History and Technique of Old Master Drawings
Author : Charles De Tolnay
Publisher : Conran Octopus
Page : 296 pages
File Size : 13,11 MB
Release : 1972
Category : Drawing
ISBN :
Author : Charles De Tolnay
Publisher : Conran Octopus
Page : 296 pages
File Size : 13,11 MB
Release : 1972
Category : Drawing
ISBN :
Author : National Gallery of Art (U.S.)
Publisher : Paul Holberton Publishing
Page : 352 pages
File Size : 13,79 MB
Release : 2010
Category : Architecture
ISBN :
Catalog of an exhibition held at the National Gallery of Art, Washington, D.C., May 16-Nov. 28, 2010.
Author : James Watrous
Publisher : Univ of Wisconsin Press
Page : 170 pages
File Size : 13,13 MB
Release : 1957
Category : Art
ISBN : 9780299014254
A comprehensive study of the techniques of drawing, this is both a historical work, covering the period from the late Middle Ages to the present, and a useful manual for contemporary artists. It presents the old masters' techniques by means of a thorough study of the historical and written evidence of the tools and materials used. The author also includes a series of workshop procedures he has developed with which the contemporary artist may produce the equivalents of the techniques of earlier draughtsmen. This book comprises a body of knowledge that is essential to students of art history, curators, collectors and artists, and is a significant addition to the literature on drawing. In addition to his scholarly investigation of earlier practices, the author identifies materials and processes used by such important artists as Rembrandt, Van Gogh, Romney, Picasso, Michelangelo, Watteau, Holbein, Tiepolo, and Delacroix. For the artist interested in reproducing the effects achieved by these and many other acknowledged masters, there are full discussions and specific directions concerning the making of inks, styluses, reed and quill pens, fabricated chalks, and instructions for preparing grounds for metalpoint drawings. At every step, the discussion is supplemented with illustrations from laboratory experiments and from drawings by both old and contemporary artists. Of the more than sixty illustrations included, thirty-six are reproductions of master works, and among the others there are microphotographic enlargements of detail showing the differences in density and texture produced by various tools on different papers or grounds. Thus, as a collection of master drawings, the book is worthy of the art lover's library; as a technical study, it is an indispensable aid to the art student and practicing artist.
Author : David W. Galenson
Publisher : Princeton University Press
Page : 268 pages
File Size : 21,90 MB
Release : 2006
Category : Art
ISBN : 9780691121093
When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.
Author : Watson-Guptill
Publisher : Watson-Guptill
Page : 746 pages
File Size : 23,89 MB
Release : 2012-05-08
Category : Art
ISBN : 0770433340
Discover the Keys to Creating Beautiful Drawings with Master Artists Between these pages, artists of all backgrounds will find anything and everything they need to know about drawing. With thorough explanations of materials and their composition, step-by-step demonstrations, and practical advice for creating compositions, The Big Book of Drawing is a comprehensive authority on the medium that is the foundation of all other visual arts. Learn how to handle charcoal, pastel, pencil, and an array of inks; master various shading techniques, including cross-hatching and chiaroscuro; and discover the secrets to constructing attractive and unique compositions. Aspiring artists will learn from the best, with a plentiful array of work by old masters, such as Van Dyke, Rembrandt, Gainsborough, Degas, Toulouse-Lautrec, and others. This combination of a detailed instruction book and folio of masterpiece art inspires and informs artists in a way that no other drawing book does.
Author : Princeton University. Art Museum
Publisher :
Page : 0 pages
File Size : 48,63 MB
Release : 2014
Category : Drawing
ISBN : 9780300149326
This richly illustrated volume offers a new look at the exceptional collection of Italian drawings at the Princeton University Art Museum. An introductory essay by Laura M. Giles chronicles the history and significance of the collection, and nearly one hundred of the collection's masterworks are treated with essay-length entries and full-page images. The first scholarly examination of the collection since Felton Gibbons's comprehensive publication of 1977, the catalogue includes an appendix of more than 150 drawings that have entered the collection since--many previously unpublished, and all fully documented with short entries. Highlights include works by celebrated masters, including Carpaccio and Modigliani, from the early Renaissance through the early Modern periods, with an emphasis on the collection's renowned holdings of works by Luca Cambiaso, Guercino, and the two Tiepolos. With contributions by Alessandra Bigi Iotti, Jonathan Bober, Giada Damen, Diane de Grazia, Rhoda Eitel-Porter, Frederick Ilchman, Anne Varick Lauder, John Marciari, Elizabeth Pilliod, John Pinto, David Stone, Catherine Whistler, and Giulio Zavatta.
Author : Susan Owens
Publisher : Victoria & Albert Museum
Page : 0 pages
File Size : 44,28 MB
Release : 2013-10-29
Category : Art
ISBN : 9781851777587
'The Art of Drawing' covers the wider history of drawing in Britain exploring the role crucial drawing has played in British art. Featuring works by foremost British artists from the early 17th century right up to the present day, this book offers fresh insights into the range of ways these artists have used drawing to think on paper, build up ideas and make finished exhibition pieces.
Author : Max Doerner
Publisher : Houghton Mifflin Harcourt
Page : 484 pages
File Size : 46,53 MB
Release : 1984
Category : Art
ISBN : 9780156577168
A classic book on the craft of painting including technique and materials.
Author : J. David Spurlock
Publisher : Vanguard
Page : 120 pages
File Size : 25,39 MB
Release : 2020-04
Category :
ISBN : 9781934331811
Discover the world's greatest heroic fantasy artist, Frank Frazetta in the landmark collection, Fantastic Paintings of Frazetta. The New York Times said, "Frazetta helped define fantasy heroes like Conan, Tarzan and John Carter of Mars with signature images of strikingly fierce, hard-bodied heroes and bosomy, callipygian damsels." Frazetta took the sex and violence of the pulp fiction of his youth and added even more action, fantasy and potency, but rendered with a panache seldom seen outside of major works of Fine Art. Despite his fantastic subject matter, the quality of Frazetta's work has not only drawn comparisons to the most brilliant of illustrators, Maxfield Parrish, Frederic Remington, Norman Rockwell, N.C. Wyeth but, even to the most brilliant of fine artists including Rembrandt and Michelangelo and, major Frazetta works sell for millions of dollars. This innovator's work has inspired generations of artists, movies including the Conan films, John Carter of Mars, the Lord of the Rings trilogy, Robert Rodriguez' films including From Dusk Till Dawn, Ralph Bakshi films, the epic, Game of Thrones series, Tim Burton's Sleepy Hollow, Disney's animated Tarzan films, Francis Ford Coppola's Apocalypse Now and George Lucas' Star Wars. Forbes magazine said, "Which artist helped make Arnold governor? Frank Frazetta, the Rembrandt of barbarians." J. David Spurlock started crafting this book by reviving the original million-selling 1970s mass market art book, Fantastic Art of Frank Frazetta. But, he expanded and revised to include twice as many images and, presents them at a much larger coffee-table book size. The collection is brimming with classic and rare works including barbarians, beasts, and beauties. Game of Thrones creator George R. R. Martin said, "Frazetta's covers of the Conan paperback collections became the definitive picture of the character... still is." Schwarzenegger said, "When I looked at Frazetta's paintings, I tell you, it was intimidating." Game of Thrones, Conan and Aquaman film star Jason Momoa said, "I am a huge Frank Frazetta fan. That's what I wanted to bring to life." See the revolutionary art that helped inspire Schwarzenegger, Momoa, the Lord of the Rings and Game of Thrones: FRAZETTA!
Author : Max Schweidler
Publisher : Getty Publications
Page : 320 pages
File Size : 26,69 MB
Release : 2006
Category : Antiques & Collectibles
ISBN : 9780892368358
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati