Great Churches of London


Book Description

A lavishly illustrated look at the 40 greatest churches in London




Hawksmoor's London Churches


Book Description

Six remarkable churches built by Nicholas Hawksmoor from 1712 to 1731 still stand in London. In this book, architectural historian Pierre de la Ruffinière du Prey examines these designs as a coherent whole—a single masterpiece reflecting both Hawksmoor's design principles and his desire to reconnect, architecturally, with the "purest days of Christianity."




British Archives


Book Description

British Archives is the foremost reference guide to archive resources in the UK. Since publication of the first edition more than ten years ago, it has established itself as an indispensable reference source for everyone who needs rapid access on archives and archive repositories in this country. Over 1200 entries provide detailed information on the nature and extent of the collection as well as the organization holding it. A typical entry includes: name of repositiony; parent organization ; address, telephone, fax, email and website; number for enquiries; days and hours of opening; access restrictions; acquisitions policy; archives of organization; major collections; non-manuscript material; finding aids; facilities; conservation; publications New to this edition: email and web address; expanded bibliography; consolidated repository and collections index




Documenting Eighteenth Century Satire


Book Description

Documenting Eighteenth Century Satire provides a historicized view of Augustan satire, through detailed readings of individual works. It aims to show how these satires can be “documented” in various ways to reveal richer meanings. The book ranges across different modes of satire, in poetry, prose and drama. It covers some of the best known works of eighteenth-century British literature, including The Rape of the Lock, The Dunciad, and The Beggar’s Opera. In addition it deals with less familiar but important texts, including Gay’s Trivia, Pope’s Epistle to Miss Blount, and Swift’s poem on Sid Hamet, as well as works of great literary merit which have been unduly neglected, including Pope’s Duke upon Duke and Swift’s The Bubble. One essay offers the first full interpretation and edition of a poem that surfaced in the 1970s, still virtually unknown, written by Pope and/or Gay. Another describes a previously unsuspected hoax by the Scriblerians on the quest for the longitude, while one more finds an unsuspected, but close, link between poems by Pope and Pushkin. Sources are drawn from numerous unpublished documents (wills, private letters, inventories, estate deeds, marriage contracts and private correspondence). Extensive use is made of contemporary newspapers, magazines and pamphlets. Most of these have not been quarried heavily (if at all) before. Some essays are completely new while others have been extensively revised for this book.




Suffering and Happiness in England 1550-1850


Book Description

These essays honour leading historian of early modern England, Paul Slack, by engaging with his work on social policy and the history of political economy. They explore how languages of happiness and suffering developed, and how historians might explore the public employment and subjective experiences of happiness and suffering in this period.




Glorious Temples or Babylonic Whores


Book Description

In Glorious Temples or Babylonic Whores, Anne-Françoise Morel offers an account of the intellectual and cultural history of places of worship in Stuart England. Official documents issued by the Church of England rarely addressed issues regarding the status, function, use, and design of churches; but consecration sermons turn time and again to the conditions and qualities befitting a place of worship in Post-Reformation England. Placing the church building directly in the midst of the heated discussions on the polity and ceremonies of the Church of England, this book recovers a vital lost area of architectural discourse. It demonstrates that the religious principles of church building were enhanced by, and contributed to, scientific developments in fields outside the realm of religion, such as epistemology, the theory of sense perception, aesthetics, rhetoric, antiquarianism, and architecture.




Historical Dictionary of Neoclassical Art and Architecture


Book Description

Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s until around 1830, with late neoclassicism lingering through the 1870s. It is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was unified under a broad interest in classical antiquity. The movement was born in Italy and France and spread across Europe to Russia and the United States. It was motivated by a desire to use ideas from antiquity to help address modern social, economic, and political issues in Europe, and neoclassicism came to be viewed as a style and philosophy that offered a sense of purpose and dignity to art, following the new “enlightened” thinking. This second edition of Historical Dictionary of Neoclassical Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries cover late Baroque and Rococo tendencies found in the early 18th century, and span the century to include artists who moved from neoclassicism to early romanticism. This book is an excellent resource for students, researchers, and anyone wanting to know more about neoclassical art and architecture.




Articulating British Classicism


Book Description

Whereas the past decades have seen a profound reconsideration of eighteenth-century visual culture, the architecture of that century has undergone little evaluation. Its study, unlike that of the early modern period or the twentieth century, has continued to use essentially the same methods and ideas over the last fifty years. Articulating British Classicism reconsiders the traditional historiography of British eighteenth-century architecture as it was shaped after World War II, and brings together for the first time a variety of new perspectives on British classicism in the period. Drawing on current thinking about the eighteenth century from a range of disciplines, the book examines such topics as social and gender identities, colonialization and commercialization, notions of the rural, urban and suburban, as well as issues of theory and historiography. Canonical constructions of Georgian architecture are explored, including current evaluations of the continental intellectual background, the relationship with mid seventeenth-century Stuart court classicism and the development of the subject in the twentieth century.