Reference Guide to Russian Literature


Book Description

First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.




Dead Souls


Book Description

A comic masterpiece about Chechikov, a trafficker in souls (adult male serfs), who can still be of profit even when dead.




Russian Literature in the Age of Pushkin and Gogol


Book Description

Essays on Russian poets and dramatists who acted as a bridge from Russia's Golden Age to the Silver Age, which spanned some thirty years and included Symbolism, Decadence and Acmeism and futurism. During the spread of the Russian empire, many of Russia's poets and dramatists saw active service with the Russian army, either voluntarily or involuntarily. Discusses the importation of romanticism into Russian writings, and the debate on how to create their own Romanticism.







Seven Short Novels


Book Description

"Anton Chekhov's best stories display a detached sympathy for the Russian people and a controversial skill in portraying the decaying world of czarist Russia. Though not a political man, Chekhov could be cutting in his criticisms of upper-class society, and he turned a lens on its manners and shortsightedness. His finely observed and sharp-as-nails writing created unforgettable characters." "In these short novels, Chekhov was interested, above all, in human relationships, especially mutual unintelligibility and frustration between lovers and the evolution of affection over time. "The Duel," "My Life," and "Ward No. 6" are intimate portraits of individuals and their predicaments, while "A Woman's Kingdom," "Peasants," "Three Years," and "In the Ravine" depict the social milieu on a much larger scale than was possible in his shorter stories."--BOOK JACKET.










Books Are Not Life But Then What Is?


Book Description

Books Are Not Life, But Then What Is? demonstrates how much Marvin Mudrick loved life and celebrated the dignity of life in literature. “It’s helpful to be reminded now and then,” he writes, that “while novelists persist in their noisy betrayals of human dignity, living has a longer history than reading, and truth than fiction.” Mudrick insists on seeing authors and their characters as people and he describes and judges them as frankly as if they were living among us. In this collection, we meet heroes, monsters, and every shade of character in between: Chaucer, Pepys, Rochester, Boswell, Jane Austen (and Anne Elliot), Dickens (and Pecksniff), Pushkin, Tolstoy, Kafka, Edmund Wilson, and many other novelists, scholars, and critics. We get to know each of them, so vivid are Mudrick’s quotations and commentary. Essay after essay demonstrates that good criticism can amplify both life and literature.




The Atlantic


Book Description