The Cross in the Visual Culture of Late Antique Egypt


Book Description

In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey offers an exploration of the variety of ways in which the Holy Cross was expressed in imagery, in the monastic and ecclesiastical settings of late antique Egypt.




The Cross in the Visual Culture of Christian Egypt


Book Description

This thesis focuses on representations of the cross, that most fundamental symbol of the Christian faith. More specifically, it is an art historical exploration of the varied designs of the crosses of Christian Egypt, from the fourth to the twelfth century. The corpus, across the monastic landscape, is rich and diverse, reflecting the syncretistic society that commissioned and produced it. The designs are remarkable and sometimes unique. Representations occur in wall paintings, funerary sculpture, architectural features in stone and wood, and on a wide range of domestic and liturgical objects.




Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300-900


Book Description

Graphic Signs of Authority in Late Antiquity and the Early Middle Ages presents a cultural history of graphic signs and examines how they were employed to communicate secular and divine authority in the late antique Mediterranean and early medieval Europe. Visual materials such as the sign of the cross, christograms, monograms, and other such devices, are examined against the backdrop of the cultural, religious, and socio-political transition from the late Graeco-Roman world to that of medieval Europe. This monograph is a synthetic study of graphic visual evidence from a wide range of material media that have rarely been studied collectively, including various mass-produced items and unique objects of art, architectural monuments and epigraphic inscriptions, as well as manuscripts and charters. This study promises to provide a timely reference tool for historians, art historians, archaeologists, epigraphists, manuscript scholars, and numismatists.




The Art of Conversion


Book Description

Between the sixteenth and the nineteenth centuries, the west central African kingdom of Kongo practiced Christianity and actively participated in the Atlantic world as an independent, cosmopolitan realm. Drawing on an expansive and largely unpublished set of objects, images, and documents, Cecile Fromont examines the advent of Kongo Christian visual culture and traces its development across four centuries marked by war, the Atlantic slave trade, and, finally, the rise of nineteenth-century European colonialism. By offering an extensive analysis of the religious, political, and artistic innovations through which the Kongo embraced Christianity, Fromont approaches the country's conversion as a dynamic process that unfolded across centuries. The African kingdom's elite independently and gradually intertwined old and new, local and foreign religious thought, political concepts, and visual forms to mold a novel and constantly evolving Kongo Christian worldview. Fromont sheds light on the cross-cultural exchanges between Africa, Europe, and Latin America that shaped the early modern world, and she outlines the religious, artistic, and social background of the countless men and women displaced by the slave trade from central Africa to all corners of the Atlantic world.




Pseudo-Dionysius and Christian Visual Culture, c.500–900


Book Description

This book uses Pseudo-Dionysius and his mystic theology to explore attitudes and beliefs about images in the early medieval West and Byzantium. Composed in the early sixth century, the Corpus Dionysiacum, the collection of texts transmitted under the name of Dionysius the Areopagite, developed a number of themes which have a predominantly visual and spatial dimension. Pseudo-Dionysius’ contribution to the development of Christian visual culture, visual thinking and figural art-making are examined in this book to systematically investigate his long-lasting legacy and influence. The contributors embrace religious studies, philosophy, theology, art, and architectural history, to consider the depth of the interaction between the Corpus Dionysiacum and various aspects of contemporary Byzantine and western cultures, including ecclesiastical and lay power, politics, religion, and art.




Further Issues in Eucharistic Praying in East and West


Book Description

Further Issues in Eucharistic Praying in East and West is a collection of essays concerned with the origins, development, and theologies of early Eucharistic praying. For students and teachers of liturgy, as well as all who seek solid, up-to-date scholarship on Eucharistic liturgy and theology, this volume provides current research on a variety of Eucharistic prayers in the churches of East and West. Essays and authors include: • Balancing Eucharistic Origins in the Work of Gordon Lathrop and Thomas O’Loughlin – Megan Effron • Shaping the Classical Anaphoras of the Fourth through Sixth Centuries – Nathan P. Chase • The Heis Theos Acclamations in the Barcelona Papyrus: A Eucharistic Liturgy without the Opening Line of the Christian Anaphoral Dialogue – Arsany Paul • Chiasmus in the Anaphoras of Addai and Mari and Sharar – Paul Elhallal • The Egyptian Origins of the Anaphora in Mystagogical Catechesis V ascribed to Cyril of Jerusalem - Maxwell E. Johnson • The Theology of Sacrifice in the Anaphora of Byzantine Basil – Lucas Christensen • Authority and Confluence of Traditions in Aksum: The Heritage of the Anaphora of the Apostolic Tradition in the Ethiopian Anaphora of the Apostles – Andrij Hlabse • Vernacular Translation of the Roman Canon – Julia Canonico • Igbo Translations of the Roman Canon: Inculturation or the Battle for the Soul of Latin? – Joachim Ozonze • Recent Thoughts on the Roman Anaphora: Sacrifice in the Canon Missae – Maxwell E. Johnson




Exorcising our Demons: Magic, Witchcraft and Visual Culture in Early Modern Europe


Book Description

This collection of sixteen essays deals with the role of magic, religion and witchcraft in European culture, 1450-1650, and the critical role of the visual in that culture. It covers the relationship of humanism and magic; the intersection of religious ritual, orthodoxy and power; the discursive links between the visual language of witchcraft and contemporary anxieties about sexuality and savagery. The introductory chapter urges us to exorcise our tendency to reduce historical experiences of the demonic to forms of unreason created in a distant past. Only then can we understand the role of the demonic in our historical definition of the self and the other. Richly illustrated with 112 images, the book will interest historians and art historians.




The Cross in Tradition, History, and Art


Book Description

"This work discusses the cross throughout history, from prehistoric times to modern day. Found within are chapters entitled: cross before the Christian Era and in prehistoric times; types of the cross; early form and use of the cross; legends of the cross; true cross and its traditionary history; title of the cross; doctrinal teaching of the crucifixion; cross and crucifix in early Christian art; various types of crosses; varieties of the cross; objects with the cross on them; sign of the cross; Puritan objections to the cross; and miscellaneous crosses."--B & N.




Exploring Written Artefacts


Book Description

This collection, presented to Michael Friedrich in honour of his academic career at of the Centre for the Study of Manuscript Cultures, traces key concepts that scholars associated with the Centre have developed and refined for the systematic study of manuscript cultures. At the same time, the contributions showcase the possibilities of expanding the traditional subject of ‘manuscripts’ to the larger perspective of ‘written artefacts’.




Thresholds of the Sacred


Book Description

This collection of essays considers the development and meaning of the iconostasis, the screen used in churches to separate the sanctuary from the nave. The contributors approach the history of the icon screen from a variety of disciplines, including art history, theology, and architecture.