Keats, Hermeticism, and the Secret Societies


Book Description

Jennifer Wunder makes a strong case for the importance of hermeticism and the secret societies to an understanding of John Keats's poetry and his speculations about religious and philosophical questions. Although secret societies exercised enormous cultural influence during the late eighteenth and early nineteenth centuries, they have received little attention from Romantic scholars. And yet, information about the societies permeated all aspects of Romantic culture. Groups such as the Rosicrucians and the Freemasons fascinated the reading public, and the market was flooded with articles, pamphlets, and books that discussed the societies's goals and hermetic philosophies, debated their influence, and drew on their mythologies for literary inspiration. Wunder recovers the common knowledge about the societies and offers readers a first look at the role they played in the writings of Romantic authors in general and Keats in particular. She argues that Keats was aware of the information available about the secret societies and employed hermetic terminology and imagery associated with these groups throughout his career. As she traces the influence of these secret societies on Keats's poetry and letters, she offers readers a new perspective not only on Keats's writings but also on scholarship treating his religious and philosophical beliefs. While scholars have tended either to consider Keats's aesthetic and religious speculations on their own terms or to adopt a more historical approach that rejects an emphasis on the spiritual for a materialist interpretation, Wunder offers us a middle way. Restoring Keats to a milieu characterized by simultaneously worldly and mythological propensities, she helps to explain if not fully reconcile the insights of both camps.




John Keats and the Loss of Romantic Innocence


Book Description

John Keats and the Loss of Romantic Innocence traces Keats's use of an Appolonian metaphor. Of the nearly 150 works listed in Jack Stillinger's standard edition, approximately half contain references to the god of nature and of art. What emerges are three distinct phases in Keats's aesthetic development. From his initial fondness for bower imagery and the pastoral voices of Spenser and Hunt, to the Neo-Platonism of his poems about art and imagination, to his ultimate rejection of romantic idealism, Keats and his Apollonian metaphor are rarely separated. The poet's dismissal of romantic idealism is ultimately a rejection of Blake's God, Coleridge's of Germanism, Wordsworth's Nature, Byron's Hellenism, and Shelley's Supernaturalism. The young poet dies aware of the excesses of his empirically oriented pleasant smotherings and idealistic realms of gold. He accepts a world without Apollo and his entourage, a world unembellished by art and other gilded cheats.




Keats's Places


Book Description

As the essays in this volume reveal, Keats’s places could be comforting, familiar, grounding sites, but they were also shifting, uncanny, paradoxical spaces where the geographical comes into tension with the familial, the touristic with the medical, the metropolitan with the archipelagic. Collectively, the chapters in Keats’s Places range from the claustrophobic stands of Guy’s Hospital operating theatre to the boneshaking interior of the Southampton mail coach; from Highland crags to Hampstead Heath; from crowded city interiors to leafy suburban lanes. Offering new insights into the complex registrations of place and the poetic imagination, the contributors to this book explore how the significant places in John Keats’s life helped to shape an authorial identity.




Poetics of Self and Form in Keats and Shelley


Book Description

Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets.




Plato and the English Romantics (RLE: Plato)


Book Description

This book tackles the problematic relationship between Platonic philosophy and Romantic poetry, between the intellect and the emotions. Drawing on contemporary critical theory, especially hermeneutics and deconstruction, the author shows that a dialogue between thinking and poetizing is possible. The volume yields many new insights into both Platonic and Romantic texts and forms an important work for scholars and students of Greek philosophy, Romantic literature and critical theory.




Platonic and Ciceronian Studies


Book Description

This volume consists of essays published by John Glucker between 1987 and 2014 in various books and periodicals, now assembled for the first time. They deal with aspects of the contributions to Western thought of two of its major representatives – indeed, two of the major figures in the whole of European intellectual history – Plato and Cicero. All but one of the book’s chapters are in English, but ancient texts are usually quoted in the original Greek or Latin. Some of these essays deal with the interpretation of sections or parts of Plato and Cicero’s philosophical works, while others study the influence of these writings on the history of ancient and modern thought. Some of the articles are more technical, and will therefore be of interest to scholars and reserachers, while others are directed at ‘laymen’ with a good basic background knowledge of Western thought.




English Romantic Poets


Book Description

This highly acclaimed volume contains thirty essays by such leading literary critics as A.O. Lovejoy, Lionel Trilling, C.S. Lewis, F.R. Leavis, Northrop Frye, Harold Bloom, Geoffrey Hartman, Jonathan Wordsworth, and Jack Stillinger. Covering the major poems by each of the important Romantic poets, the contributors present many significant perspectives in modern criticism--old and new, discursive and explicative, mimetic and rhetorical, literal and mythical, archetypal and phenomenological, pro and con.




Routledge Library Editions: Plato


Book Description

Plato is perhaps the best known and most widely studied of all the ancient Greek philosophers. A pupil of Socrates and teacher of Aristotle, his ideas have inspired and influenced scholars of nearly every era. His famous series of dialogues have become a standard part of the western philosophical canon – from the Euthyphro and Gorgias of his early period, the Republic, Phaedrus and Symposium of his middle period, to the Theaetetus and Laws of his late period.The Routledge Library Edition makes available in a single set an outstanding range of scholarship devoted to Plato’s philosophical work. Routledge Library Editions:Plato makes available in a single set an outstanding range of scholarship devoted to Plato’s philosophical work. The 21 volumes provide detailed analysis of his writings and philosophical ideas. From the classic works of Francis Cornford, G. C. Field and A.E. Taylor to more recent approaches and interpretations, this set provides libraries and scholars with a century of outstanding scholarship on this key philosopher.




Until the Sun Breaks Down: A Künstlerroman in Three Parts


Book Description

Written when the author was in his early and mid-twenties, Until the Sun Breaks Down is a contemporary American Kunstlerroman modeled on Dante's Divine Comedy. In three parts and one hundred chapters that mirror Dante's classic poem, Nicolello takes the reader through present-day American towns and cities: infernal, purgatorial, and paradisal aspects with nothing left off the table. At once a book that can be read without any prior knowledge of Dante as the chronicle of William Fellows, child of a poverty-stricken single mother and precocious student dreaming of something better than what society offers, the book will serve as a guide to untold disconsolate Westerners who are wondering what has happened to American literature; where Catholic voices might emerge from, and how; and a bulwark against militant atheism by immersing the subject head-on and elucidating how to remove one's self from technological desolation and recapture the essence of the Logos Incarnate, or the love that moves the sun and other stars.