaphor, stemming from his personal obsession with all things fermented, Katz meditates on his art and work, drawing connections between microbial communities and aspects of human culture: politics, religion, social and cultural movements, art, music, sexuality, identity, and even our individual thoughts and feelings. He informs his arguments with his vast knowledge of the fermentation process, which he describes as a slow, gentle, steady, yet unstoppable force for change. Throughout this truly one-of-a-kind book, Katz showcases fifty mesmerizing, original images of otherworldly beings from an unseen universe—images of fermented foods and beverages that he has photographed using both a stereoscope and electron microscope—exalting microbial life from the level of “germs” to that of high art. When you see the raw beauty and complexity of microbial structures, Katz says, they will take you “far from absolute boundaries and rigid categories. They force us to reconceptualize. They make us ferment.” Fermentation as Metaphor broadens and redefines our relationship with food and fermentation. It’s the perfect gift for serious foodies, fans of fermentation, and non-fiction readers alike. "It will reshape how you see the world."—Esquire




The City in History


Book Description

The city's development from ancient times to the modern age. Winner of the National Book Award. "One of the major works of scholarship of the twentieth century" (Christian Science Monitor). Index; illustrations.




The Metaphor of the City in the Apocalypse of John


Book Description

Throughout history, the vision of a new city - the heavenly Jerusalem coming down from heaven - has inspired human beings to dream about community, society, and the world. Acting as an incentive to turn unsatisfied longing into utopian ideas and, ultimately, action, the language of the Apocalypse of John has long inspired human imagination in a highly effective manner. This fact has contributed to its controversial role in the history of New Testament interpretation; its bizarre, often paradoxical language seems to veil, rather than reveal, its message. Interestingly, the Apocalypse has never ceased to be an inspiration for artists: unlike conceptual language, art does not restrict interpretation, but has the power to incite the reader or audience to imagine. Using artistic expression as paradigm, this book examines a central image - the city - as metaphorical material, investigating the dynamic, interpretive process from text to imagination.