The Count of the Saxon Shore; or The Villa in Vectis


Book Description

Set during the departure of the Romans from Britain, "The Count of the Saxon Shore" is a historical fiction novel that delves into the Roman period in Great Britain (55 B.C.-449 A.D.). Written by Alfred John Church and Ruth Putnam, the story revolves around the challenges faced by the Romans and the native Britons during this tumultuous period. The narrative provides a rich blend of history, culture, and fiction, making it a captivating read for history enthusiasts and fans of historical fiction.




The Count of the Saxon Shore


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"The Count of the Saxon Shore" is a historical novel that takes place in the fourth century, the period when the Roman Empire withdrew its legions from Britain. The Count of the Saxon Shore was a military title of that time. His task was to protect the coasts of Roman Provinces from the attacks of the Saxon pirates. A Roman nobleman appointed for this position gets in the middle of the political turmoil: he has to protect the territory from pirates while getting involved in the political intrigues started by a new emperor.




The Count of the Saxon Shore


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Charles the Bold, Last Duke of Burgundy, 1433-1477


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Learn about the incredible life of Charles the Bold, Last Duke of Burgundy, in Ruth Putnam's powerful biography. Charles I's ambition to turn Burgundy into a kingdom and expand its territories caused enmity among European powers and triggered the Burgundian Wars. Despite his victories, his untimely death at the Battle of Nancy had far-reaching consequences, leading to the division of the Burgundian domains and a centuries-long dispute over its territorial possessions. Through Putnam's expert storytelling, readers gain a deeper understanding of Charles's complex character and the impact of his actions on European history.




A Guide to Historical Fiction


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Dial


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A Bibliography of Modern Arthuriana (1500-2000)


Book Description

Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada







The Academy


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