Public Enemies


Book Description

Public Enemies, book two of the Immortal Game series, is a darkly fantastic, heart-pounding book by Ann Aguirre, the New York Times- and USA Today-bestselling author of the Razorland series. Learn the rules of the game . . . and then play better than anyone else. Through a Faustian bargain, Edie Kramer has been pulled into the dangerous world of the Immortal Game, where belief makes your nightmares real. Hungry for sport, fears-made-flesh are always raising the stakes. To them, human lives are less than nothing, just pieces on a board. Because of her boyfriend Kian’s sacrifice, she’s operating under the mysterious Harbinger’s aegis, but his patronage could prove as fatal as the opposition. Raw from deepest loss, she’s terrified over the deal Kian made for her. Though her very public enemies keep sending foot soldiers—mercenary monsters committed to her destruction—she’s not the one playing under a doom clock. Kian has six months, unless Edie can save him. And this is a game she can’t bear to lose. "Should particularly appeal to fans of Ilsa Bick's "The Dark Passages" series and Mary Weber's "The Storm Siren" trilogy. . . . This engaging nightmare will make even mature horror readers check under the bed at night." -School Library Journal "The world-building that creates the dark and suspenseful atmosphere for this story is in full swing, and readers will enjoy the larger glimpses into the underworld. The romance between Edie and Kian is also heating up, and Edie gets the opportunity to act as his guardian. . . . The plot is fast paced and leads to a suspenseful ending." -VOYA




Harper’s Weekly 1865 Part 3- War Ends


Book Description

This is a selective collection of Harper’s Weekly woodcut Civil War images during the first half of 1865. The original descriptions of illustrations and events including Mosby, Petersburg, Richmond, Sherman’s March, Sheridan in the Shenandoah Valley, Davis’ capture, etc. The events surrounding Lincoln's murder occurring during this time are in 1865 Part I Lincoln. About Tis Document -- Several years ago, Fauquier resident Paul Mellon kindly gifted a collection of Harper’s Weekly news magazines to the Fauquier Historical Society. They are a great educational source of engraved images highlighting Civil War events published when most newspapers were only words. The images illuminate the story.







Public Enemies


Book Description

In Public Enemies, bestselling author Bryan Burrough strips away the thick layer of myths put out by J. Edgar Hoover’s FBI to tell the full story—for the first time—of the most spectacular crime wave in American history, the two-year battle between the young Hoover and the assortment of criminals who became national icons: John Dillinger, Machine Gun Kelly, Bonnie and Clyde, Baby Face Nelson, Pretty Boy Floyd, and the Barkers. In an epic feat of storytelling and drawing on a remarkable amount of newly available material on all the major figures involved, Burrough reveals a web of interconnections within the vast American underworld and demonstrates how Hoover’s G-men overcame their early fumbles to secure the FBI’s rise to power.




Off the Map


Book Description

A motion picture chronicling the last adventures of bank robber John Dillinger (Johnny Depp), Public Enemies was met with much bafflement upon its 2009 release. Director Michael Mann's terse storytelling and unorthodox use of high-definition digital cameras challenged viewers' familiarity with Hollywood's historical gangland elegance while highlighting Public Enemies' own place in a medium--and culture--undergoing sweeping technological change. In Off the Map, Niles Schwartz immerses us in Mann's representation of Dillinger, a subject increasingly aware of his own role as a romanticized frontier folk hero, in flight from an enveloping bureaucratic system. The cultural issues of Dillinger's 1930s anticipate the 21st century watershed moment for the moving image, as our relationship with the pictures surrounding us increasingly affects our own sense of identity, historical truth, and means of relating to each other. Mann's follow-up, the hacker thriller Blackhat (2015), reflects a world where Public Enemies' abstract surveillance state has since colonized the firmament of our everyday lives. Yet in this virtual labyrinth of surplus images, cinema may inwardly illuminate a transformative path for us. Off the Map places Mann's late works in deep focus, exploring our present relationship to cinema on a backdrop that swings from the blockbuster spectacle of Avatar to the curious intimacy of Moonrise Kingdom, ultimately suggesting the mysterious space between the viewer and the screen may yet become a sanctuary of deep spiritual reflection.










Public Enemies


Book Description

The international publishing sensation is now available in the United States—two brilliant, controversial authors confront each other and their enemies in an unforgettable exchange of letters. In one corner, Bernard-Henri Lévy, creator of the classic Barbarism with a Human Face, dismissed by the media as a wealthy, self-promoting, arrogant do-gooder. In the other, Michel Houellebecq, bestselling author of The Elementary Particles, widely derided as a sex-obsessed racist and misogynist. What began as a secret correspondence between bitter enemies evolved into a remarkable joint personal meditation by France’s premier literary and political live wires. An instant international bestseller, Public Enemies has now been translated into English for all lovers of superb insights, scandalous opinions, and iconoclastic ideas. In wicked, wide-ranging, and freewheeling letters, the two self-described “whipping boys” debate whether they crave disgrace or secretly have an insane desire to please. Lévy extols heroism in the face of tyranny; Houellebecq sees himself as one who would “fight little and badly.” Lévy says “life does not ‘live’” unless he can write; Houellebecq bemoans work as leaving him in such “a state of nervous exhaustion that it takes several bottles of alcohol to get out.” There are also touching and intimate exchanges on the existence of God and about their own families. Dazzling, delightful, and provocative, Public Enemies is a death match between literary lions, remarkable men who find common ground, confident that, in the end (as Lévy puts it), “it is we who will come out on top.”