National Union Catalog


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Includes entries for maps and atlases




Historical Archaeology in Wachovia


Book Description

Originally distributed with a different title as a very limited edition of twelve in 1975, Historical Archaeology in Wachovia presents a unique record of the 1753 Moravian town of Bethabara, near Winston-Salem, North Carolina. Stanley South, who led the site's excavation in 1966, fully describes such discoveries as fortifications from the French and Indian War and twenty ruins of various shops and dwellings in the town. He also illustrates methods of ruin excavation and stabilization, including the replacement of palisade posts in the original fort ditch as part of the site's development as Historic Bethabara Park. Some of the most interesting of South's finds concern the confluence of two traditions of pottery and stoneware production. One of these is represented by forty pottery wheel-thrown types and forms made by the master German potter Gottfried Aust between 1755 and 1771, excavated from the ruin of his shop and kiln waster dump. Additional work at both Bethabara and Salem recovered the waster dumps of Aust's journeyman potter Rudolph Christ, who had also studied with the Staffordshire potter William Ellis. Christ's wares, which demonstrate both German and English influences, are discussed in detail. Extensively documented and heavily illustrated with over 320 photographs, drawings, and maps, this volume - a classic example of the process of historical archaeology as demonstrated by one of its foremost practitioners in America - is a valuable resource for avocational archaeologists, particularly those living in the Southeast, as well as historical archaeologists, historians, ceramicists, ceramics collectors, students of colonial culture, and museologists.




Graffiti and the Writing Arts of Early Modern England


Book Description

Tattoos and graffiti immediately bring to mind contemporary urban life and its inhabitants. But in fact, both practices date back much further than is generally thought—even by scholars. Drawing on a previously unavailable archive, Juliet Fleming reveals the unknown and disregarded literary arts of sixteenth century England. In Graffiti and the Writing Arts of Early Modern England, Fleming argues that our modern assumptions of what constitutes written expression have limited our access to and understanding of early modern history and writing. Fleming combines detailed historical scholarship with intellectual daring in a work that describes how writing practices have not been limited to the boundaries of the page; instead they have included body surfaces, ceramics, ceilings, walls, and windows. Moving beyond what has been preserved in print and manuscript, this book claims the whitewashed wall as the primary textual canvas of the early modern English, explores the tattooing practices of sixteenth-century Europeans, and uncovers the poetics of ceramic cookware. Graffiti and the Writing Arts of Early Modern England will provide a startling new perspective for scholars of early modern literature and cultural history.




The Magazine Antiques


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The Connoisseur


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Adult Catalog: Authors


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The Bookseller


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Art Market Research


Book Description

This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.