The Conquest & The Homesteader


Book Description

The Conquest – The novel narrates the story of Micheaux, who bears the same name as its famous author, and his struggles to become a successful homesteader in Dakota. Largely autobiographical, the novel details the early years of struggle and hard work that went into surviving the tough Wild West._x000D_ The Homesteader – Jean Baptiste is a hard-working man whose only dream is to make a life for himself in Dakota. However, even as a Black pioneer, he is doomed to be separated from the love of his love due to racial laws prohibiting interracial marriages. Thus, to avoid the all-consuming loneliness, he instead decides to get married to Orlean. However, his new father-in-law is a nightmare from hell and although a preacher, all his attention is focused upon him rather than in the service of god. Can Baptiste survive the ordeal or will he succumb to the psychological pressures?




The Conquest


Book Description

The Conquest: The Story of a Negro Pioneer (1913) is a novel by Oscar Micheaux. Before he became the first Black movie mogul in American history, Micheaux was a homesteader-turned novelist whose passion for storytelling and business acumen were born from a youth of hard work and struggle. The son of a former slave, Micheaux dedicated his life to countering the dominant narratives of American history while inspiring and empowering Black people around the world. “The heavy rains washed the loam from the hills and deposited it on these bottoms. Years ago, when the rolling lands were cleared, and before the excessive rainfall had washed away the loose surface, the highlands were considered most valuable for agricultural purposes, equally as valuable as the bottoms now are.” A Black homesteader named Oscar Devereaux reflects on a life of perseverance. Raised alongside twelve siblings in rural Illinois, he leaves home and family behind to seek a life of fortune and independence. Never one to set limits, Devereaux discovers that no dream is beyond his reach. Dedicated to educator and orator Booker T. Washington, The Conquest was described by its author as the “true story of a negro who was discontented and [of] the circumstances that were the outcome of that discontent.” With a beautifully designed cover and professionally typeset manuscript, this edition of Oscar Micheaux’s The Conquest: The Story of a Negro Pioneer is a classic of African American literature reimagined for modern readers.




The Homesteader


Book Description




The Conquest


Book Description

Before Oscar Micheaux became celebrated as one of the earliest black filmmakers, he wrote a series of remarkable novels, the first one published in 1913 as The Conquest. Dedicated to Booker T. Washington, the black educator whose advocacyøof assimilation was opposed by many of his race who were agitating for civil rights, The Conquest "is a true story of a negro who was discontented and [of] the circumstances that were the outcome of that discontent." The novel portrays the aspirations and struggles of a black homesteader named Oscar Devereaux. Born on a small farm near Cairo, Illinois, one of thirteen children, Devereaux leaves home to work in the Chicago stockyards and finally graduates to the job of porter in a Pullman railway car. He is personable, industrious, and frugal with a purpose. After saving $2,500, Devereaux goes to South Dakota and buys land. His object is not speculation for a quick profit but the cultivation of property he can call his own. He plows and sows and sweats, and by the age of twenty-five has reaped an estate worth $20,000. Success is sweet, self-respect sweeter. But if the calamities he is exposed to as a homesteader are severe, so are those brought on by marriage to the passive daughter of a dominating preacher.




The Conquest of Bread


Book Description

The Conquest of Bread is a political treatise written by the anarcho-communist philosopher Peter Kropotkin. Written after a split between anarchists and Marxists at the First International (a 19th-century association of left-wing radicals), The Conquest of Bread advocates a path to a communist society distinct from Marx and Engels’s Communist Manifesto, rooted in the principles of mutual aid and voluntary cooperation. Since its original publication in 1892, The Conquest of Bread has immensely influenced both anarchist theory and anarchist praxis. As one of the first comprehensive works of anarcho-communist theory published for wide distribution, it both popularized anarchism in general and encouraged a shift in anarchist thought from individualist anarchism to social anarchism. It was also an influential text among the Spanish anarchists in the Spanish Civil War of the 1930s, and the late anarchist theorist and anthropologist David Graeber cited the book as an inspiration for the Occupy movement of the early 2010s in his 2011 book Debt: The First 5,000 Years. This book is part of the Standard Ebooks project, which produces free public domain ebooks.




Chicago's New Negroes


Book Description

As early-twentieth-century Chicago swelled with an influx of at least 250,000 new black urban migrants, the city became a center of consumer capitalism, flourishing with professional sports, beauty shops, film production companies, recording studios, and other black cultural and communal institutions. Davarian Baldwin argues that this mass consumer marketplace generated a vibrant intellectual life and planted seeds of political dissent against the dehumanizing effects of white capitalism. Pushing the traditional boundaries of the Harlem Renaissance to new frontiers, Baldwin identifies a fresh model of urban culture rich with politics, ingenuity, and entrepreneurship. Baldwin explores an abundant archive of cultural formations where an array of white observers, black cultural producers, critics, activists, reformers, and black migrant consumers converged in what he terms a "marketplace intellectual life." Here the thoughts and lives of Madam C. J. Walker, Oscar Micheaux, Andrew "Rube" Foster, Elder Lucy Smith, Jack Johnson, and Thomas Dorsey emerge as individual expressions of a much wider spectrum of black political and intellectual possibilities. By placing consumer-based amusements alongside the more formal arenas of church and academe, Baldwin suggests important new directions for both the historical study and the constructive future of ideas and politics in American life.




Homesteading the Plains


Book Description

"Homesteading the Plains offers a bold new look at the history of homesteading, overturning what for decades has been the orthodox scholarly view. The authors begin by noting the striking disparity between the public's perception of homesteading as a cherished part of our national narrative and most scholars' harshly negative and dismissive treatment. Homesteading the Plains reexamines old data and draws from newly available digitized records to reassess the current interpretation's four principal tenets: homesteading was a minor factor in farm formation, with most Western farmers purchasing their land; most homesteaders failed to prove up their claims; the homesteading process was rife with corruption and fraud; and homesteading caused Indian land dispossession. Using data instead of anecdotes and focusing mainly on the nineteenth century, Homesteading the Plainsdemonstrates that the first three tenets are wrong and the fourth only partially true. In short, the public's perception of homesteading is perhaps more accurate than the one scholars have constructed. Homesteading the Plainsprovides the basis for an understanding of homesteading that is startlingly different from current scholarly orthodoxy. "--




Cinematic Fictions


Book Description

The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, Cinematic Fictions offers new insights into classics like The Great Gatsby and The Grapes of Wrath discussing major writers' critical writings on film and active participation in film-making. Cinematic Fictions is also careful not to portray 'cinema' as a single or stable entity. Some novelists drew on silent film; others looked to the Russian theorists for inspiration; and yet others turned to continental film-makers rather than to Hollywood. Film itself was constantly evolving during the first decades of the twentieth century and the writers discussed here engaged in a kind of dialogue with the new medium, selectively pursuing strategies of montage, limited point of view and scenic composition towards their different ends. Contrasting a diverse range of cinematic and literary movements, this will be compulsory reading for scholars of American literature and film.




U.S. History


Book Description

U.S. History is designed to meet the scope and sequence requirements of most introductory courses. The text provides a balanced approach to U.S. history, considering the people, events, and ideas that have shaped the United States from both the top down (politics, economics, diplomacy) and bottom up (eyewitness accounts, lived experience). U.S. History covers key forces that form the American experience, with particular attention to issues of race, class, and gender.




Outside America


Book Description

A new study of those excluded from the national narrative of the West. Dan Moos challenges both traditional and revisionist perspectives in his exploration of the role of the mythology of the American West in the creation of a national identity. While Moos concurs with contemporary scholars who note that the myths of the American West depended in part upon the exclusion of certain groups - African Americans, Native Americans, and Mormons - he notes that many scholars, in their eagerness to identify and validate such excluded positions, have given short shrift to the cultural power of the myths they seek to debunk. That cultural power was such, Moos notes, that these disenfranchised groups themselves sought to harness it to their own ends through the active appropriation of the terms of those myths in advocating for their own inclusion in the national narrative. that, because the construction of American culture was never designed to accommodate these outsiders, their writings display a division between their imagined place in the narrative of the nation and their effacement within the real West marked by intolerance and inequality.