Pauline


Book Description




Fragments


Book Description

Broken lives and shattered dreams. Two horror short stories: one occult thriller novella. (45, 250 words) Sleet Dreams Maggie can just about survive the winter when it turns the city into a trap of ice and snow. She can juggle her pension, scrimp and scrape, make every penny stretch. Every winter she swears she’ll make it to the south next year. South to where winters are gentle and snow never touches the land, to where the wind will never bite into her bones. This winter all Maggie is dreaming of is a warm coat and a better pair of boots. Maggie finds a fur coat one day, a fine fur coat that keeps her warm, keeps out the winter. But dreams are sometimes nightmares and not all wishes should come true. (11,600 words) Alma Mater Alma is a perfect mother. She knows how to raise a child. Her daughter Catherine will be perfect in every way. Alma will make sure of it. No clingy brat ruling the house with her cries and tricks. No fuss, bother or disturbance. No demands from a greedy baby or sulks from a temper driven toddler. Order and routine from day one will ensure that as Catherine grows, hair will always be neat and homework will always be done. Catherine will know how to behave and what to do and what to say and she will be thin, beautiful, gifted and obedient, and any mother would be proud to have such a daughter. That things may not go to plan never occurs to Alma. Just as it never occurs to her that sometimes you can do a job too well. (6,850 words) The Fool When the body of a young man is found on the altar of the Mother of All Sorrows Church in Peckham, London, the Catholic Church does everything it can to help Scotland Yard in the investigation. It sends an independent investigator from the Office of the Congregation of the Arcane to assist. Maryam Michael isn’t happy, however, with it being London and she’s unhappy that the parish priest she’s supposed to be helping is fast becoming the main suspect. The Vatican is not going to be happy with what was hidden under the body: and neither is the local Mosque. Maryam only has a couple of days to solve the riddle of why this young man died on the altar, and if the supernatural is involved. Can she solve the murder fast enough to prevent Father Wyn Jones being charged? Is it straightforward gang violence, or are there occult forces attacking the Church? (26,800 words)




The Epistle to Diognetus (with the Fragment of Quadratus)


Book Description

A new facing page translation and text of the Epistle to Diognetus with an accompanying commentary that considers issues of authorship and setting, structure and integrity, theology, relationship to scripture, and historical trajectory as they apply to the transmission of this fascinating early Christian text.




Gnostic Fragments


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Fragments of the Feminine Sublime in Friedrich Schlegel and James Joyce


Book Description

This is the first book to extensively study Joyce's work in the context of Germanic Romantic literary theory. It illustrates how Joyce's modern and postmodern innovation of the novel finds its theoretical roots in Friedrich Schlegel's conception of the Romantic, fragmentary novel. Verstraete discusses the relevance of Schlegel's early Romanticism to the young Joyce's essays on symbolic-realistic drama and argues that what has traditionally been described as Joyce's personal appropriation of Hegel's dialectics can better be understood in terms of Schlegel's ironic approach to philosophy. She relates Schlegel's concepts of irony and of the fragment to his feminist critique of nineteenth-century bourgeois art, and of Kant's categories of the beautiful and the sublime. She argues that Schlegel's ironization of the sublime yields a rhetorical subversion of the opposition between male artist and female model, art and reality, as well as between the sublime and the beautiful. Verstraete illustrates this critical and political force of what she calls the "feminine sublime" at work in Schlegel's essays on Greek comedy and in his novel Lucinde. The book demonstrates how the Romantic (feminine) sublime, as the site where autonomous art generates its own critique, offers us the tools with which to interpret Joyce's postmodern innovations of Romantic art.




Debussy and the Fragment


Book Description

Rather than solid frames, some less than perfect aesthetic objects have permeable membranes which allow them to diffuse effortlessly into the everyday world. In the parallel universes of music and literature, Linda Cummins extols the poetry of such imperfection. She places Debussy's work within a tradition thriving on anti-Aristotelian principles: motley collections, crumbling ruins real or fake, monstrous hybrids, patchwork and palimpsest, hasty sketches, ellipses, truncated beginnings and endings, meandering arabesques, irrelevant digressions, auto-quotations. Sensitive to the intermittences of memory and experience and with a keen ear for ironic intrusion, Cummins draws the reader into the Western cultural past in search of the surprisingly ubiquitous aesthetic of the unfinished, negatively silhouetted against expectations of rational coherence. Theories popularized by Schlegel and embraced by the French Symbolists are only the first waypoint on an elaborately illustrated tour reaching back to Petrarch. Cummins meticulously applies the derived results to Debussy's scores and finds convincing correlations in this chiasmatic crossover.







Parting Knowledge


Book Description

There are forms of knowing that seem either to come from a parting or to require one. Paradigmatically in Genesis, Adam parts from God in order to join in knowledge with his partner, the flesh of his flesh, and the result is a bereft but not unpromising knowledge, looking like a labor of love. Saint Augustine famously--some would say infamously--reads the Genesis paradigm of knowing as a story of original sin, where parting is both damnable and disfiguring and reuniting a matter of incomprehensible grace. Roughly half the essays in this collection engage directly with Augustine's theological animus and follow his thinking into self-division, perversity of will, grief, conversion, and the aspiration for transcendence. The remaining ones, more concerned with grace than with sin, bring an animus more distantly Augustinian to the preemption of forgiveness and the persistence of hell, morality and its limits, sexual piety, strange beauty, and a philosophy that takes in confession. The common pull of all the essays is towards the imperfection in self-knowledge--a place of disfigurement perhaps, but also a nod to transformation.