The Cosmic Conspiracy


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A Culture of Conspiracy


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Unravelling the genealogies and permutations of conspiracist worldviews, this work shows how this web of urban legends has spread among sub-cultures on the Internet and through mass media, and how this phenomenon relates to larger changes in American culture.




Sky Crash


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Babble


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One young boy is the key to the universe. In this supernatural thriller, a young boy is discovered to be the link between the human race and the farthest reaches of the universe. For Bobbie Cagle, the normal difficulties of growing up are overshadowed by his unique condition, being misdiagnosed as autistic. Caught between his loving mother and those who would use him for their own purposes, Bobbie stands at the center of the universe and forces the human race to the edge of their own evolutionary line. The Lord said, “If as one people speaking the same language they have begun to do this, then nothing they plan to do will be impossible for them. -Genesis 11:6 Upon the Towers of Babel, the people of the Earth scattered, and silence fell. Now, on the brink of a new age, the human race leaps forward into the evolutionary void and changes the course of human history forever. For young Bobbie Cagle, the normal difficulties of growing up are overshadowed by his unique condition. Placed on the spectrum, Bobbie’s inability to communicate normally is misdiagnosed for years as Autism and masks the great part in human history that he is destined to play. Unknowingly able to receive transmissions from the farthest reaches of the universe, young Bobbie’s life is forever changed when his unique ability is discovered. Coveted by those who would use him for their own purpose, Bobbie and his mother flee their home out of desperation and fear. In the course of their escape, the truth behind Bobbie’s gift and the effects it may have on the planet begin to the reveal themselves, all the while the future of the human race hangs in the balance. Find out what fate has in store for the human race and grab your copy of Babble today!




The Republic of Cthulhu


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If parapolitics, a branch of radical criminology that studies the interactions between public entities and clandestine agencies, is to develop as an academic discipline, then it must develop a coherent theory of aesthetics in order to successfully perform its primary function: to render perceptible extra-judicial phenomena that have hitherto resisted formal classification. Wilson offers the work of H.P. Lovecraft (1890-1937) as an example of the relevance of subversive literature-in this case, cosmic horror and the weird tale-to the parapolitical criminologist. Cosmic horror is a form of writing that relies heavily upon the epistemological assumption of a radical and irreconcilable disjunction between appearance and reality, perception and truth. In many ways, the well-constructed weird tale strongly resembles the hard-boiled detective story or the noir thriller in that the resolution of the narrative hinges upon a dramatically shattering confrontation with an unspeakable reality. Apart from its obvious utilization of conspiracy theory, the primary attraction of the Lovecraftian text lies with its remarkably sophisticated utilization of two central tropes of classical aesthetic theory-the sublime and the grotesque. Not only does Lovecraft's oeuvre represent a remarkable use of both of these motifs, but the raw literary power of the Lovecraftian weird tale serves as an outstanding exemplar for the parapolitical scholar to emulate in formulating an alternative mode of discourse, or poetics.




The Flat-Earth Conspiracy


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Wolves in sheep's clothing have pulled the wool over our eyes. For almost 500 years, the masses have been thoroughly deceived by a cosmic fairy-tale of astronomical proportions. We have been taught a falsehood so gigantic and diabolical that it has blinded us from our own experience and common sense, from seeing the world and the universe as they truly are. Through pseudo-science books and programs, mass media and public education, universities and government propaganda, the world has been systematically brain-washed, slowly indoctrinated over centuries into the unquestioning belief of the greatest lie of all time. A multi-generational conspiracy has succeeded, in the minds of the masses, to pick up the fixed Earth, shape it into a ball, spin it in circles, and throw it around the Sun! The greatest cover-up of all time, NASA and Freemasonry's biggest secret, is that we are living on a plane, not a planet, that Earth is the flat, stationary center of the universe.




The Conspiracy against the Human Race


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In Thomas Ligotti's first nonfiction outing, an examination of the meaning (or meaninglessness) of life through an insightful, unsparing argument that proves the greatest horrors are not the products of our imagination but instead are found in reality. "There is a signature motif discernible in both works of philosophical pessimism and supernatural horror. It may be stated thus: Behind the scenes of life lurks something pernicious that makes a nightmare of our world." His fiction is known to be some of the most terrifying in the genre of supernatural horror, but Thomas Ligotti's first nonfiction book may be even scarier. Drawing on philosophy, literature, neuroscience, and other fields of study, Ligotti takes the penetrating lens of his imagination and turns it on his audience, causing them to grapple with the brutal reality that they are living a meaningless nightmare, and anyone who feels otherwise is simply acting out an optimistic fallacy. At once a guidebook to pessimistic thought and a relentless critique of humanity's employment of self-deception to cope with the pervasive suffering of their existence, The Conspiracy against the Human Race may just convince readers that there is more than a measure of truth in the despairing yet unexpectedly liberating negativity that is widely considered a hallmark of Ligotti's work.




The Conspiracy of Art


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"In 1996 Jean Baudrillard scandalized the art world by denouncing a "conspiracy" of art. But most missed the point. He wasn't attacking art, because art has ceased to exist - only its claim to privilege. Spiraling from aesthetic nullity to commercial frenzy, art has entered a "transaesthetic" state. The Conspiracy of Art examines its complicitous dance with politics, economics, and media, including Abu Ghraib's reality show. Baudrillard reveals the premises of his "radical thought" in the absurdist logic of pataphysics (his first unpublished text on Alfred Jarry), and in the Theater of Cruelty (a talk on Antonin Artaud with life-long collaborator Sylvere Lotringer)."--BOOK JACKET.




American Cosmic


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More than half of American adults and more than seventy-five percent of young Americans believe in intelligent extraterrestrial life. This level of belief rivals that of belief in God. American Cosmic examines the mechanisms at work behind the thriving belief system in extraterrestrial life, a system that is changing and even supplanting traditional religions. Over the course of a six-year ethnographic study, D.W. Pasulka interviewed successful and influential scientists, professionals, and Silicon Valley entrepreneurs who believe in extraterrestrial intelligence, thereby disproving the common misconception that only fringe members of society believe in UFOs. She argues that widespread belief in aliens is due to a number of factors including their ubiquity in modern media like The X-Files, which can influence memory, and the believability lent to that media by the search for planets that might support life. American Cosmic explores the intriguing question of how people interpret unexplainable experiences, and argues that the media is replacing religion as a cultural authority that offers believers answers about non-human intelligent life.




The Order of Days


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The world's foremost expert on Maya culture looks at 2012 hysteria and explains the truth about what the Maya meant and what we want to believe. Apocalypse 2012: An Investigation into Civilizations End. The World Cataclysm in 2012. 2012: The return of Quetzalcoatl. According to many of these alarmingly titled books, the ancient Maya not only had a keen insight into the mystical workings of our planet and the cosmos, but they were also able to predict that the world will end in the year 2012. David Stuart, the foremost scholar of the Maya and recipient of numerous awards for his work, takes a hard look at the frenzy over 2012 and offers a fascination (and accurate) trip through Mayan culture and belief. Stuart shows how the idea that the "end of the Mayan calendar," which supposedly heralds the end of our own existence, says far more about our culture than about the ancient Maya. The Order of Days explores how the real intellectual achievement of ancient Maya timekeeping and worldview is far more impressive and remarkable than any of the popular, and often outrageous, claims about this advanced civilization. As someone who has studied the Maya for nearly all of his life and who specializes in reading their ancient texts, Stuart sees the 2012 hubbub as the most recent in a long chain of related ideas about Mesoamericans, the Maya in particular, that depicts them as somehow oddball, not "of this world," or as having some strong mystical link to other realms. Because the year 2012 has no prominent role in anything the ancient Maya ever actually wrote, Stuart takes a wider look at the Maya concepts of time and their underlying philosophy as we can best understand them. The ancient Maya, Stuart contends, were worthy of study and admiration not because they were strange but because they were altogether human, and they developed a compelling vision of time unlike any other civilization before or since.