The Cosmography of Paradise


Book Description

The Cosmography of Paradise: The Other World from Ancient Mesopotamia to Medieval Europe considers the general theme of paradise from various comparative perspectives. The focus has been on the way the relationship between 'the other world' and the structure of the whole cosmos has been viewed in different ages and traditions around the Mediterranean basin, spanning from the ancient Near East to medieval Europe. Scholars coming from different fields discuss in this volume the various ways the relationship between paradise and the general features of the universe has been viewed within their own field of work. The historical formation of the notion of paradise, defined as a perfect state beyond time and space, relied heavily upon a variety of temporally and culturally conditioned concepts of the physical cosmos as a finite and imperfect realm. It is precisely the emphasis on cosmography that allows the discussion of several traditions: Sumerian, ancient Iranian, Greek, Jewish, early Christian, Gnostic, Byzantine, Islamic, Scandinavian, and Latin Western.




Paradise Lost and the Cosmological Revolution


Book Description

This volume brings John Milton's Paradise Lost into dialogue with the challenges of cosmology and the world of Galileo, whom Milton met and admired: a universe encompassing space travel, an earth that participates vibrantly in the cosmic dance, and stars that are "world[s] / Of destined habitation." Milton's bold depiction of our universe as merely a small part of a larger multiverse allows the removal of hell from the center of the earth to a location in the primordial abyss. In this wide-ranging work, Dennis Danielson lucidly unfolds early modern cosmological debates, engaging not only Galileo but also Copernicus, Tycho, Kepler, and the English Copernicans, thus placing Milton at a rich crossroads of epic poetry and the history of science.



















Cosmography in the Age of Discovery and the Scientific Revolution


Book Description

This book tells the comprehensive history of cosmography from the 15th Century Age of Discovery onward. During this time, cosmography—a science that combined geography and astronomy to inform us about our place in the universe—was deeply tied to ongoing developments in politics, exploration, culture, and technology. The book offers in-depth historical context over nearly four centuries, focusing in particular on the often neglected role that Portugal and Spain played in the development of cosmography. It details the great activity emerging from the Iberian and Italic peninsulas, including numerous voyagers of exploration, a clear commercial intention, and advancements in map-making techniques. In doing so, it provides a unique perspective on the “Longitude problem” not available in most other literature on the topic. Rigorously researched and sweeping in scope, this book will serve as an invaluable source for historians and readers interested in the history of science, of astronomy, and of exploration from a southern European perspective.




The Worldmakers


Book Description

In this beautifully conceived book, Ayesha Ramachandran reconstructs the imaginative struggles of early modern artists, philosophers, and writers to make sense of something that we take for granted: the world, imagined as a whole. Once a new, exciting, and frightening concept, “the world” was transformed in the sixteenth and seventeenth centuries. But how could one envision something that no one had ever seen in its totality? The Worldmakers moves beyond histories of globalization to explore how “the world” itself—variously understood as an object of inquiry, a comprehensive category, and a system of order—was self-consciously shaped by human agents. Gathering an international cast of characters, from Dutch cartographers and French philosophers to Portuguese and English poets, Ramachandran describes a history of firsts: the first world atlas, the first global epic, the first modern attempt to develop a systematic natural philosophy—all part of an effort by early modern thinkers to capture “the world” on the page.




Milton


Book Description