The Compass of Irony


Book Description

First published in 1969, The Compass of Irony is a detailed study of the nature, qualities, classifications, and significance of irony. Divided into two parts, the book offers first a general account of the formal qualities of irony and a classification of the more familiar kinds. It then explores newer forms of irony, its functions, topics, and cultural significance. A wide variety of examples are drawn from a range of different authors, such as Musil, Diderot, Schlegel, and Thomas Mann. The final chapter considers the detachment and seeming superiority of the ironist and discusses what this means for the morality of irony. The Compass of Irony will appeal to anyone with an interest in the history of irony as both a literary and a cultural phenomenon.




The Compass of Irony


Book Description




Reader's Guide to Literature in English


Book Description

Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.




Translating Irony between English and Arabic


Book Description

This book challenges entrenched literary views that promote the impracticality of linguistic, stylistic and functional approaches to the analysis and translation of irony. It considers these scientific fields of enquiry as the building blocks on which ironic devices in English and Arabic are grounded, and according to which the appropriateness of the methods of translation in the literature is assessed in a quest to pin down an interactive model for the interpretation and translation of irony. The book ventures into contrastive linguistic and stylistic analyses of irony in Arabic and English from literary, linguistic and discourse perspectives. It sheds light on the interpretation and the linguistic realisation of irony in Arabic and English through an interdisciplinary approach, and, consequently, identifies similarities and discrepancies in the form and function of ironic devices between these languages. As such, it will appeal to professional translators, instructors and students of translation, as well as language learners, language teachers and researchers in cross-cultural and inter-pragmatic disciplines.




The Meaning of Irony


Book Description

Genuinely interdisciplinary in approach, The Meaning of Irony brings together literary analysis and, from psychoanalysis, both theory and case studies. Its investigation ranges from everyday examples of verbal irony--conscious and unconscious--to the complex irony of literature. This book provides the first full account of verbal irony from a psychoanalytic point of view. Stringfellow shows how the rhetorical tradition, by viewing the literal level of irony as something the speaker doesn't really mean, flattens out the rich ambiguities of irony and misses the unconscious meanings that are hidden behind ironic statement. He argues that only psychoanalysis can recover these unconscious meanings and reveal the origins of irony.




Is it ironic? Use of Irony in Kate Chopin’s "The Story of an Hour"


Book Description

Seminar paper from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Tubingen, language: English, abstract: "It’s ironic", is a statement certainly often proclaimed after reader Kate Chopin’s short story The Story of an Hour, but often it is not further dissected. After all, it is commonly expected one should know what irony is and how it works. But that might not always be the case. Surely, one needs a deeper understanding of the concept of irony to properly comment on it as a formal element. Interpreting ironies can be very enlightening as it deepens the understanding and meaning of texts as well. In this paper first I am going to outline research done on irony, to define its specific criteria, different types of irony and how irony is detected and interpreted. Then, employing the knowledge about irony and its criteria, specifically focusing on Wayne C. Booth’s four steps of reconstruction, I am going to analyse the use of ironies in Kate Chopin’s The Story of an Hour. Finally, I am going to analyse how the ironies in the short story can be interpreted. All while arguing that the use of ironies in Kate Chopin’s The Story of an Hour help illustrate the reality of a 19th-century woman feeling trapped in her marriage.




Robert Louis Stevenson and the Appearance of Modernism


Book Description

Despite attracting the admiration of Modernists like Nabokov and Borges, Stevenson remains for many an apologist for the lost world of the romance. This is not only to misread and simplify his fiction, it is greatly to undervalue his lively, forward-looking literary essays. Strenously resisting the authority of the literary 'fathers' (though haunted by the complexities of paternity), Stevenson reveals strong affinities with emergent Modernism. It is from this perspective that Alan Sandison's latest book (the first to appear for nearly thirty years) conducts a lively and readable re-examination of this often underrated writer.




A King and a Fool?


Book Description

In A King and a Fool? The Succession Narrative as a Satire Virginia Miller argues that the genre of the Succession Narrative is a satire. Accordingly, this narrative is pejoratively critical of King David.




A Rhetoric of Irony


Book Description

Perhaps no other critical label has been made to cover more ground than "irony," and in our time irony has come to have so many meanings that by itself it means almost nothing. In this work, Wayne C. Booth cuts through the resulting confusions by analyzing how we manage to share quite specific ironies—and why we often fail when we try to do so. How does a reader or listener recognize the kind of statement which requires him to reject its "clear" and "obvious" meaning? And how does any reader know where to stop, once he has embarked on the hazardous and exhilarating path of rejecting "what the words say" and reconstructing "what the author means"? In the first and longer part of his work, Booth deals with the workings of what he calls "stable irony," irony with a clear rhetorical intent. He then turns to intended instabilities—ironies that resist interpretation and finally lead to the "infinite absolute negativities" that have obsessed criticism since the Romantic period. Professor Booth is always ironically aware that no one can fathom the unfathomable. But by looking closely at unstable ironists like Samuel Becket, he shows that at least some of our commonplaces about meaninglessness require revision. Finally, he explores—with the help of Plato—the wry paradoxes that threaten any uncompromising assertion that all assertion can be undermined by the spirit of irony.




Intellect Encounters Faith - A Synthesis


Book Description

Intellect Encounters Faith – A Synthesis is a Festschrift crafted to honor a renaissance man: a literary tribute to Dr. Jay Harold Ellens that has been long overdue. While attending the 2014 International Meeting of the Society of Biblical Literature at the University of Vienna (July 6–10), Professor Ellens celebrated his eighty-second birthday. He is still a most engaged and active scholar, practicing clinical psychologist, and military chaplain (with the rank of Colonel). He publishes widely in Second Temple Judaism, and works that are on the cusp between religious studies/history of religions and psychology, as well as spirituality. He is a marvel to behold and is an excellent, indefatigable Vorbild for both professional colleagues, as well as an ever-growing number of aspiring scholars he mentors. He is the model of the modern peripatetic scholar. The Festschrift acknowledges the major foci of Professor Doctor Ellens’ own work: Psychology, Religious Literature, and Military History. Moreover, there are included in this volume several personal reflections by some of his friends and colleagues, also. The essays/chapters contained herein are works of deep and broad scholarship. Yet, they are deeply personal tributes to a master pedagogue who has touched many lives in many walks of life. All, however, reflect Professor Ellens’ influence on the contributors as if one is looking at them through their writings and seeing him. The reader will find this a most informative volume, and will return to it often as an up-to-date reference work on trends in religious studies, psychology, psychology of religion(s), and even the archaeology of the Second Jewish Temple period. One will discover between these covers a rare and valuable reference work that honors a rare, prolific, and generous man.