Brill’s Companion to Classics in the Early Americas


Book Description

Brill’s Companion to Classics in the Early Americas opens a window onto classical receptions across the Hispanophone, Lusophone, Francophone and Anglophone Americas during the early modern period, examining classical reception as a phenomenon in transhemispheric perspective for the first
















The Atlantic World


Book Description

As the meeting point between Europe, colonial America, and Africa, the history of the Atlantic world is a constantly shifting arena, but one which has been a focus of huge and vibrant debate for many years. In over thirty chapters, all written by experts in the field, The Atlantic World takes up these debates and gathers together key, original scholarship to provide an authoritative survey of this increasingly popular area of world history. The book takes a thematic approach to topics including exploration, migration and cultural encounters. In the first chapters, scholars examine the interactions between groups which converged in the Atlantic world, such as slaves, European migrants and Native Americans. The volume then considers questions such as finance, money and commerce in the Atlantic world, as well as warfare, government and religion. The collection closes with chapters examining how ideas circulated across and around the Atlantic and beyond. It presents the Atlantic as a shared space in which commodities and ideas were exchanged and traded, and examines the impact that these exchanges had on both people and places. Including an introductory essay from the editors which defines the field, and lavishly illustrated with paintings, drawings and maps this accessible volume is invaluable reading for all students and scholars of this broad sweep of world history.




The History of Cartography, Volume 3


Book Description

When the University of Chicago Press launched the landmark History of Cartography series nearly thirty years ago, founding editors J.B. Harley and David Woodward hoped to create a new basis for map history. They did not, however, anticipate the larger renaissance in map studies that the series would inspire. But as the renown of the series and the comprehensiveness and acuity of the present volume demonstrate, the history of cartography has proven to be unexpectedly fertile ground. Cartography in the European Renaissance treats the period from 1450 to 1650, long considered the most important in the history of European mapping. This period witnessed a flowering in the production of maps comparable to that in the fields of literature and fine arts. Scientific advances, appropriations of classical mapping techniques, burgeoning trade routes--all such massive changes drove an explosion in the making and using of maps. While this volume presents detailed histories of mapping in such well-documented regions as Italy and Spain, it also breaks significant new ground by treating Renaissance Europe in its most expansive geographical sense, giving careful attention to often-neglected regions like Scandinavia, East-Central Europe, and Russia, and by providing innovative interpretive essays on the technological, scientific, cultural, and social aspects of cartography. Lavishly illustrated with more than a thousand maps, many in color, the two volumes of Cartography in the European Renaissance will be the unsurpassable standard in its field, both defining it and propelling it forward.




Henricus Martellus’s World Map at Yale (c. 1491)


Book Description

This book presents groundbreaking new research on a fifteenth-century world map by Henricus Martellus, c. 1491, now at Yale. The importance of the map had long been suspected, but it was essentially unstudiable because the texts on it had faded to illegibility. Multispectral imaging of the map, performed with NEH support in 2014, rendered its texts legible for the first time, leading to renewed study of the map by the author. This volume provides transcriptions, translations, and commentary on the Latin texts on the map, particularly their sources, as well as the place names in several regions. This leads to a demonstration of a very close relationship between the Martellus map and Martin Waldseemüller’s famous map of 1507. One of the most exciting discoveries on the map is in the hinterlands of southern Africa. The information there comes from African sources; the map is thus a unique and supremely important document regarding African cartography in the fifteenth century. This book is essential reading for digital humanitarians and historians of cartography.




Charles Ives and the Classical Tradition


Book Description

Although Charles Ives has long been viewed as the quintessential American composer, he placed himself in the European classical tradition, drew on it heavily for his aesthetic philosophy and musical techniques, and extended it to create something new. This book illuminates Ives's music by comparing it with that of other composers in Europe and the United States. Edited by two highly regarded Ives scholars, the book begins with essays that examine the influences on Ives of his musical predecessors and concludes with essays that find extensive parallels between Ives and such European contemporaries as Mahler, Schoenberg, Berg, and Stravinsky, whose music he knew little or not at all, but with whom he shared influences and concerns. Taken together, these chapters demonstrate that even apparently strange or distinctively American aspects of Ives's music--from his penchant for quotation to his juxtaposition of disparate styles--have strong precedents and parallels among European composers. Ives emerges as a composer at home in the classical tradition, engaged in exploring the same issues that confronted composers of his generation on both sides of the Atlantic.