The Critical Review or Annals of Literature, 1756-1763 Vol 16


Book Description

The "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.




The Critical Review or Annals of Literature, 1756-1763 Vol 1


Book Description

The "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
















The History of Lady Julia Mandeville


Book Description

Published in 1763, The History of Lady Julia Mandeville was Frances Brooke’s first and most successful novel. This modern critical edition contains an introductory essay on the text, endnotes and textual variants as well as appendices containing contemporary reviews and some of Brooke’s other writing.




Bluestockings and Travel Accounts


Book Description

This Element proposes to relate the eighteenth-century world of travel and travel writing with the bluestocking salon. It locates eminent British travellers and explorers in the female-presided intellectual space and examines their multifaceted interaction with the bluestockings between 1760 and 1799. The study shows how the bluestockings acquired knowledge of the world through reading, discussing, writing and collecting travel accounts. It explores the 'social life' of manuscript and printed travel texts in the circle, their popularity and impact on the bluestockings. This Element builds upon the body of evidence provided by their published and unpublished diaries, correspondence and private library catalogues.







Gothic Antiquity


Book Description

Gothic Antiquity: History, Romance, and the Architectural Imagination, 1760-1840 provides the first sustained scholarly account of the relationship between Gothic architecture and Gothic literature (fiction; poetry; drama) in the late eighteenth and early nineteenth centuries. Although the relationship between literature and architecture is a topic that has long preoccupied scholars of the literary Gothic, there remains, to date, no monograph-length study of the intriguing and complex interactions between these two aesthetic forms. Equally, Gothic literature has received only the most cursory of treatments in art-historical accounts of the early Gothic Revival in architecture, interiors, and design. In addressing this gap in contemporary scholarship, Gothic Antiquity seeks to situate Gothic writing in relation to the Gothic-architectural theories, aesthetics, and practices with which it was contemporary, providing closely historicized readings of a wide selection of canonical and lesser-known texts and writers. Correspondingly, it shows how these architectural debates responded to, and were to a certain extent shaped by, what we have since come to identify as the literary Gothic mode. In both its 'survivalist' and 'revivalist' forms, the architecture of the Middle Ages in the long eighteenth century was always much more than a matter of style. Incarnating, for better or for worse, the memory of a vanished 'Gothic' age in the modern, enlightened present, Gothic architecture, be it ruined or complete, prompted imaginative reconstructions of the nation's past--a notable 'visionary' turn, as the antiquary John Pinkerton put it in 1788, in which Gothic writers, architects, and antiquaries enthusiastically participated. The volume establishes a series of dialogues between Gothic literature, architectural history, and the antiquarian interest in the material remains of the Gothic past, and argues that these discrete yet intimately related approaches to vernacular antiquity are most fruitfully read in relation to one another.