The Collected Essays and Criticism, Volume 1


Book Description

Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States. Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.




The Collected Essays Volume One


Book Description

Spirited and insightful essays from the #1 New York Times–bestselling author of Memories of a Catholic Girlhood and a “delightfully polished writer” (The Atlantic Monthly). Whether penning criticism, memoir, or fiction, the New York Times–bestselling author of The Group invariably wrote with “an icily honest eye and a glacial wit” (The New York Times). Gathered here are three collections of her personal essays and literary criticism. Occasional Prose: McCarthy imbues this collection with her unique gifts of clear-eyed observation, sharp insight, and heartfelt passion as she gives us the story of La Traviata in her own words, reviews a charming and practical book on gardening, revisits Tolstoy’s Anna Karenina, and eulogizes friends, including Hannah Arendt. “Bracing opinions tartly expressed . . . May she continue to call us all to attention . . . showing us the world of her imagination, thought and rich experience.” —The New York Times The Writing on the Wall: With engaging and thought-provoking essays on Madame Bovary, Macbeth, Vladimir Nabokov, George Orwell, William S. Burroughs, J. D. Salinger, and Hannah Arendt, this collection of literary reactions is distinguished by McCarthy’s savage intelligence, clarity of thought, and utter lack of pretension. “The brand name tells all. Potential readers do not have to be informed by me of the excellence of this volume—the acumen, intelligence, clarity, wit and lack of bitchiness.” —Anthony Burgess, The New York Times Ideas and the Novel: In this lively, erudite book, McCarthy throws down the gauntlet: Why did the nineteenth century produce novels of ideas while the twentieth century is so lacking in serious fiction? Could Henry James be a big part of the problem? With verve and passion, McCarthy provides a critique of how the novel has evolved—or not—in the last century. “[McCarthy’s] writing is spirited. [Her] musings serve a larger purpose, make a grander statement, or rather, indictment. She means to set the modern novel apart.” —The Harvard Crimson







The Immense Journey


Book Description

Anthropologist and naturalist Loren Eiseley blends scientific knowledge and imaginative vision in this story of man.




Fragments


Book Description

David Tracy is widely considered one of the most important religious thinkers in North America, known for his pluralistic vision and disciplinary breadth. His first book in more than twenty years reflects Tracy’s range and erudition, collecting essays from the 1980s to 2018 into a two-volume work that will be greeted with joy by his admirers and praise from new readers. In the first volume, Fragments, Tracy gathers his most important essays on broad theological questions, beginning with the problem of suffering across Greek tragedy, Christianity, and Buddhism. The volume goes on to address the Infinite, and the many attempts to categorize and name it by Plato, Aristotle, Rilke, Heidegger, and others. In the remaining essays, he reflects on questions of the invisible, contemplation, hermeneutics, and public theology. Throughout, Tracy evokes the potential of fragments (understood both as concepts and events) to shatter closed systems and open us to difference and Infinity. Covering science, literature, philosophy, psychoanalysis, and non-Western religious traditions, Tracy provides in Fragments a guide for any open reader to rethink our fragmenting contemporary culture.




The Martha Beck Collection


Book Description

"The Best of Martha Beck's Columns from O, the Oprah Magazine"--Cover.




Complete Essays: 1930-1935


Book Description

"Over his lifetime from 1894 to 1963, Aldous Huxley earned a reputation as one of the giants of modern English prose and of social commentary in our time. Best known for his novels, including Brave New World and Point Counter Point, Huxley was nonetheless very much at home in the essay form. Ranging from journalism to critical reviews to lierary, political, cultural, and philosophical reflections, these essays stand among the finest examples of the genre in modern literature. They also provide absorbing commentary on contmporary currents and events."--Page 2 of cover.




The Firmament of Time


Book Description

A lyrical and meditative tour de force that traces the evolution of man and science, including the rise of scientific inquiry In The Firmament of Time—nominated for a National Book Award—Loren Eiseley offers a series of brilliant, provocative excursions through the history of science. A paleontologist with the soul and skill of a poet, he reflects on the many ways in which the quest for knowledge has been shaped by the changing cultures in which it emerged and developed. Examining the role of metaphor in scientific thought, anticipations of scientific discoveries in the works of poets and novelists, and the “unconscious conformity” of scientific theory to prevailing orthodoxies, he argues for the ongoing relevance of dreams, the imagination, and the irrational to scientific progress.




Bible and Interpretation: The Collected Essays of James Barr


Book Description

The first of three volumes of James Barr's collected essays. Begins with a biographical essay and contains major articles on theology in relation to the Bible, programmatic studies of the past and future of biblical study, and reflections on specific topics in the study of the Old Testament.




The Hall of Uselessness


Book Description

An NYRB Classics Original Simon Leys is a Renaissance man for the era of globalization. A distinguished scholar of classical Chinese art and literature and one of the first Westerners to recognize the appalling toll of Mao’s Cultural Revolution, Leys also writes with unfailing intelligence, seriousness, and bite about European art, literature, history, and politics and is an unflinching observer of the way we live now. The Hall of Uselessness is the most extensive collection of Leys’s essays to be published to date. In it, he addresses subjects ranging from the Chinese attitude to the past to the mysteries of Belgium and Belgitude; offers portraits of André Gide and Zhou Enlai; takes on Roland Barthes and Christopher Hitchens; broods on the Cambodian genocide; reflects on the spell of the sea; and writes with keen appreciation about writers as different as Victor Hugo, Evelyn Waugh, and Georges Simenon. Throughout, The Hall of Uselessness is marked with the deep knowledge, skeptical intelligence, and passionate conviction that have made Simon Leys one of the most powerful essayists of our time.