The Composition of Mutanabbī's Panegyrics to Sayf al-Dawla


Book Description

The purpose of this study is to identify and describe recurrent patterns of composition in the twenty two major panegyrics Mutanabbī wrote to Sayf al-Dawla during his stay at the ḥamdānid court in Aleppo between 337/948 and 345/956. It discusses the types of utterance used in endings and in cadential lines before definable internal boundaries, the organising conventions of the passages that lead into and out of chronicles of military campaigns, the non-random placement of certain crescendo motifs, various means of local organisation in poems without events, etc. It also considers brief differences in technique between the Aleppo period and Mutanabbī's earlier and later work, and casts a glance at possible predecessors. Based on a sizable and coherent sample of poetry, this study demonstrates that compositional rules and predilections played a pervasive role in Mutanabbī's writing in the years when his career was at its height.




Story-Telling Techniques in the Arabian Nights


Book Description

This work comprises a literary comparison of surviving alternative versions of selected narrative-cycles from the "Nights." Pinault draws on the published Arabic editions - especially Bulaq, MacNaghten, and the fourteenth-century Galland text recently edited by Mahdi - as well as unpublished Arabic manuscripts from libraries in France and North Africa. The study demonstrates that significantly different versions have survived of some of the most famous tales from the "Nights." Pinault notes how individual manuscript redactors employed - and sometimes modified - formulaic phrases and traditional narrative topoi in ways consonant with the themes emphasized in particular versions of a tale. He also examines the redactors' modification of earlier sources - Arabic chronicles and Islamic religious treatises, geographers' accounts and medieval legends - for specific narrative goals. Comparison of the narrative structure of diverse story-collection also sheds new light on the relationship of the embedded subordinate-narrative to the overarching frame-tale. All cited passages from the "Nights" and other Arabic story- collections have been fully translated into English.




Qasida Poetry in Islamic Asia and Africa


Book Description

The print edition is available as a set of two volumes (9789004104525).







Twenty-First Century Jihad


Book Description

The term 'jihad' has come to be used as a byword for fanaticism and Islam's allegedly implacable hostility towards the West. But, like other religious and political concepts, jihad has multiple resonances and associations, its meaning shifting over time and from place to place. Jihad has referred to movements of internal reform, spiritual struggle and self-defence as much as to 'holy war'. And among Muslim intellectuals, the meaning and significance of jihad remain subject to debate and controversy. With this in mind, Twenty-First Century Jihad examines the ways in which the concept of jihad has changed, from its roots in the Qur'an to its usage in current debate. This book explores familiar modern political angles, and touches on far less commonly analysed instances of jihad, incorporating issues of law, society, literature and military action. As this key concept is ever-more important for international politics and security studies, Twenty-First Century Jihad contains vital analysis for those researching the role of religion in the modern world.




Encyclopedia of Arabic Literature


Book Description

This reference work covers the classical, transitional and modern periods. Editors and contributors cover an international scope of Arabic literature in many countries.







Transforming Loss Into Beauty


Book Description

The contributors to this wide-ranging work of scholarship and analysis include mentors, colleagues, friends, and students of the late Magda al-Nowaihi, an outstanding scholar of Middle East studies whose diverse interests and energy inspired numerous colleagues. The book's first part is devoted to Arabic elegy, the subject of an unfinished work by al-Nowaihi from which this volume takes its title. Included here is a previously unpublished lecture on elegy delivered by al- Nowaihi herself. Other contributors examine this poetic form in both classical and modern contexts, from a number of angles, including the partial feminization of the genre, making this volume perhaps the most comprehensive resource on the Arabic elegy available in English. The book's second half features essays relating to al-Nowaihi's other research interests, especially the modern Arabic novel and its transgressive and marginalized status as literature. It deals with authors as varied as Tawfiq al-Hakim, Latifa al-Zayyat, Bensalem Himmich, and Sonallah Ibrahim. Broad in its scope and rigorous in its scholarship, this volume makes a fitting tribute to an inspiring scholar. Contributors: Roger Allen, Dina Amin, Michael Beard, Jonathan P. Decter, Alexander E. Elinson, Marlé Hammond, András Hámori, Mervat Hatem, Wolfhart Heinrichs, Richard Jacquemond, Lital Levy, Mara Naaman, Magda al-Nowaihi, Dana Sajdi, and Christopher Stone.




Medieval Arabic Praise Poetry


Book Description

This book gives an insight into panegyrics, a genre central to understanding medieval Near Eastern Society. Poets in this multi-ethnic society would address the majority of their verse to rulers, generals, officials, and the urban upper classes, its tone ranging from celebration to reprimand and even to threat.




Literary Spectacles of Sultanship


Book Description

The so-called Mamluk sultans who ruled Egypt and Syria between the late thirteenth and early sixteenth centuries AD have often been portrayed as lacking in legitimacy due to their background as slave soldiers. Sultanic biographies written by chancery officials in the early period of the sultanate have been read as part of an effort of these sultans to legitimise their position on the throne. This book reconsiders the main corpus of six such biographies written by the historians Ibn ʿAbd al-Ẓāhir (d. 1293) and his nephew Shāfiʿ ibn ʿAlī (d. 1330) and argues that these were in fact far more complex texts. An understanding of their discourses of legitimisation needs to be embedded within a broader understanding of the multi-directional discourses operating across the texts. The study proposes to interpret these texts as "spectacles", in which authors emplotted the reign of a sultan in thoroughly literary and rhetorical fashion, making especially extensive use of textual forms prevalent in the chancery. In doing so the authors reimagined the format of the biography as a performative vehicle for displaying their literary credentials and helping them negotiate positions in the chancery and the wider courtly orbit.