Music and Culture in the Middle Ages and Beyond


Book Description

It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.




On Melancholy


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Rufus of Ephesus' treatise On Melancholy represents perhaps the most influential medical monograph from the late first century AD, since his notion of melancholy links two diverse aspects: black bile as a cause for madness and depression and as a sign of intellectual genius. Rufus combines concepts of melancholy developed in the Aristotelian philosophy with concepts of famous physicians such as Hippocrates and Diocles. His ideas strongly influenced subsequent generations of physicians, and especially Galen, and dominated discourses on the topic during the Middle Ages and the Renaissance. Moreover, the reception of Rufus' concepts was not limited to the Western world; in medieval Muslim culture, in particular, his work enjoyed great fame and favor, and many intellectuals read it eagerly.In this volume, the Greek, Latin and Arabic fragments of this work, lost in the original, have been collected for the first time. Arabic sources in particular yield hitherto unknown fragments, thus allowing for new interpretations of this work. The English introduction, translation and commentary reconstruct the main arguments of this important treatise, enabling the interested scholar to obtain easy access to it. Leading scholars contributed interpretative essays which investigate Rufus and his ideas about melancholy in antiquity, the Middle Ages, the Renaissance and the early modern period from different vantage points, including history, philosophy, literature, art history and psychiatry.







A History of Irish Music


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The Photian Schism


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In Northern Mists (Vol. 1&2)


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"In Northern Mists" is one of the best-known works by a Norwegian explorer Fridtjof Nansen. This carefully crafted e-artnow ebook is formatted for your eReader with a functional and detailed table of contents._x000D_ Volume 1:_x000D_ Antiquity, Before Pytheas_x000D_ Pytheas of Massalia: the Voyage to Thule_x000D_ Antiquity, After Pytheas_x000D_ The Early Middle Ages_x000D_ The Awakening of Mediæval Knowledge of the North_x000D_ Finns, Skridfinns (Lapps), and the First Settlement of Scandinavia_x000D_ The Voyages of the Norsemen: Discovery of Iceland and Greenland_x000D_ Voyages to the Uninhabited Parts of Greenland in the Middle Ages_x000D_ Wineland the Good, the Fortunate Isles, and the Discovery of America…_x000D_ Volume 2:_x000D_ Wineland the Good, the Fortunate Isles, and the Discovery of America_x000D_ Eskimo and Skræling_x000D_ The Decline of the Norse Settlements in Greenland_x000D_ Expeditions of the Norwegians to the White Sea, Voyages in the Polar Sea, Whaling and Sealing_x000D_ The North in Maps and Geographical Works of the Middle Ages_x000D_ John Cabot and the English Discovery of North America_x000D_ The Portuguese Discoveries in the North-West…




Oxford History of Western Music


Book Description

The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c







A History of Chess


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