Cornell Capa


Book Description

Cornell Capa the photographer has long been overshadowed by Cornell Capa the founder and director of the International Center of Photography, New York, and by Cornell Capa the brother of Robert Capa. This beautiful cloth-bound book, filled with 27 of his most intelligent, compassionate, formally striking images, promises to bring the photographer his due. He once told Camera magazine, "Single photographs are not what I do best. My most effective work is groups of photographs which hang together and tell stories." Nevertheless, the pictures included here sum up and transcend those stories. Imbued with the very essence of the specifics they portray, yet simultaneously resonant with universal human experience, they mark Cornell Capa as what he called "a concerned photographer."




No Easy Walk


Book Description

A short drive from Newark's white suburbia is the desolation of the Central Ward. Drawn there initially to photograph the complexity she saw in the faces on the neighborhood children, Helen M. Stummer continued her work in the Central Ward for over a decade, focusing on one of the neighborhood's residents, Carol, and her family and neighbors. Following Carol's day-to-day life, Stummer documents with vivid photographs and compelling narrative the abysmal deterioration of this innercity neighborhood, its run-down buildings slated for demolition, the empty lots where children play amidst old tires, garbage, and broken glass. But No Easy Walkalso celebrates Carol's hopes and struggles for a better life and her spirit of generosity and compassion.Carol, a single mother with little income and resources, is a critical link in her neighborhood's social network of survival, giving food to those who have none, passing along massages to neighbors without phone service, giving children clothes so that they can attend school. Though we see her getting worn down, we also see her return to school to earn her high school diploma (with honors), get engaged to be married, help her children with their homework, and care for her parents.Stummer was not only an observer but a pupil of the Central Ward, forced to learn the ways of survival during her visits. In stark contrast to the comfort and safety of her own suburban community, terror lurks in the Central Ward's dark and dilapidated hallways and in the foreboding presence of drug dealers, child molesters, and burglars. It is a neighborhood where residents battle against police harassment, the catch-22 of welfare restrictions, unsympathetic health care and school systems, and absentee landlords, where people desperate for housing must look at the nearby construction of malls and middle-class homes and realize it is clearly not meant for them. Author note: Helen M. Stummer is a New Jersey-based photographer whose work is included in the collections of the Museum of the City of New York, the Brooklyn Museum, and the Newark Museum. She is also an Adjunct Associate Professor of Photography and Photojournalism at the County College of Morris and a photography instructor at the New Jersey Center for the Visual Arts.




The Unconcerned Photographer


Book Description

Charles Harbutt (1935-2015) was a master photographer and educator. His clear, pointed words from a 1970 lecture- published here in its entirety for the first time-will resonate with and challenge audiences considering the medium today: "Photography is not art. It is something totally new in human experience, something humans have not been able to do until the last century or so. Like flying. Or blowing up the whole world (I hope we survive our inventive little minds). The basic impulse of the photographer is diametrically opposed to the basic impulse of the artist, no matter what the artist's medium. The artist is trying to bring into existence something (even if only a concept) that never existed before. The photographer is trying to preserve, with the lens and especially the shutter, something in reality that will cease to exist in just that way in the next moment, or hour, or day.-Charles Harbutt







Truth Needs No Ally


Book Description

7. Developing Your Portfolio




The Decisive Network


Book Description

"Since its founding in 1947, the legendary Magnum Photos agency has been telling its own story: Its photographers were concerned witnesses to history and artists on the hunt for decisive moments; their pictures were humanist documents of the postwar world. Based in unprecedented archival research, The Decisive Network peels back layers of the Magnum mythology to offer a new history of what it meant to shoot, edit, and sell news images after World War II. Between the 1940s and 1960s, Magnum expanded the human-interest story - about the everyday life of ordinary people - to global dimensions while bringing the aesthetic of news pictures into new markets. Its best-known work started as humanitarian aid promotion, travel campaigns, corporate publicity, and advertising. Working with this range of clients, Magnum made photojournalism integral to visual culture. Yet Magnum's photographers could not have done this alone. This book unpacks the collaborative nature of photojournalism as it transpired on a daily basis, focusing on how picture editors, sales agents, spouses, and publishers helped Magnum photographers succeed in their assignments and achieve fame. The Decisive Network concludes in the late 1960s and early 1970s, when, amidst the decline of magazine publishing and the rise of an art market for photography, Magnum turned to photo books and exhibitions to manage its growing picture archives and consolidate its brand. In that moment, Magnum's photojournalists became artists and their assignments turned into oeuvres. Such ideas were necessary publicity, and they also managed to shape discussions about photography for decades. Bridging art history, media studies, cultural history, and the history of communication, this book transforms our understanding of the photographic profession and the global circulation of images in the pre-digital world"--




Regarding the Pain of Others


Book Description

A brilliant, clear-eyed consideration of the visual representation of violence in our culture--its ubiquity, meanings, and effects. Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental On Photography with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in Three Guineas: How in your opinion are we to prevent war? "For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war." One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured—or incited—to violence by the depiction of cruelty? Is the viewer’s perception of reality eroded by the daily barrage of such images? What does it mean to care about the sufferings of others far away? First published more than twenty years after her now classic book On Photography, which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience.




#ICP Concerned


Book Description

On March 13, 2020 when the global coronavirus pandemic brought life as we know it to an abrupt halt, the International Center of Photography, just weeks after opening in a brand-new building on Manhattan'ss Lower East Side that was buzzing with visitors, was forced to close its doors. Wanting to do more than virtual exhibition tours, ICP announced the #ICPConcerned open call on March 20th, an invitation for people to make, upload, and tag images on Instagram of whatever was going on in their lives wherever they were. What resulted was more than sixty thousand submissions from countries as far flung as France, Singapore, Argentina, Nigeria, Canada, and Iran. From the halls of medical facilities to eerily empty streets and domestic settings converted into home offices and classrooms, the more than 800 photographs collected here are organized chronologically and accompanied by headlines gathered from various global news entities. Taken together, these words and pictures represent the pain, heartbreak, hope, and occasional humor we've all experienced this past year against the backdrop of COVID-19, unrelenting racial injustice, and a divisive political climate. Exhibition: ICP International Center for Photography, New York, USA (01.10.2020 - 03.01.2021).




Black in White America


Book Description

Originally published: New York: Grossman Publishers, 1969.




Robert Capa


Book Description

The legendary war photographer Robert Capa carried into his personal life the same remarkable vitality that characterizes his pictures. Driven from his native Hungary by political oppression, he was first recognized for photographing the Spanish Civil War. In 1938 he was in China recording the Japanese invasion. During World War II he was in London, North Africa, and Italy, and then in France covering D-Day on Omaha Beach, the liberation of Paris, and the Battle of the Bulge. When the new nation of Israel was founded in 1948 he was there. In 1954 he was in Vietnam, taking photographs until the moment he was killed. Away from battle, Capa gather about him such famous people as Ernest Hemingway and his wife (the war correspondent Martha Gellhorn), Gary Cooper, Irwin Shaw, and Gene Kelly. Whelan shows Capa photographing the street life of Paris, crisscrossing America on assignment from Life, in Russia with John Steinbeck, in Italy with John Huston, on the Riviera with Picasso, and with Ingrid Bergman.