The Collaborators


Book Description

Ian Buruma’s spellbinding account of three near-mythic figures—a Dutch fixer, a Manchu princess, and Himmler’s masseur—who may have been con artists and collaborators under Japanese and German rule, or true heroes, or something in between. On the face of it, the three characters in this book seem to have little in common—aside from the fact that each committed wartime acts that led some to see them as national heroes, and others as villains. All three were mythmakers, larger-than-life storytellers, for whom the truth was beside the point. Felix Kersten was a plump Finnish pleasure-seeker who became Heinrich Himmler’s indispensable personal masseur—Himmler calling him his “magic Buddha.” Kersten presented himself after the war as a resistance hero who convinced Himmler to save countless people from mass murder. Kawashima Yoshiko, a gender-fluid Manchu princess, spied for the Japanese secret police in China, and was mythologized by the Japanese as a heroic combination of Mata Hari and Joan of Arc. Friedrich Weinreb was a Hasidic Jew in Holland who took large amounts of money from fellow Jews in an imaginary scheme to save them from deportation, while in fact betraying some of them to the German secret police. Sentenced after the war as a con artist, he was regarded regarded by supporters as the “Dutch Dreyfus.” All three figures have been vilified and mythologized, out of a never-ending need, Ian Buruma argues, to see history, and particularly war, and above all World War II, as a neat story of angels and devils. The Collaborators is a fascinating reconstruction of what in fact we can know about these incredible figures and what will always remain out of reach. What emerges is all the more mesmerizing for being painted in chiaroscuro. In times of life-and-death stakes, the truth quickly gets buried under lies and self-deception. Now, when demagogues abroad and at home are assaulting the truth once more, the stories of the collaborators and their lessons are indispensable.




The Collaborators


Book Description

Set in Nazi-occupied France, this World War II novel of intrigue by the author of the Dalziel and Pascoe mysteries “call[s] to mind John le Carré” (Publishers Weekly). Best known for his gritty Dalziel and Pascoe novels, which were adapted into a hit BBC series, Reginald Hill proves to be “the finest male English contemporary crime writer” of stand-alone novels—now available as ebooks (Val McDermid). Paris, 1945. Günter Mai is a compassionate lieutenant with German intelligence, tasked with combing the city for collaborators. He understands the motives for their betrayal of country: greed, desperation, and fear. Janine Simonian is the wife of a Jewish member of the Resistance, virulently anti-Nazi and, at first, a most unlikely recruit for supplying information to the Abwehr. Until the Gestapo’s reign of terror escalates and Janine’s children are carted off to a pogrom. With Auschwitz only a heartbeat away, Janine strikes a bargain with Mai—one that will have irreversible consequences for the husband she betrays, for Mai, and for Janine herself. Within the context of a gripping historical thriller, Reginald Hill delivers “a moving, richly textured account of an inhuman military occupation and the all-too-human loyalties it spawns” (Kirkus Reviews).




The Collaborators


Book Description

The Collaborators by Robert Hichens is about Andrew Henchard and Henly, two college friends and journalists who decide to publish a controversial book together. Excerpt: "Why shouldn't we collaborate?" said Henley in his most matter-of-fact way, as Big Ben gave voice to the midnight hour. "Everybody does it nowadays. Two heads may be better than one, although I seldom believe in the truth of accepted sayings."




The Collaborators


Book Description

A new play by Louis Phillips.




The Collaborators


Book Description

From the bestselling author of the Dalziel and Pascoe series, a superb novel of wartime passion, loyalty - and betrayal When Janine Simonian was dragged roughly from her cell to face trial as a collaborator in the days of reckoning that followed the liberation of France, she refused to conceal her shaven skull from the jeering crowds that greeted her. Before the jury of former Resistance members pledged to extract vengeance on all who had connived in Nazi rule, Janine stood proudly in court - and pleaded guilty to the charges. Why did so many French men and women collaborate with the Nazi occupation forces whilst others gave their lives in resistance? Were the motives of those who betrayed their country always selfish - and those of the Resistance always noble? The Collaborators is a superb novel of conscience and betrayal that portrays the human dilemmas brought about by the Nazi occupation of France, and asks uncomfortable questions about the priorities of personal and national loyalty in time of war.




Hitler's Collaborators


Book Description

Hitler's Collaborators focuses the spotlight on one of the most controversial and uncomfortable aspects of the Nazi wartime occupation of Europe: the citizens of those countries who helped Hitler. Although a widespread phenomenon, this was long ignored in the years after the war, when peoples and governments understandably emphasized popular resistance to Nazi occupation as they sought to reconstruct their devastated economies and societies along anti-fascist and democratic lines. Philip Morgan moves away from the usual suspects, the Quislings who backed Nazi occupation because they were fascists, and focuses instead on the businessmen and civil servants who felt obliged to cooperate with the Nazis. These were the people who faced the most difficult choices and dilemmas by dealing with the various Nazi uthorities and agencies, and who were ultimately responsible for gearing the economies of the occupied territories to the Nazi war effort. It was their choices which had the greatest impact on the lives and livelihoods of their fellow countrymen in the occupied territories, including the deportation of slave-workers to the Reich and hundreds of thousands of European Jews to the death camps in the East. In time, as the fortunes of war shifted so decisively against Germany between 1941 and 1944, these collaborators found themselves trapped by the logic of their initial cooperation with their Nazi overlords — caught up between the demands of an increasingly desperate and extremist occupying power, growing internal resistance to Nazi rule, and the relentlessly advancing Allied armies.




Collaborators Collaborating


Book Description

As bio-capital in the form of medical knowledge, skills and investments moves with greater frequency from its origin in First World industrialized settings to resource-poor communities with weak or little infrastructure, countries with emerging economies are starting to expand new indigenous science bases of their own. The case studies here, from the UK, West Africa, Sri Lanka, Papua New Guinea, Latin America and elsewhere, explore the forms of collaborative knowledge relations in play and the effects of ethics review and legal systems on local communities, and also demonstrate how anthropologically-informed insights may hope to influence key policy debates. Questions of governance in science and technology, as well as ethical issues related to bio-innovation, are increasingly being featured as topics of complex resourcing and international debate, and this volume is a much-needed resource for interdisciplinary practitioners and specialists in medical anthropology, social theory, corporate ethics, science and technology studies.




Collaborators


Book Description

Moscow, 1938. A dangerous place to have a sense of humour; even more so a sense of freedom. Mikhail Bulgakov, living among dissidents, stalked by secret police, has both. And then he's offered a poisoned chalice: a commission to write a play about Stalin to celebrate his sixtieth birthday. Inspired by historical fact, Collaborators embarks on a surreal journey into the fevered imagination of the writer as he loses himself in a macabre and disturbingly funny relationship with the omnipotent subject of his drama. Killing my enemies is easy. The challenge is to change the way they think, to control their minds. And I think I controlled yours pretty well. In years to come, I'll be able to say: Bulgakov? Yeah, we even trained him. He gave up. He saw the light. We broke him, we can break anybody. It's man versus monster, Mikhail. And the monster always wins. John Hodge's blistering new play depicts a lethal game of cat and mouse through which the appalling compromises and humiliations inflicted on any artist by those with power are held up to scrutiny. Collaborators by John Hodge premiered at the National Theatre, London, in October 2011. It is published here with an introduction by the author.




The Collaborators


Book Description

A noir set in the seediest backwaters of the French publishing industry, The Collaborators tells the story of a hapless drifter who, after years of not particularly heroic effort, finally manages to write a book. A good book? A bad book? Well, it's complicated-and soon the complications he's set in motion spiral entirely out of control. Praised by Pierre Bayard in How to Talk About Books You Haven't Read, and finally available in English by one of our greatest translators, The Collaborators is both a sinister thriller and a comedy of outrageous proportions. Under the title Ferdinaud Celine, The Collaborators was published in French in 1997 to great acclaim.




The Collaborators: Interactions in the Architectural Design Process


Book Description

Illustrated by critical analyses of significant buildings, including examples by such eminent architects as Adler and Sullivan, Erich Mendelsohn, and Louis Kahn, this book examines collaboration in the architectural design process over a period ranging from the mid-19th century to the late 1960s. The examples chosen, located in England, the United States, Israel and South Africa, are of international scope. They have intrinsic interest as works of architecture, and illustrate all facets of collaboration, involving architects, engineers and clients. Prior to dealing with the case studies the theoretical framework is set in three introductory essays which discuss in general terms the organizational implications of partnerships, associations and teams; the nature of interactions between architect and engineer; and cooperation and confrontation in the relationship between architect and client. From this original standpoint, the interactive role of the designers, it examines and reinterprets such well-known buildings as the Chicago Auditorium and the Kimbell Art Museum. The re-evaluation of St Pancras Station and its hotel questions common presumptions about the separation of professional roles played by its engineer and architect. The account of the troubled history of Mendelsohn’s project for the first Haifa Power House highlights the difficulties that arise when a determined and eminent architect confronts a powerful and demanding client. In a later era, the examination of the John Moffat Building, which is less well known but deserving of wider recognition, reveals how the fruitful collaboration of multiple architects can result in a successful unified design. These case studies comprise a wide range of programmes, challenges, personalities and interactions. Ultimately, in five different ways, in five different epochs, and in five different circumstantial and cultural contexts, this book shows how the dialogue between the players in the design process resonates upo