Simple Psalter for Year C


Book Description

Michael Joncas's new Simple Psalter synthesizes elements of previous styles of psalm-singing into a new pattern of engaging these sacred texts. Using the new Abbey Psalms and Canticles, Joncas sets every responsorial psalm in the three-year Lectionary in settings that work equally well a cappella or with keyboard accompaniment. The antiphon for each setting may be sung in unison or enhanced with optional voice or instrument parts, and the verses are set to a Gelineau-inspired "pulsed" psalm tone, notated in proposed speech-rhythm. Additionally, the tones of the Simple Psalter respect form-critical studies of psalms, assigning them to particular categories (e.g., different tones for hymns of praise, songs of thanksgiving, communal laments, etc.). The Simple Psalter is divided into four volumes: one for solemnities, feasts, and other celebrations, and one each for years A, B and C.




Simple Psalter for Year A


Book Description

Michael Joncas’s new Simple Psalter synthesizes elements of previous styles of psalm-singing into a new pattern of engaging these sacred texts. Using the new Abbey Psalms and Canticles, Joncas sets every responsorial psalm in the three-year Lectionary in settings that work equally well a cappella or with keyboard accompaniment. The antiphon for each setting may be sung in unison or enhanced with optional voice or instrument parts, and the verses are set to a Gelineau-inspired "pulsed" psalm tone, notated in proposed speech-rhythm. Additionally, the tones of the Simple Psalter respect form-critical studies of psalms, assigning them to particular categories (e.g., different tones for hymns of praise, songs of thanksgiving, communal laments, etc.). The Simple Psalter is divided into four volumes: one for solemnities, feasts, and other celebrations, and one each for years A, B and C.




Simple Psalter for Year B


Book Description

Michael Joncas’s new Simple Psalter synthesizes elements of previous styles of psalm-singing into a new pattern of engaging these sacred texts. Using the new Abbey Psalms and Canticles, Joncas sets every responsorial psalm in the three-year Lectionary in settings that work equally well a cappella or with keyboard accompaniment. The antiphon for each setting may be sung in unison or enhanced with optional voice or instrument parts, and the verses are set to a Gelineau-inspired "pulsed" psalm tone, notated in proposed speech-rhythm. Additionally, the tones of the Simple Psalter respect form-critical studies of psalms, assigning them to particular categories (e.g., different tones for hymns of praise, songs of thanksgiving, communal laments, etc.). The Simple Psalter is divided into four volumes: one for solemnities, feasts, and other celebrations, and one each for years A, B and C.




All Things Necessary


Book Description

This is a complete revision of a detailed resource which has been the essential guide for church musicians working in the Episcopal church for over 20 years. A Guide to the Practice of Church Music (1989) was originally written by Marion J. Hatchett, who taught for many years at the Episcopal seminary at Sewanee, was key in developing materials for The Hymnal 1982. This updated revision contains brief, but articulate discussions of the role of music in the church, the variety and nature of music ministries (people, cantor, choirs, organists, directors, instrumentalists, clergy, and music committees); principles for the selection of hymns, psalms, canticles, and other service music and their sources in materials from CPI and beyond; guidance for planning services for all rites of the church in the BCP and the Book of Occasional Services. Updated revision includes hymnals, electronic resources, and materials published since The Hymnal 1982.




Simple Psalter for Solemnities, Feasts, and Other Celebrations


Book Description

Michael Joncas’s new Simple Psalter synthesizes elements of previous styles of psalm-singing into a new pattern of engaging these sacred texts. Using the new Abbey Psalms and Canticles, Joncas sets every responsorial psalm in the three-year Lectionary in settings that work equally well a cappella or with keyboard accompaniment. The antiphon for each setting may be sung in unison or enhanced with optional voice or instrument parts, and the verses are set to a Gelineau-inspired "pulsed" psalm tone, notated in proposed speech-rhythm. Additionally, the tones of the Simple Psalter respect form-critical studies of psalms, assigning them to particular categories (e.g., different tones for hymns of praise, songs of thanksgiving, communal laments, etc.). The Simple Psalter is divided into four volumes: one for solemnities, feasts, and other celebrations, and one each for years A, B and C.




The Common Worship Psalter with Chants


Book Description

The Chants edition uses many old favourites plus brand new, specially-written and arranged chants. Ideal for both choir and congregational use, this is the Parish Psalter for the 21st century.




This Is My Story This Is My Song


Book Description

The autobiography of Betty Carr Pulkingham, beginning with her childhood in North Carolina and presenting her personal memories of her major contributions to the changes to music and worship in the 1960s Episcopal Church, her work with her husband Reverend W. Graham Pulkingham at the Church of the Redeemer in Houston, and their work as founding members of the Community of Celebration.




This Is My Story This Is My Song


Book Description

Betty Carr Pulkingham grew up in North Carolina and received a bachelor of science in music from Womens College, UNC. Following graduate studies at the Eastman School of Music, she taught music theory at the University of Texas for four years and then directed both church and secular choirs. For seven years she directed the choir of the Church of the Redeemer in Houston, where her husband served as rector. They became founding members of the Community of Celebration. During the years of the Communitys residence in Great Britain (197485), Betty played a primary role in developing resources for Christian worship and nurture. She co-edited three contemporary songbooksSound of Living Waters, Fresh Sounds, and Cry Hosanna!and a hymnal supplement called Come Celebrate! for major publishers in the UK and the USA. Other published works include two books (Little Things in the Hands of a Big God and Sing God a Simple Song); a responsorial Psalter for Years A, B, and C; hymns and octavo anthems; music for children; and four settings of music for the Eucharist. She helped produce more than forty recordings and served on the Episcopal Churchs Standing Commission on Church Music. A significant aspect of Pulkinghams teaching ministry has been her ability to blend the discipline of traditional, classical musicianship with folk arts to draw congregations into a deepened and lively experience of worship. In 2006 she received the honorary doctor of humane letters degree from Protestant Episcopal Theological Seminary in Virginia, and in 2007 she received the degree of Doctoris in Sacris Litteris from Wycliff College of the University of Toronto. She and Graham have six children. Since his death, Pulkingham has made her home in Burlington, North Carolina. She remains a Companion of the Community of Celebration in Aliquippa, PA.




The Proper of the Mass for Sundays and Solemnities


Book Description

Introduction by Archbishop Salvatore Cordileone. The Propers of the Mass book contains English chant settings for the Entrance and Communion Antiphons given in The Roman Missal, 2010, as well as suggestions for the Offertory Antiphons, following the pattern of the Graduale Romanum,1974. For most antiphons, four levels of settings from complex to very simple are provided, : i. through-composed melismatic; ii. through-composed simple; iii. Gregorian psalm tone; iv. English psalm tone. Optional psalm verses are provided in the Gregorian psalm tone style. Thus this collection provides an option intended to suit the abilities and needs of any choir or cantor. Ordination and nuptial Masses are also included, as well as the Asperges me and Vidi aquam. The Gloria Patri is given in the eight Gregorian tones, solemn and simple.