The Poems of Dylan Thomas


Book Description

The most complete and current edition of Dylan Thomas' collected poetry in a beautiful gift edition celebrating the centenary of his birth The reputation of Dylan Thomas (1914-1953) as one of the greatest poets of the twentieth century has not waned in the fifty years since his death. A Welshman with a passion for the English language, Thomas’s singular poetic voice has been admired and imitated, but never matched. This exciting, newly edited annotated edition offers a more complete and representative collection of Dylan Thomas’s poetic works than any previous edition. Edited by leading Dylan Thomas scholar John Goodby from the University of Swansea, The Poems of Dylan Thomas contains all the poems that appeared in Collected Poems 1934-1952, edited by Dylan Thomas himself, as well as poems from the 1930-1934 notebooks and poems from letters, amatory verses, occasional poems, the verse film script for “Our Country,” and poems that appear in his “radio play for voices,” Under Milk Wood. Showing the broad range of Dylan Thomas’s oeuvre as never before, this new edition places Thomas in the twenty-first century, with an up-to-date introduction by Goodby whose notes and annotations take a pluralistic approach.




Collected Poems


Book Description




The Collected Poems of Dylan Thomas: The Original Edition


Book Description

The original and classic The Collected Poems of Dylan Thomas is available once again, now with a brilliant new preface by Paul Muldoon. The Collected Poems of Dylan Thomas contains poems that Thomas personally decided best represented his work. A year before its publication Thomas died from swelling of the brain triggered by excessive drinking. (A piece of New Directions history: it was our founder James Laughlin who identified Thomas’ body at the morgue of St. Vincent’s Hospital.) Since its initial publication in 1953, this book has become the definitive edition of the poet’s work. Thomas wrote “Prologue” addressed to “my readers, the strangers” — an introduction in verse that was the last poem he would ever write. Also included are classics such as “And Death Shall Have No Dominion,” “Do Not Go Gentle into that Good Night,” and “Fern Hill” that have influenced generations of artists from Bob Dylan (who changed his last name from Zimmerman in honor of the poet), to John Lennon (The Beatles included Thomas’ portrait on the cover of Sgt. Pepper’s Lonely Hearts Club Band); this collection even appears in the film adaptation of Cormac McCarthy’s The Road when it is retrieved from the rubble of a bookshelf. And death shall have no dominion. Dead men naked they shall be one With the man in the wind and the west moon; When their bones are picked clean and their clean bones gone, They shall have stars at elbow and foot; Though they go mad they shall be sane, Though they sink through the sea they shall rise again, Though lovers be lost love shall not: And death shall have no dominion. (From “And Death Shall Have No Dominion”)




The Love Letters of Dylan Thomas


Book Description

"Like most great letter-writers, Thomas had the gift of writing as if his correspondent stood in front of him. Sensual and earthy, like so much of his poetry, his letters were all designed to secure Thomas's place in his lover's heart and memory - the purpose of all true love letters."--BOOK JACKET.




Quite Early One Morning


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A dazzling collection of prose from one of the greatest poets and storytellers of the twentieth century.




The Collected Poems of Dylan Thomas


Book Description

Contains all of the poems which Thomas wished to preserve.




Dylan Thomas Selected Poems, 1934-1952


Book Description

A collection of poems written by Dylan Thomas between 1934 and 1952.




On the Air with Dylan Thomas


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Adventures in the Skin Trade


Book Description

Thomas's unfinished novel of a Welsh boy's adventures in London is accompanied by twenty short stories.




Discovering Dylan Thomas


Book Description

Discovering Dylan Thomas is a companion to Dylan Thomas’s published and notebook poems. It includes hitherto-unseen material contained in the recently-discovered fifth notebook, alongside poems, drafts and critical material including summaries of the critical reception of individual poems. The introductory essay considers the task of editing and annotating Thomas, the reception of the Collected Poems and the state of the Dylan Thomas industry, and the nature of Thomas’s reading, ‘influences’, allusions and intertextuality. It is followed by supplementary poems, including juvenilia and the notebook poems ‘The Woman Speaks’, original versions of ‘Grief thief of time’ and ‘I fellowed sleep’, and ‘Jack of Christ’, all of which were omitted from the Collected Poems. These are followed by annotations beginning with a discussion of Thomas’s juvenilia, and the relationship between plagiarism and parody in his work; poem-by-poem entries offer glosses, new material from the fifth notebook, critical histories for each poem, and variants of poems such as ‘Holy Spring’ and ‘On a Wedding Anniversary’ (including a magnificent, previously unpublished first draft of ‘A Refusal to Mourn’). The closing appendices deal with text and publication details for the collections Thomas published in his lifetime, the provenance and contents of the fifth notebook, and errata for the hardback edition of the Collected Poems.