The Courtesan's Jewel Box


Book Description

Klappentext: "This is a selection of popular Chinese stories from the 10th to the 17th centuries. These stories were written in the spoken language that developed as a literary medium after the emergence of an urban commercial economy in the Song Dynasty (A.D. 960-1279). Originally the manuscripts of ordinary street story-tellers, this genre of fiction - deriving its material from the life and times of the period, with vivid writing and intricate plots, descriptions that are natural and vivacious - has now attained a lofty place as literature. The twenty stories in this book are selected from over two hundred in several collections published at the beginning of the 17th century. The illustrations included in this volume are taken from contemporary editions." - Enthält: Introduction. - The jade worker. - The honest clerk. - Fifteen strings of cash. - The monk's billet-doux. - The foxes' revenge. - The hidden will. - The two brothers. - The beggar chief's daughter. - A just man avengd. - The tattered felt hat. - The courtesan's jewel box. - The oil vendor and the courtesan. - The old gardener. - Marriage by proxy. - The proud scholar. - The tangerines and the tortoise shell. - The story of a breggart. - The alchemist and his concubine. - A prefectship bought and lost. - The merry adventures of Lazy Dragon. - Die Erzählungen sind drei Sammlungen des Feng Menglong (Yushi mingyan, Jingshi tongyan und Xingshi hengyan) sowie der Sammlung "Paian jingqi" des Lin Mengchu entnommen. Insbesondere Erzählungen in den Sammlungen des Feng Menglong lassen sich vielfach auf ältere Quellen zurückführen.




Red-Light Novels of the Late Qing


Book Description

Chloe Starr's book offers a comprehensive literary reading of six nineteenth-century Chinese red-light novels and assesses how and why they alter our view of late Qing fiction and the authorial self.




The Substance of Fiction


Book Description

Do the portrayals of objects in literary texts represent historical evidence about the material culture of the past? Or are things in books more than things in the world? Sophie Volpp considers fictional objects of the late Ming and Qing that defy being read as illustrative of historical things. Instead, she argues, fictional objects are often signs of fictionality themselves, calling attention to the nature of the relationship between literature and materiality. Volpp examines a series of objects—a robe, a box and a shell, a telescope, a plate-glass mirror, and a painting—drawn from the canonical works frequently mined for information about late imperial material culture, including the novels The Plum in the Golden Vase and The Story of the Stone as well as the short fiction of Feng Menglong, Ling Mengchu, and Li Yu. She argues that although fictional objects invite readers to think of them as illustrative, in fact, inconsistent and discontinuous representation disconnects the literary object from potential historical analogues. The historical resonances of literary objects illuminate the rhetorical strategies of individual works of fiction and, more broadly, conceptions of fictionality in the Ming and Qing. Rather than offering a transparent lens on the past, fictional objects train the reader to be aware of the fallibility of perception. A deeply insightful analysis of late Ming and Qing texts and reading practices, The Substance of Fiction has important implications for Chinese literary studies, history, and art history, as well as the material turn in the humanities.




The Classic Chinese Novel


Book Description

C. T. Hsia examines six landmark texts: The Romance of the Three Kingdoms, The Water Margin, Journey to the West, Chin P'ing Mei, The Scholars, and Dream of the Red Chamber. In addition to providing historical and bibliographical information, he critiques structure and style, as well as major characters and episodes in relation to moral and philosophical themes. C. T. Hsia cites Western classics for comparison and excerpts each novel. Hailed as a classic upon its publication in 1968, The Classic Chinese Novel has remained the best singlevolume critical introduction to the subject.




The Columbia Anthology of Chinese Folk and Popular Literature


Book Description

In The Columbia Anthology of Chinese Folk and Popular Literature, two of the world's leading sinologists, Victor H. Mair and Mark Bender, capture the breadth of China's oral-based literary heritage. This collection presents works drawn from the large body of oral literature of many of China's recognized ethnic groups--including the Han, Yi, Miao, Tu, Daur, Tibetan, Uyghur, and Kazak--and the selections include a variety of genres. Chapters cover folk stories, songs, rituals, and drama, as well as epic traditions and professional storytelling, and feature both familiar and little-known texts, from the story of the woman warrior Hua Mulan to the love stories of urban storytellers in the Yangtze delta, the shaman rituals of the Manchu, and a trickster tale of the Daur people from the forests of the northeast. The Cannibal Grandmother of the Yi and other strange creatures and characters unsettle accepted notions of Chinese fable and literary form. Readers are introduced to antiphonal songs of the Zhuang and the Dong, who live among the fantastic limestone hills of the Guangxi Zhuang Autonomous Region; work and matchmaking songs of the mountain-dwelling She of Fujian province; and saltwater songs of the Cantonese-speaking boat people of Hong Kong. The editors feature the Mongolian epic poems of Geser Khan and Jangar; the sad tale of the Qeo family girl, from the Tu people of Gansu and Qinghai provinces; and local plays known as "rice sprouts" from Hebei province. These fascinating juxtapositions invite comparisons among cultures, styles, and genres, and expert translations preserve the individual character of each thrillingly imaginative work.




The Women of Quyi


Book Description

Drawing substantially on original ethnographic fieldwork from the 1980s and 1990s, Lawson demonstrates how the women of quyi - a community of Chinese female singers in Republican Tianjin - successfully negotiated their sexuality and vocality in performance. Owing to their role as third-person narrators, the women of quyi bridged the gender gap in Chinese performance, creating an androgynous persona that allowed them to showcase their voices on public stages; places that had been previously unwelcoming to conventional female performers. This is a story about female storytellers who sang their way to respectability and social change by minimizing their bodies to allow their voices to be heard.




The Shadow Courtesan


Book Description

No mortal will tell of our tragedy... Tenebrae; a world of darkness, trapped in the past and where vampires rule over their mortal slaves. Torn from the safety of her small village, twelve-year-old Reina is a thrust into a life of slavery and eternal darkness. Spending her prime years in servitude to the demons known as vampires, Reina learns to keep her head down and remain unseen. But all that changes when she makes a fatal mistake. A century after seeing her home destroyed and family slaughtered, Reina is forced to return toTenebrae. No longer a slave and raised to the ranks of vampire, the very creature she loathes, Reina is determined to end slavery and destroy Tenebrae. But she has caught the attention of Master Vrykólakas, the man responsible for the death of her family. Suspicious of Reina's return he issues her an impossible ultimatum: become his treasured courtesan or condemn the man who is both her Creator and lover to death.




The Courtesan’s Daughter


Book Description

Maude Whitlock is consigned to a life of servitude in Barbados after the death of her mother, a notorious courtesan. As she plans her escape to London, a chance encounter awakens hope for a different life. Henry Crane, gentleman spy, wealthy widower, handsome charmer, places his mission above all other concerns—until he meets Maude, a frazzled chaperone at his niece's engagement ball. Cross purposes will soon put an ocean between them. She refuses to follow her mother's path into the oldest profession, and he is duty bound to see his mission through. How will they find a path to the future before circumstances pull them apart?




Appropriation and Representation


Book Description

Feng Menglong (1574–1646) was recognized as the most knowledgeable connoisseur of popular literature of his time. He is known today for compiling three famous collections of vernacular short stories, each containing forty stories, collectively known as Sanyan. Appropriation and Representation adapts concepts of ventriloquism and dialogism from Bakhtin and Holquist to explore Feng’s methods of selecting source materials. Shuhui Yang develops a model of development in which Feng’s approach to selecting and working with his source materials becomes clear. More broadly, Appropriation and Representation locates Feng Menglong’s Sanyan in the cultural milieu of the late Ming, including the archaist movement in literature, literati marginality and anxieties, the subversive use of folk works, and the meiren xiangcao tradition—appropriating a female identity to express male frustration. Against this background, a rationale emerges for Feng’s choice to elevate and promote the vernacular story while stepping back form an overt authorial role.




Chinese Masculinities in a Globalizing World


Book Description

This book explores how the traditional ideal of Chinese manhood – the "wen" (cultural attainment) and "wu" (martial prowess) dyad – has been transformed by the increasing integration of China in the international scene. It discusses how increased travel and contact between China and the West are having a profound impact; showing how increased interchange with Western men, for whom "wu" is a more significant ideal, has shifted the balance in the classic Chinese dichotomy; and how the huge emphasis on wealth creation in contemporary China has changed the notion of "wen" itself to include business management skills and monetary power. The book also considers the implications of Chinese "soft power" outside China for the reconfigurations in masculinity ideals in the global setting. The rising significance of Chinese culture enables Chinese cultural norms, including ideals of manhood, to be increasingly integrated in the international sphere and to become hybridised. The book also examines the impact of the Japanese and Korean waves on popular conceptions of desirable manhood in China. Overall, it demonstrates that social constructions of Chinese masculinity have changed more fundamentally and become more global in the last three decades than any other time in the last three thousand years.