Joanstown and Other Poems


Book Description

Between the long title poem and the other poems in the collection, Michael Gilkes sets up a dialogue about the nature of memory and the meaning of experience across time.




If I Should Say I Have Hope


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Poetry. "The title of Melnick's stunning book is a microcosm of the poems within—the uncertainty of 'if I should say' followed by the defiance of 'I have hope.' Her poems follow moments of unmooredness ('I am best / when I dabble in consciousness and a soundly / spinning room') with blinding insight ('You wouldn't know happy if it kissed you on the mouth')—tiptoeing followed by a kick to the head. On the melancholy-go-round of these poems, there's a swan-seat for sadness but also a tiger called Beauty and a horse called Hope. The unexpected music and syntax of Melnick's work will make you want to ride/read it again and again."—Matthea Harvey "Lynn Melnick's poems are a series of swift kicks knocking over whatever a lot of Boys think it's like to be a Girl. They're also the bruises afterward. IF I SHOULD SAY I HAVE HOPE teems with very small and much larger devastations, crackling throughout with fierceness and stealth and wry intelligence. 'There's some kind of crazy on the way,' she says. Those of us who've seen that crazy coming need this book. Those of us who haven't need it more."—Mark Bibbins "Lynn Melnick's poems in IF I SHOULD SAY I HAVE HOPE recall the raw power of Anne Sexton and read like Lynchian dreams. The voice of these poems proves consistent and potent, steeping the book in weather and worry, in impulse and flesh, sometimes in blood. Most of the poems in IF I SHOULD SAY I HAVE HOPE are formal in structure and tone, built mostly in couplets, sometimes tercets and quatrains, and all demand recognition of truth, of human details we might rather deny. If I should say I have hope, the speaker suggests, I need to say all of these things first. She confesses, 'I'll wreck it if it's good.' Calling attention to our often-destructive tendencies, the poet admits fallibility and imperfection, while quietly offering refuge to a thing with feathers."—Melinda Wilson, Coldfront Magazine's Top 40 Poetry Books of 2012







The Periodical


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The Open Shelf


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The Athenaeum


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Anthology of Magazine Verse


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Volume for 1958 includes "Anthology of poems from the seventeen previously published Braithwaite anthologies."




Always a Reckoning, and Other Poems


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A collection of poetry by the former president shares Carter's private meditations and memories about his youth, family, friends, and politics. 75,000 first printing. $75,000 ad/promo. Tour.




The Triggering Town: Lectures and Essays on Poetry and Writing


Book Description

"Richard Hugo's free-swinging, go-for-it remarks on poetry and the teaching of poetry are exactly what are needed in classrooms and in the world."—James Dickey Richard Hugo was that rare phenomenon of American letters—a distinguished poet who was also an inspiring teacher. The Triggering Town is Hugo's now-classic collection of lectures, essays, and reflections, all "directed toward helping with that silly, absurd, maddening, futile, enormously rewarding activity: writing poems." Anyone, from the beginning poet to the mature writer to the lover of literature, will benefit greatly from Hugo's sayd, playful, profound insights and advice concerning the mysteries of literary creation.