The Contrapuntal Harmonic Technique of the 18th Century
Author : Allen Irvine McHose
Publisher : New York : Appleton-Century-Crofts
Page : 460 pages
File Size : 16,30 MB
Release : 1947
Category : Chorales
ISBN :
Author : Allen Irvine McHose
Publisher : New York : Appleton-Century-Crofts
Page : 460 pages
File Size : 16,30 MB
Release : 1947
Category : Chorales
ISBN :
Author : Robert Gauldin
Publisher : Waveland Press
Page : 351 pages
File Size : 33,80 MB
Release : 2013-03-04
Category : Music
ISBN : 1478608765
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
Author : Neale B. Mason
Publisher : Brown & Benchmark
Page : 196 pages
File Size : 26,88 MB
Release : 1968
Category : Music
ISBN :
Author : Thomas Benjamin
Publisher : Routledge
Page : 429 pages
File Size : 44,52 MB
Release : 2004-03
Category : Art
ISBN : 1135946639
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Gary Motley
Publisher : Taylor & Francis
Page : 214 pages
File Size : 26,56 MB
Release : 2023-12-18
Category : Music
ISBN : 1003829708
Harmonic Development and Contrapuntal Techniques for the Jazz Pianist serves as a guide for harmonic expansion and development for jazz piano, offering pianists both a rationale and methods to improve contrapuntal hand techniques. The text focuses on the relationship between theory and execution and both of those components’ usefulness in creating a jazz sound at the piano. This kinaesthetic method provides the learner with a systematic approach to harmonic movement, revealing options that may not have been otherwise apparent. This method will allow pianists to add depth and dimension to their chord voicings in the same way that vocalists and wind instrumentalists give character and shape to the notes they create. Key features include musical examples ranging from singular chord construction to sophisticated harmonic progressions and song application. Performance exercises are provided throughout the text. Learners and instructors are encouraged to create their own exercises. Related ancillaries at harmoniccounterpoint.com include: Musical examples Audio tracks Performance exercises Written assignments Intended for the learner who is reasonably familiar with essential jazz harmony, this textbook will be both a significant resource for the advanced player and a fundamental component for the learner in a structured academic musical setting.
Author : Robert Gauldin
Publisher : Waveland Press
Page : 320 pages
File Size : 42,54 MB
Release : 2013-03-04
Category : Music
ISBN : 1478608757
Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
Author : Evan Jones
Publisher : Routledge
Page : 283 pages
File Size : 42,68 MB
Release : 2015-08-27
Category : Music
ISBN : 1317518772
The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.
Author : Allan I. MacHose
Publisher :
Page : pages
File Size : 13,98 MB
Release : 1947
Category :
ISBN :
Author : Robert Gauldin
Publisher :
Page : 0 pages
File Size : 10,45 MB
Release : 1995
Category : Counterpoint
ISBN : 9780881338522
Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a ¿non-species or direct¿ approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
Author : Don Michael Randel
Publisher : Harvard University Press
Page : 1020 pages
File Size : 39,73 MB
Release : 2003-11-28
Category : Music
ISBN : 0674417992
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.